Preview

Props History

Good Essays
Open Document
Open Document
1056 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Props History
Theatrical property
A property, commonly shortened to prop (plural: props), is an object used on stage or on screen by actors during a performance or screen production. In practical terms, a prop is considered to be anything movable or portable on a stage or a set, distinct from the actors, scenery, costumes and electrical equipment. |
Terminology
The earliest known use of the term "properties" in the English language to refer to the appurtenances of the stage is in the 1425 CE Morality play, The Castle of Perseverance. The Oxford English Dictionary finds the first usage of "props" in 1841, while the singular form of "prop" appeared in 1911. During the Renaissance in Europe, small acting troupes functioned as cooperatives, pooling resources and dividing any income. Many performers provided their own costumes, but special items—stage weapons, furniture or other hand-held devices—were considered "company property;" hence the term "property." The relationship between "property" in the sense of ownership and "property" in the sense of a stage or screen object imply that they "belong" to whoever uses them on stage.
There is no difference between props in different medium, such as theatre, film, or television. Bland Wade, a properties director, says, "A coffee cup onstage is a coffee cup on television, is a coffee cup on the big screen." He adds, "There are definitely different responsibilities and different vocabulary."
History
The first known props were stylized hand held masks, called Onkoi, used by performers in "Greek Theatre" and have become symbols of theatre today, known as the "comedy and tragedy masks".
On stage and backstage
The term "theatrical property" originated to describe an object used in a stage play and similar entertainments to further the action. Technically, a prop is any object that gives the scenery, actors, or performance space specific period, place, or characterThe term comes from live-performance practice, especially

You May Also Find These Documents Helpful

  • Good Essays

    Props used were those mentioned above, but the backdrop was the same as the one being used in King-Lear. King Lear was the production featured at the time and as the theatre was low budget they were unable to pull down and re-construct the backdrop between nightly performances of the two plays. The director spoke to the audience at the en of the performance to address this issue. She drew our attention to the fact that the Shoehorn Sonata is a play of words not action therefore the backdrop became immanent as our attention became closely focused on the interaction between the two characters. This interaction of course was *intensified* by the use of music lighting and…

    • 450 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Because of the limited space available on stage, Kelley used props that served for multiple purposes. One prop was the moon, which appeared in most of the scenes where Cyrano undertook mental changes. The moon served as both background that shaped a mood and a symbol for Cyrano’s inner feelings. The moon indicated that it was night and the setting was outside. This was helpful for the audience to understand the situation of the play. The moon also served as a symbol that corresponds with Cyrano’s love for Roxane as the play goes. The moon is enlarged in the balcony scene where Cyrano confesses his love to Roxane as Christian. The moon is large because he is not concerned with his appearance in this scene since he is in the darkness and Roxane cannot notice that Cyrano is the one speaking to her. Cyrano is confident in this scene because his appearance is insignificant to him in this scene. The moon is a fake moon in the play within the play in the first scene because Cyrano feels that his appearance is a barrier in between Roxane and him. Overall the props on stage serve multiple purposes to convey the meaning of the…

    • 858 Words
    • 4 Pages
    Good Essays
  • Good Essays

    The type of theatre that was used was a picture fame stage. The stage was fairly small but perfect for the production that was being put on. It was a simple theatre with a older look to it. The stage sat directly in front of the audience seating. The play space was also a little small but worked out great for the performance. The production was perfect the way it was setup.…

    • 724 Words
    • 3 Pages
    Good Essays
  • Good Essays

    The theater consisted of four parts, and took advantage of sloping hillsides to make sure that everyone in the audience could view the play. The main part of the theater was the Orchestra, in which the actors would dance and sing. Orchestras were full circles, often very wide in diameter, topping 60 feet. The theatron seated the hundreds or thousands of people that attended the plays. As the seats got farther and farther away, they got increasingly higher up, so that everybody would be able to view the play. The skene, translated as "tent", was an area in back of the orchestra used by the actors to change and prepare for their next scene. Often the skene would have stairs of ladders leading to the top, so that actors could stand on it, especially if they were playing a God, or another important character. Finally,…

    • 521 Words
    • 3 Pages
    Good Essays
  • Good Essays

    EACH VERSION IS OF A DIFFERENT MEDIA SHOWING THE EVER-CHANGING ADVANCES IN SOCIETY. SHAKESPEARE 'S OTHELLO WAS PERFORMED ON OPEN-AIR STAGES WITH MINIMAL PROPS AND SCENERY. SAX 'S OTHELLO WAS A FUNDED ENGLISH TV FILM FOR A MUCH LARGER AUDIENCE TO VIEW. SAX USED CAMERA ANGLES TO PORTRAY POWER AND…

    • 1169 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Theatre imitating life. Naturalism brought science into the game, with more electricity in theatres, removal of audience, putting them in the dark as if they were eavesdropping. Importance of everyday and ordinary. Potential tool for improving humanity by showing the wrongs. Brought in the fourth wall, analytical distance. extending the idea to the imaginary boundary between the audience and the stage. Character is more important than plot/action. The model of theatre as scientific ideas and the idea that human beings are distinguished by society, like showing the subject as a product of social forces. Playing around with that idea, like Emile Zola did in his play “Miss Julie” dropping a high class girl into a test tube with a servant (lower class) of particular type/ character and see what happens.…

    • 463 Words
    • 2 Pages
    Good Essays
  • Powerful Essays

    It is not necessary to evaluate these plans, but you can suggest activities for follow up.…

    • 1251 Words
    • 6 Pages
    Powerful Essays
  • Powerful Essays

    Legal Class Study Guide

    • 2465 Words
    • 10 Pages

    Property – is the legal right to exclude others from resources that are originally possessed or are acwuired without force, theft, or fraud.…

    • 2465 Words
    • 10 Pages
    Powerful Essays
  • Powerful Essays

    17th Century Venetian Opera

    • 2781 Words
    • 12 Pages

    “theatre design.” The Cambridge Guide to Theatre. Cambridge: Cambridge University Press, 2000. Credo Reference. Web. 17 November 2010.…

    • 2781 Words
    • 12 Pages
    Powerful Essays
  • Good Essays

    “something used for or regarded as representing something else; a material object representing something, often something immaterial; emblem, token, or sign.”…

    • 1614 Words
    • 7 Pages
    Good Essays
  • Good Essays

    Mise En Scene Analysis

    • 616 Words
    • 3 Pages

    Mise-en-scène. The arrangement of everything that appears in the framing – lighting and costume – is called mise-en-scène…

    • 616 Words
    • 3 Pages
    Good Essays
  • Good Essays

    The age of the actor has long gone: we are now in the age of stage effects’…

    • 677 Words
    • 3 Pages
    Good Essays
  • Good Essays

    The four fundamentals of film are mis-en-scéne, cinematography, editing and sound. The mis-en-scéne includes the setting, costumes, make-up, lighting and staging. It is defined as “the visual elements on the stage and includes depth, height, and width. Although the precise meaning of mise-en-scène with regard to film is disputed, it generally refers to what is seen in the film frames throughout the film or to what is seen in one single shot or frame.” The next element is cinematography and that is the photography, camera framing, duration, the shot, camera angle and framing. “Editing permits the filmmaker to relate any two points in space through similarity, difference, or development and therefore controls the narrative of the film by controlling the sequence of images we see.” The final element is sound in cinema it takes three forms: speech, music and noise. The sounds and their relationship to each other represent deliberate choices by the filmmaker to create a certain effect.…

    • 758 Words
    • 4 Pages
    Good Essays
  • Best Essays

    Cinematic theater is term of using digital projection in contemporary theatre. That can be briefly described as a fusion of live performance and the magic of the big screen. By utilizing the best dramatic devices that each art form has to covey a story and entertain an audience; the possibilities to create interesting narratives and stage dynamics through the synergy of stage and cinematic design is exciting.…

    • 1387 Words
    • 6 Pages
    Best Essays
  • Good Essays

    Stanislavski

    • 790 Words
    • 4 Pages

    “Theatre of living experience”- actors had to believe everything happening on stage and what they were doing. Actors needed to have self-control and intensive…

    • 790 Words
    • 4 Pages
    Good Essays

Related Topics