The Harlem Renaissance in the 1900’s was one of the most influential black arts’ movements that helped to form a new black cultural identity. The Harlem Renaissance marks its beginning with the ‘Great Migration’: the migration of African Americans from the depressed, rural and southern areas to more industrialized, urban areas in the 1920’s. This Great Migration relocated hundreds of thousands of African Americans to the urban North where they discovered shared common experiences in their past histories and their uncertain present circumstances. Instead of indulging themselves in self-pity, however, the recently dispossessed fuelled an explosion of intelligence that cultivated cultural pride and exploded into newly discovered talents in art, literature, music and intellectual growth. African culture was reborn due to the Harlem renaissance as it reflects the age of the emergence of ‘black’ talent and acceptance into society. Spanning from the 1920s to the mid-1930s, the Harlem Renaissance was a literary, artistic, and intellectual movement that in its essence was summed up by critic and teacher Alain Locke in 1926 when he declared that through art, “Negro life is seizing its first chances for group expression and self-determination.” Cultural development during this period reflected much of the artists’: poets, authors, playwrights, musicians, sculptors, etc., heritage and black culture and depicted their lives. The Harlem Renaissance was a movement that allowed the blacks the cultural uniqueness and preservation of literature and arts that for centuries they had been stripped of. Majority of the works focused on realistically black life in the agrarian, oppressive south and white society. This movement eventually became the centre of a “spiritual coming of age” in which Locke’s “New Negro” transformed “social disillusionment to racial pride.” With the new found ‘Black Identity’…