Romeo And Juliet Mise En Scene Analysis

Romeo and Juliet, the tragic tale of two ‘star-crossed lovers’ written by William Shakespeare- whom is often regarded as the greatest English writer – tells such a story that any generation can relate to. In 1996, a renowned Australian director, Baz Luhrmann developed a modern rendition of the popular Shakespearean tale. Film techniques in its midst notably play a crucial part in communicating the prominent theme of tragedy in a modern context. This is executed through the use of camera angles, soundtrack, mise-en-scene.

Various camera angles and shots are a major technique used by Luhrmann to indicate tragedy. On numerous occasions, a myriad of stimulating cuts, pans, and angles are demonstrated by the camera to keep interest. This undoubtable variety of camera techniques, which are prominent in the essence of retelling the tale, seemingly
In particular, the major use of mise-en-scene lies in the colours. It is clear to the viewer that the colours of the setting persistently support the themes in the film’s entirety. In the final scene, Juliet’s figure is shown sprawled quite literally on her ‘death-bed’, her costume light-toned, her hair silky, and her frail hands clutching flowers. Surrounding her, numerous candles and statues displaying religious images of pastel colouring add to the look, each creating their own vibe of innocence, and, to some extent, a rather tenuous girl. Luhrmann’s control of the mise-en-scene is utterly influential. To the viewer, the scene is frustrating; for he or she believes Juliet as vulnerable. Having noted that Romeo holds a belief that Juliet is dead is exasperating to the viewer; the light colours in youthful shades make her appear too young to die, and the viewer momentarily forgets that Juliet is, in fact, alive. Therefore, in retrospect, mise-en-scene plays an important part in communicating, to a modern context, this idea of