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Summary Of Grant Wood's American Gothic

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Summary Of Grant Wood's American Gothic
The Birth of a National Icon: Grant Wood’s American Gothic. By: Wanda M. Corn
What makes this painting an icon? In this essay, Corn goes into what make American Gothic, 1930 so recognizable. Grant’s childhood had a large impact on his fascination with the Midwest as well as many of the writers of his time. Born and raised in Iowa, Grant borrowed many motifs and traditions from his past even some that were no longer around. Most of the main aspects of American Gothic from the single house that is in the background to what the subjects were wearing and how they looked was also analyzed in this essay. Corn went into the setting of the work by talking about the house that is in the background. Grant described the simple house as “‘American Gothic’ to distinguish it from the French Gothic of European cathedrals” (Corn 390). The subjects that he puts in front of the house were his sister Nan and his dentist Dr. McKeeby. Corn also points out how the work can be looked at in a satirical way due to the overall look of it. “[A]rt historian Matthew Baigell considered the couple savage, exuding ‘a generalized, barely repressed animosity that borders on venom. He goes on the say that ‘people who lived in a pretentious house with medieval ornamentation, as well as the narrow prejudices associated with life in the Bible Belt’” (Corn 390). Due to it
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One example of this has the male subject holding a giant toothbrush that takes the place of the pitchfork for in order to get a point across about oral

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