Rhetorical Analysis Of Race Records By William G. Roy

Within William G. Roy's passage ‘‘Race records’’ and ‘‘hillbilly music’’: institutional origins of racial categories in the American commercial recording industry, Roy explores the relationship between cultural segregation and race and how they are deeply intertwined and are reciprocal relationships. Roy utilizes a plethora of rhetorical devices to showcase how homology among societal structures creates racial segregation in music and in turn how racial segregation also parallels the societal structures. Roy argues that the early music industry of America has created a great divide amongst races in America through the use of marketing ploys; making relatable music genres to the differing social structures at the time. However