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The Godfather Research Paper

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The Godfather Research Paper
The Godfather
Rarely can it be said that a film has defined a genre, but never is that more true than in the case of The Godfather. Since the release of the 1972 epic (which garnered ten Academy Award nominations and was named Best Picture), all "gangster movies" have been judged by the standards of this one (unfair as the comparison may be). If a film is about Jewish mobsters, it's a "Jewish Godfather"; if it's about the Chinese underworld, it's an "Oriental Godfather"; if it takes place in contemporary times, it's a "modern day Godfather."
If The Godfather was only about gun-toting Mafia types, it would never have garnered as many accolades. The characteristic that sets this film apart from so many of its predecessors and successors is
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Michael (Al Pacino), Don Vito's youngest son and a second world war hero, is back home in the company of a new girlfriend (Diane Keaton). The two older boys, Sonny (James Caan) and Fredo (John Cazale), are there as well, along with their "adopted" brother, Tom Hagen (Robert Duvall), the don's right-hand man.
With the end of the war, the times are changing, and as much as Don Vito seems in control at the wedding, his power is beginning to erode. By the standards of some, his views on the importance of family, loyalty, and respect are antiquated. Even his heir apparent, Sonny, disagrees with his refusal to get into the drug business. Gambling and alcohol are forces of the past and present; narcotics are the future. But Don Vito will not compromise, even when a powerful drug supplier named Sollozzo arrives with promises of high profits for those who back him.
Don Vito's refusal to do business with Sollozzo strikes the first sparks of a war that will last for years and cost many lives. Each of the five major mob families in New York will be gouged by the bloodshed, and a new order will emerge. Betrayals will take place, and the Corleone family will be shaken to its roots by treachery from both within and

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