Philosophizing with a Hammer.
In philosophizing with a hammer, Friedrich Nietzsche meant that the assortment of stories that constitute the dominant representations of life and our world. This philosophy is brought forth right in his last writing, Twilight of the idols which gives a clear indication of the polemic zing feeling of Nietzsche against Wagner, who composed the opera Twilight of the Gods (Nietzsche, 1996). This is why Nietzsche brings the concern about the distinction between gods and idols.
By philosophizing with a hammer, Nietzsche is referring to “sounding out idols” with his hammer. These are the eternal idols that have the capacity to disappear in the dark. My assumption is that he had a deliberate cause of using the paradoxical expression (Nietzsche, 1996). These idols include beliefs, ideals, values and truths and Nietzsche puts criticism on them as we tent to believe that they are eternal and that seem to rule our thought and action with a kind of self justification. Through his philosophy, he has the intention of showing the historicity or the historical nature, of things that are believed to be beyond change.
When he says that he is philosophizing with hammer, Nietzsche indicates that he has confidence in whatever he is saying from his claims (Nietzsche, 1998). He tries to bring forth the validity of his claims which entails dissolution of traditional religion and metaphysics. In philosophizing with a hammer, Nietzsche indicates that he has strong points in his philosophies which need to be adopted by people due to his experience of living in time of transition as well as his thinking which is a reinterpretation that will bring a transition to a new age(Nietzsche, 1998). As he was speaking of the prognostic part of his medical philosophy, he sometimes stressed the promise of a new day and at other times he used to put emphasis on the disappearing of the old day and the twilight into which all its distinctions fade way.
In his method of Philosophizing, Nietzsche adopts a culture of maintaining cheerfulness in the midst of a gloomy affair, fraught with immeasurable responsibility, is no small feat (Nietzsche, 1998). These are key parameters needed in philosophy so as to win some trust if not all from your listeners as well as those who read your work. This is the nature of Philosophizing with a hammer as claimed by Nietzsche.
Both the idols and the gods have their history in nature (Nietzsche, 1998). The combination of eternity and historicity gives an overview of an important element of the genealogical method by which Nietzsche gives his contribution to a revaluation of all values by presenting them as historical and changeable interpretations.
According to Nietzsche, he touches the idols with a hammer and in this case, this functions as a turning point. This first meaning of philosophizing with a hammer can be referred to as a diagnostic meaning where the philosopher uses his hammer to strike the idols so as to be in a position to hear the sound they will give in response and to access whether they do or do not only whether or not they are hollow but also where there exists cracks in them, with the latter causing them to sound out of tune (Nietzsche, 1996).
In the revealing of idols to be hollow statues, this means depriving them of their self-asserted meaning and importance. There is a tendency of these idols and the people that worship them to try to resist Nietzsche’s treatment of them. The main reasons as to why the philosopher uses violence is to make the idols speak up, make them reveal their own hollowness, whereas they would remain untouched and untested its only our believe in them which...