The Great Gatsby Movie Review
The 1974 adaptation of the critically acclaimed novel the Great Gatsby is directed by Jack Clayton and screenwriten by Francis Ford Coppola, with Robert and Mia Farrow as leads. The two actors give excellent performances, and certainly portray the beautiful people they are made out to be in the book. One scene in particular that reflected that Redford was was chosen for this part was when the Nick and Gatsby are in suits and Nick is perspiring in is utterly unsuitable manner of dress for the weather, while Gatsby remains cool as usual, not shedding a drop of sweat. In addition Mia Farrow develops Daisy's flighty character nicely, and she makes you love her but hate her at the same time very well.
<br>
<br>Another aspect of the film I found impeccable was the scenery, which centres on the lives of America's decadent and spoiled. The scenery presents the idea that they have money than they need and they can do whatever they want whenever they want. Their scenery is a recreation of European historical grandeur, a fact that the film is keen to demonstrate.
<br>
<br>Symbolism in the movie was also awesome, I really appreciated how the director added a few twists of his own which I will come to shortly. Particularly memorable is the scene where Daisy weeps over Gatsby's shirts. Is she really weeping for their beauty ? This was really well done and hampered enough to make the viewers believe that someone could actually be so superficial. Also kudos to the director on the scene when the film visits the miserable gas-station home of Tom Buchanan's lover, Myrtle. Here the colour drains from the film, serving as a sharp contrast to the rainbow spectrum of the rich's world, where money reflects carelessness and happiness. Also recall that owning a dog seems to be the ultimate fashion accessory of the time. The film has dogs running everywhere, a reflection I'm sure on their owners. But see if you can glimpse the scruffy mongrel that steals food from a table at one of Gatsby's
<br>
<br>Another aspect of the film I found impeccable was the scenery, which centres on the lives of America's decadent and spoiled. The scenery presents the idea that they have money than they need and they can do whatever they want whenever they want. Their scenery is a recreation of European historical grandeur, a fact that the film is keen to demonstrate.
<br>
<br>Symbolism in the movie was also awesome, I really appreciated how the director added a few twists of his own which I will come to shortly. Particularly memorable is the scene where Daisy weeps over Gatsby's shirts. Is she really weeping for their beauty ? This was really well done and hampered enough to make the viewers believe that someone could actually be so superficial. Also kudos to the director on the scene when the film visits the miserable gas-station home of Tom Buchanan's lover, Myrtle. Here the colour drains from the film, serving as a sharp contrast to the rainbow spectrum of the rich's world, where money reflects carelessness and happiness. Also recall that owning a dog seems to be the ultimate fashion accessory of the time. The film has dogs running everywhere, a reflection I'm sure on their owners. But see if you can glimpse the scruffy mongrel that steals food from a table at one of Gatsby's