“Death of a Moth” is a short essay from the author, Annie Dillard, called Holy the Firm, and also one of her most personal essay that she’s ever written. It is about the burning moths, her belief in God, and acceptance of her faith to being a writer. She uses the death of the moths to tell us nature’s cycle of life. Everything is the same, human and animal, life and death. In the end, they will all end up like the moth being burned up by candle light.…
A superfluous use of description emphasizes Dillard’s unique and meticulous style. The use of long sentences allows for abundant amounts of description, coupled with figurative language, and imagery. Dillard uses graphic verbs to describe the death of a moth. For example, in the midst of the death, Dillard describes it by saying, “...Her head jerked in spasms, making a spattering noise; her antennae crisped and burnt away...” (“Death of a Moth”.) However, she still manages to make the moth seem beautiful by calling its body, “a spectacular skeleton,” and comparing the moth’s wings to angels’ wings. Dillard’s use of description allows readers to visualize the moth and its death. Dillard is relatively emotionally unaffected by the moth’s death, as opposed to Woolf, as seen in sentence structure. Dillard’s skillful description mixes brutality with beauty in order to describe death.…
Man Vs Nature is looked at in many ways In books, movies, magazines, and is often not completely understood before it's commented on. Many authors give their low opinion of man as they comment on man's destructive nature, and explain how man is trying to conquer nature and control it. But the nature of the world, and man himself, is far too powerful and unpredictable to be controlled. And man is far from being close to be able to destroy it, and therefore having control of it.…
The speaker begins by introducing the water lily as a stage for the activity that goes on around it. He describes “a green level of lily leaves” that “reefs the petal’s chamber and paves the flies’ furious arena,”--a cover for the activity below and the ground for the action above. The picture establishes the speaker’s view of nature as a complex body with layers that reach beyond its seemingly inactive surface. The language used by the speaker to describe the lily leaves, marked by alliteration and subtle imagery, also demonstrates the speaker’s appreciation of the beauty of nature’s “outer surface,” the face it shows most plainly to the casual observer. The speaker also personifies nature by describing it as a “lady” with “two minds,” clearly those that exist above and below its surface. Study these, the speaker notes to himself, and only then can one develop an accurate understanding of the heart of nature.…
Although a lot of effects have manifested in today’s time, there’s only a little effort exerted to lessen these harms. First, critics pointed out that the nature is an ever-evolving entity. As it is ever-evolving, whatever we do to it – may it be good or bad – actually doesn’t have any bearing because it is destined to change the nature that we once knew. Another thing that critics pointed out was that humans are part and parcel of nature itself. Critics say we are one with nature. If this is the case, it is possible for ourselves to be blamed for whatever experiences nature we have and we can be held liable because we are nature.…
In this very lyrical excerpt, Mary Oliver has a great attraction to nature because of its paradoxical yet balancing form. By being both terrifying and beautiful, nature fills the world with contrasting entities that can be “death-bringers” or bring “immobilizing happiness.” Oliver uses imagery, parallelism, and contrasting to express her swaying emotions of fear, awe, and happiness towards nature.…
Virginia Woolfe’s essay “The Death of the Moth,” entraps readers into the ongoing struggle of our own mortality. Through many words, phrases and paragraphs, readers become aware of the tragedy that all life has to offer; and that is the inevitability of death. Our insights of life versus death are brought down a few scales to the, “tiny bead of pure life.” This tiny bead of life is possessed within the misplaced existence of a day moth, “neither gay like butterflies nor somber like their own species. It is here, a story about this irrelevant organism that fights the final frontier of mortality determinedly, but also hopelessly as the end result of all life, must take its final course.…
A myth is a traditional tale of deep cultural significance concerning the early history of people or explaining some natural or social phenomenon and typically involving supernatural beings and events. Modern-day treatment of nature in the myth explains that everything was created from (self) and should be treated with respect and equally. Nature played a big role in modern-day people lives, they looked at it as humans and animals coming together as one. The different perspective is that modern-day people today do not treat humans and animals the same as they did in the myth, very seldom modern-day people today come together as one. All things in nature from humans to animals should be treated with equally.…
The speaker wants to “dash against the darkness” while the darkness blinds him from the future and confuses him about how he will discover himself among the water and burning flowers. There are a few instances of very visual and oxymoronic objects within this essay. The “burning flowers” show the destruction of beauty also showing the destruction of nature. A flower is a very delicate and gentle object, however, burning is a very violent, strong, and destructive action and this embodies the modern views of not taking care of nature. Leading to the end of nature and the start of the industrialization era.…
In the article Earth, Nature and Culture, Yi-Fu Tuan commits a whole section to the relationship between nature and society. Tuan states that, “Human restlessness finds release in geographical mobility.” Tuan states that when telling the human story, it begins with nature. The article says that as humans we have very conflicting feelings towards nature. On one hand we realize that we need nature to survive. It provides us with food and shelter and most of our basic needs. On the other hand, nature has ways of destroying us. It can send disasters to completely throw off the human race. For example, nature can provide soil rich in nutrients that allows humans to plant and grow our own food to survive, but it can also send a drought causing the soil to dry out and our crops to die. According to Tuan, culture is how humans compensate for our conflicting feelings.…
“A significant concern for humanity is its relationship with the natural world and nature’s influence on human behaviour and human interaction.” These are the guidelines in which the topic ‘in the wild’ fits. I have studied two texts that demonstrate the effects of ‘In The Wild’ very well: ‘Brave New World’, a confronting novel by Aldous Huxley, and 'Blade Runner', a post-modern film by Ridley Scott, are two dystopian, science-fiction texts which demonstrate the connection between man and nature and the effects of losing this connection.…
We have read and been exposed to several theories about human nature in the last two modules. In an essay of not less than six double spaced pages, evaluate arguments on both sides of this issue by first summarizing, in your own words, at least one argument on each side and then arguing for which one of the opposing sides you find more compelling and why. Support your position with at least two additional scholarly or scientific sources (not the popular press) that discuss this issue. [The online library (new window) can direct you to databases that store scholarly and scientific sources and is an excellent place to find appropriate external sources.]…
While Man and nature are inextricably linked, the contemporary world has transformed man’s interaction with nature. In Kenneth Slessor’s poem “North Country”, he explores man’s exploitation of nature in pursuit of industrial progress, an idea reflected in Charles Purcell’s feature article, “Into those arms no more”. Meanwhile, William Wordsworth’s poem, “Lines Written In Early Spring,” explores the supremacy of nature, while Thomas Cole’s artwork “Destruction” gives insight to man’s overconfidence and vanity fixated in nature’s supremeness.…
Seely, Paul, "The Geographical Meaning of 'Earth ' and 'Seas ' in Gen. 1:10," Westminster Theological Journal 59 (1997) 231-55.…
Considering the history of literature, the conception of Nature seems to be a quite complex question. 'Nature' is not a concept that can be grasped easily and it often requires discussing some great philosophical conceptions like 'Pantheism' or 'Deism'. However, my paper will not deal in detail with such vast enquiries. I rather want to focus more accurately on how 'Nature' is used by Pope and Coleridge, respectively. With other words, I would like to analyse the function of the concept of 'Nature'. The fact is, that even if these poets do not exhaustively characterise Nature' itself, they employ it in a lot of different analogies and metaphors to articulate and embody for example ideas about 'morality' (Pope) or the intimate 'self' (Coleridge). My argument would be to show that in both cases, nature has a sort of epistemological function. The apprehension of nature, its perception or its examination leads to knowledge of something that is not directly obvious; one can name it God or the divine. Thus, to mention of nature is a kind of disclosure that guides us to be aware of some reality that is meta-physical.…