The Daughters of the Late Colonel

Male Dominated Society
In her short story, “The Daughters of the Late Colonel”, Katherine Mansfield shows the inability of women brought up in a society of the late 19th to early 20th centuries to deal with the challenges of the everyday life on their own. She does this by writing about the girls in a time of crisis after their father dies. The dependence of the two sisters on their late father and their servants is shown in their every interaction with others, as well as with one another. Another thing that also becomes obvious from the writing is how the two women's attempts to conform to the socially accepted norms of their society ruin their ability to take care of themselves. But the final chapter points at the fact that, no matter how deeply the inhibitions of the society are ingrained in them, every woman, including Constantia and Josephine, is instinctively aware of what really brings her happiness, even though she cannot always realize her hidden dreams and desires.
While it is not uncommon to observe the relatives or friends of a recently deceased person often forgetting that the person is no longer alive it is saddening to read about the level of the two sisters' dependence on their father. The short story goes into detail about how the two sisters think that burying their father is the wrong thing to do because their father would never approve of it and would never forgive them for it. The beggining of the final chapter is a sort of wakeup call for the sisters. The sounds of a barrel-organ, which their father hated, no longer need to be suppressed by giving money to the organist and asking him to go away. These sounds are a dose of reality to the sisters, a sign that their father is truly dead and is not coming back. The realization comes to both women almost simultaneously, when Constantia suddenly realizes that it has been a week since father died, and Josephine suddenly forgets "to be practical and sensible".
No longer having to serve their father, the two sisters let their minds wonder into a private territory that the rigid norms of their sheltered lives do not allow them to think about - the territory of simple, impractical contemplating. It is through the thoughts of Josephine that the readers find out that the sisters were orphaned at a very young age and lived almost their entire lives without experiencing maternal care or the level of female influence that otherwise would have taught them how to use their natural abilities to their advantage. Josephine wonders, "How did one meet men? Or even if they'd met them, how could they have got to know men well enough to be more than strangers?". Because of the wide separation in male and female roles of the society, the women's father could not teach them about these things, and neither could their aunt, who would not even live with them if she were married herself. But it is because of this time of youth, passion, and pleasure lost that Josephine feels the yipping of a sparrow coming out of her chest rather than from the outside. The yipping is no longer the sound of pleasure and freedom, but rather the "weak and forlorn" crying of a creature forever shut off from those experiences.
The situation is similar with Constantia, who recalls the time when father was alive as an unreal tunnel of constantly repeating activities, and that only in the light of the full moon or next to the expanse of the sea "that she really felt herself". However, just like her sister, Constantia is so far gone from being able to experience these pleasures, of experiencing herself, that she aimlessly wonders why she feels that way in the moonlight or by the sea, and what those feelings mean. The final scene of the chapter leaves a dark impression on the readers, because in it, both women show not only their indecision and inability to take initiative, but also their inability to even form a coherent thought. This is where the norms of female behavior acceptable by a male-dominated society lead them.