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Point Of View In Chopin's Story Of An Hour

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Point Of View In Chopin's Story Of An Hour
Plot vs. Point of View in Chopin 's "Story of an Hour"

Kate Chopin’s “Story of an Hour” tells the tale of an evolution of a character in a single hour. Chopin accomplishes this by using a specific point of view and unique plot to carry out her vision. These elements work together to create a theme that has the greatest impact on the reader. Ann Charters defines “point of view” as “the author’s choice of narrator for the story”(1009). “The Story of an Hour” is told from the viewpoint of a third-person narrator. This speaker is a “non-participant in the story” (Charters 1009). Never does the narrator include herself in the plot of “Hour.” Specifically, this speaker has only “limited omniscience” as she relates
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Theme is “a generalization about the meaning of a story” (Charters 1013). The theme of Chopin’s story is how ignorant society was at that time of the true feelings experienced by repressed women. First, the point of view allows us to see the inner emotions expressed by Mrs. Mallard. Without a speaker with limited omniscience, a reader would never realize what was truly being felt by the protagonist, and the theme would be lost. Because the narrator is outside the story and could be considered more objective, the reader is more likely to believe that these feelings experienced by Mrs. Mallard are true. If Mrs. Mallard or the sister had told the story, readers would have gotten two different, biased accounts. The point of view allows a reader to feel that this really could have happened, an “illusion of life”, thereby making the theme more powerful. The plot allows Mrs. Mallard to explore her feelings of repression and finally accept the fact that she can rejoice in the freedom of being a widow (Chopin 158). The surprise ending, the return of Mr. Mallard and the death of Mrs. Mallard, gives the reader a chance to understand the ironic beliefs of society (158). The irony can be seen in the totally contradictory feelings of the protagonist and society. Mrs. Mallard, upon seeing her husband alive, was suddenly thrown back into a situation in which she had “thought with a shudder that life might be long” (158). It was this great shock and grief that led to her death, not the “joy that kills”

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