King’s detractors attribute his success to the sensational appeal of his genre, whose main purpose, as King readily confesses, is to scare people. Like Edgar Allan Poe, King turned a degenerated genre — a matter of comic-book monsters and drive-in films—into a medium embodying the primary anxieties of his age.
He is graphic, sentimental, and predictable. His humor is usually crude and campy.
His dark fantasies, like all good popular fiction, allow readers to express within conventional
frames of reference feelings and concepts they might not otherwise consider. his vision articulates universal fears and desires
in terms peculiar to contemporary culture. King is “Master of Postliterate Prose,” as Paul Gray stated in 1982—writing that takes readers mentally to the films rather than making them imagine or think. On the other hand, King’s work provides the most genuine example of the storyteller’s art since Charles Dickens. He has returned to the novel some of the popular appeal it had in the... [continues]
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