The More Dysfunctions, The More Escapes
The Wingfields and Westons are both inimitable families who carry distinctive traits and characteristics. In the play, The Glass Menagerie, Tennessee Williams portrays a southern family in the 1930's trying to deal with life's pressures, and their own fears after their husband and father deserts them. In the play, August: Osage County, Tracy Letts depicts a large eccentric family who come together after the death of the patriarch, Beverly, and try to triumph over the obstacles in life. Unhealthy and detrimental relationships among family members are ample between the two families. The Wingfield and Weston families are both trapped by their own dysfunctions, which force them to be confined in their own homes, ultimately causing the abandoned matriarchs to either face the truth or continue to run from it.
First, the Wingfields and Westons are both abnormal families who share a lot of the same dysfunctions as one another. Each member of the Wingfield family has their own issues and problems. Laura has a slight physical disability, but her mind is significantly more crippled. Laura is very weak and open to attack; she is unable to defend herself from the truths of life. Amanda attempts to portray herself as a loving mother, doing everything she can for her children, and caring nothing for herself, Patel 2
when in fact, she is quite selfish, demanding and disrespectful. Amanda disrespects Tom, as she says,”What is the matter with you, you-big-big-idiot!” (Williams 21) Amanda claims that she devotes her life to her children, and that she would do anything for them, but is very suspicious of Tom’s activities, and frequently pressures Tom, trying to force him in finding a gentleman caller for Laura, believing that Laura is lonely and needs a companion. Tom resents his mother greatly, not only because she always gets her way with him, but because she is so suspicious of his activities, causing a...
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