Alfred Prufrock,” Eliot represents age and time through parallelism and situational irony to show that one must not squander his opportunities in life. Parallelism is prevalent throughout the poem and is used to present age in a nagging, incessant way. The phrase “there will be time” is paralleled throughout the piece, including in the stanza “There will be time, there will be time / [...] There will be time to murder and create, / [...] And time yet for a hundred indecisions” (“The Love Song of J. Alfred Prufrock” 26, 28, 32). Prufrock, the protagonist of the poem, repeatedly reminds himself of how much time he has; he uses the concept of time to console himself due to his embarrassment of being too afraid to act on his desires. As the poem goes on to explain, Prufrock does not actually have an endless amount of time, and he begins to age and die. He is “unable to act [... and] he consoles himself with the repeated speculation that ‘there will be time’ to act on his social [...] anxiety” (Persoon and Watson 4). Eliot himself connects with the character of Prufrock because he was known to be extremely introverted and shy; he over-analyzed things until his chance had long passed, much like Prufrock (Bush 1). Another tool that Eliot uses to display the ubiquity of death is situational irony. In the stanza “Let us go then, you and I, / When the evening is spread out against the sky / Like a patient etherised upon a table,” situational irony is used between lines 2 and 3 to show how death disturbingly appears into Prufrock’s thoughts (“The Love Song of J. Alfred Prufrock” 1-3). The reader is not expecting to read such a morbid phrase; “the opening line [...] invites [the reader] to imagine strolling ‘When the evening is spread out against the sky,’ but [the] expectation of romantic reverie is quickly undercut by the macabre image of ‘a patient etherised upon a table’” (Bloom, “The Love Song of J. Alfred Prufrock” 3). Prufrock is haunted and…
