The story Two Kinds is about a Chinese girl, Jing-Mei, who lives life trying to find herself under her over-bearing mother’s envisions and high expectations of what she feels Jing-Mei should become. The subject of the mother-daughter dynamic and lack of obedience is revealed from the beginning of the story; as well as the fact their relationship is rather conflicted. Throughout the story Jing-Mei is very obstructive to the ideas her mom puts forth. Her constant acts of disobeying and rebelling against her mom orders, express how the tension arose between Jing-Mei and her mom. The fact her mom had an extremely difficult life in China until she lost everything and moved to America, explains and sort of justifies why she was so obsessed with Jing-Mei excelling and making something of her, life in addition to her desire of wanting to be able to brag. Unfortunately, rather than allowing Jing-Mei to find something she was comfortable with and make an independent decision of what she wanted in her life, she forced activities and ideas on her which eventually resulted in Jing-Mei becoming rebellious. As Jing-Mei became rebellious, her mom implemented her…
<br>Initially, Jing-Mei doesn't have the drive to succeed as her mother does. Her mother has many ideas for her to succeed. At first, it was to be a Chinese Shirley Temple. Then, it was anything out of Ripley's Believe it or not, or Reader's Digest. Jing-Mei's mother would also give her testsbut she failed them all. Eventually. Jing-Mei began to perform listlessly and pretend to be bored. Then, when her mother saw a little Chinese girl playing the piano on the ED Sullivan Show, she got the same idea for Jing-Mei.…
The Joy Luck Club review by Bapalapa2 states how the mothers in the stories are not to far off with their beliefs they have for their daughters. The mothers want their daughters to grow up in America and have opportunities, but also want their daughters to retain Chinese values and customs. The daughter is quite similar in ways too. They are Americanize and can’t grasp the importance of their Chinese inheritance. The Joy Luck Club Club review by Krikus talks about the daugthers especially the young chess champion Waverly who learns the trick of the chessboard did not apply when opposing mother. Who notify her “strongest wind cannot be seen”.…
In Amy Tan’s novel The Joy Luck Club, Tan explores the difficulty of immigration and adjustment to a different culture by following the women of four families. Throughout the novel, Tan slowly reveals the struggles of each individual woman’s life, both in the past and in the present. Tan’s story may not immediately translate into Joseph Campbell’s widely recognized Hero’s Journey, but certain characters resemble Campbell’s path of character development. Lindo Jong’s life in China and in the United States reflect this path.…
Many Chinese mothers and Americanized daughters have trouble understanding each other and this problem can only be solved through accepting each other's values and their differences. In the chapter,Two Kinds, from the book "The Joy Luck Club" by Amy Tan exposes the values of a Chinese mother, Suyuan and her Americanized daughter, Jing-mei about living in America. After seeing many articles and stories about prodigies, Suyuan innocently believes her daughter can be one too. At first, Jing-mei was ecstatic about the idea but through constant disappointment from her mother, Jing-mei became idiotically determined to disappoint her mother even more. Pursuing this further, Suyuan thought Jing-mei can be a virtuoso pianist…
The Joy Luck club centers on four, middle-aged, Chinese immigrants, Suyuan Woo, An-mei Hsu, Lindo Jong, and Ying-ying St. Clair. Although the relationships that exist between each of the four women are important, it is the exploration into each woman’s relationship with her first generation daughter that is central to the plot line. Through this exploration, the generational and cultural gaps that exist between the each of the women and their daughters are exposed; allowing several interesting connections to course material to be made.…
In Amy Tan’s novel of conflicting cultures, The Joy Luck Club, the narrators contemplate their inability to relate from one culture to another. The novel is narrated by and follows the connected stories about conflicts between Chinese immigrant mothers and their American-raised daughters. Jing-mei, one of the daughters, has taken her mother’s place in a weekly gathering her mother had organized called the Joy Luck Club, in which four women would gather to gamble together to help each other. Through use of many different perspectives and concise diction, Tan reveals her theme of building bridges between cultures and generations and the revelation that tragedy shapes us. In The Joy Luck Club, Tan’s deceptively simple yet dramatic…
Only one kind of daughter can live in this hous. Obedient daughter” she shouted in chinese. “Then I wish I wasn’t your daughter, I wish you weren’t my mother” (Chunk 6 paragraph 11, 12). As a Chinese immigrant Jing Mei’s mother gets the idea from television shows and magazines and she does not question the validity of these sources. She meanswhile pushes her daughter to be the best but on the other hand Jing Mei cannot see the value of showing dedication to her mother’s goal, practicing a skill, or collaborating with her mother’s plan because they are both separated by a factor; Culture. After her mother’s death she gains insight into her mother’s underlying motives. In addition Rudy Puana learned to be true in spite of his difficulties in life.…
A young Chinese American woman, Jing-Mei “June” Woo, recalls, after her mother's death, her mother's sadness at having left her twin baby girls in China in 1949. June has used her mother's regret as a weapon in a battle of wills focusing on what her mother wants her to be and what she wants. June wins, leaving her mother, Suyuan, stunned when she says she wishes she were dead like the twins. Although this scene characterizes the common struggle for power between mother and daughter, the story also illustrates…
Suyuan shows love for her daughter by sacrificing her dinner to give to her daughter. The point Amy incorporates is to show the strong bond and relationship between mother and daughter. Jing-Mei attempts to give her mother the good crab. But, Suyuan refuses it and gives the crab back to her daughter. Despite their past differences (with the piano lessons), they manage to have a strong relationship. Jing-Mei would always be Suyuan’s daughter, even through turmoil, and whatever decisions Jing-Mei or Suyuan makes will affect the other. This is their “Best Quality”, the relationship of mother and daughter. Amy tan stresses the importance between mother and daughter’s relationship because the mother wants what’s best for their daughter, due to the harsh lives they had when they were young…
At to begin with, Jing-mei is hesitant to join the club. She isn't great at Mah-Jongg and not especially inspired by hearing her "close relatives" discuss the past. When she acknowledges, in any case, she starts to take in more about her mom's past and about the twin little girls her mom left in China. She likewise finds out about her close relatives' lives and about their little girls. A mei Hsu reviews how her mom was abused by her better half's family after his passing, and how she was repudiated by Popo, her mom, for wedding Wu Tsing, who as of now had a spouse and two courtesans.…
But although Jing-mei doesn’t care about her Chinese culture. “Only two kinds of daughters,” she shouted in Chinese. “Those who are obedient and those who follow their own mind! Only one kind of daughter can live in this house. Obedient daughter!”…
The novel Joy Luck Club by Amy Tan is about four Chinese American immigrant families in San Francisco who…
Suyuan had to make the hard decision to leave her twin babies on the side of the road in hopes some kind stranger would take them in, that way she would not have to see them die. Suyuan searches for her babies all through her life in America, sending multitudes of letters; they finally get in touch with her two months after she has died. Because her mother is not alive to meet her children, Jing Mei takes her place and the trip enables her to finally recognize her Chinese ancestry. The minute she enters China she "feels different" and can realize that she is "becoming Chinese" (306). At fifteen Jing Mei believed she was only as Chinese as her "Caucasian friends" (306). Yet her mother counters thoughts, telling her: "Once you are born Chinese, you cannot help but feel and think Chinese" (306). Once in China Jing Mei decides her mother was right and she "has never really known what it meant to be Chinese" (307). She has never understood her mother or her heritage. This trip is the connecting link to understanding her life. She begins to feel natural in China, thinking to herself on the train: "I am in China It feels right" (312). Jing Mei sees the landscape, the people, the histories, and the families in China and sees where her mother was speaking from all of those years. She knows a "little percent" of her mother know (15). It becomes "obvious" to Jing Mei to see what "part of [her] is Chinese"; it is "in her family, in her blood"…
In Two Kinds, Jing Mei’s mother is convinced that America is the “Land of Opportunity” and that she should find the right avenue for her daughter’s talents. When she finally finds the right fit with her daughter becoming a skilled pianist, she immediately becomes obsessed with the idea. The mother believes the promise of coming to America, that the country itself holds infinite amounts of opportunity and so if she pushes Jing Mei to be successful, her daughter will not have to undergo the hardships that she had to endure back in China. However, Jing Mei’s mother forgets the fact that the high expectation that she realizes may not be what Jing Mei wants for her life and she may be forcing her down the wrong path. By looking from Jing Mei’s perspective, one can understand the stress and how torn she is from her standpoint. Initially, Jing Mei keeps trying to reach her mother’s expectation. However after seeing her “mother’s disappointed face once again,” she felt “something inside her start to die”. This is Jing Mei’s self-esteem and pride starting to die and also the responsibility that she put upon herself to reach her mother’s expectations. As a result, Jing Mei begins to stop following her mother’s instruction as a childish sort of way to protest her mother’s expectation. By looking through the narrator’s eyes, we can understand that Jing Mei never actually hates her mother, but her decision to become unresponsive to…