In the concluding scene of Sherlock Jr., a medium shot of the actor swimming in his dream dissolves back to the projection room where Sherlock continues swimming moves exemplify movement match technique in continuity editing. An eye line match then converts audience’s attention to the story taking place on the big screen, anticipating the next series of moves about to happen to the male and female characters. A cross-cut back to Sherlock demonstrates director’s usage of the window as a frame as if the actor was starring in a movie. The lighting inside the window is obviously high-key compared to the area around the frame to create a focus for audience to see what’s happening within the frame. Another cross-cut reveals a medium shot of the actress talking to someone downstairs to find Sherlock, her boyfriend. The camera follows the actress... [continues]
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