It is said that the Africa culture stands out more than any other culture In the World. With a rich and diverse culture African culture is known to change from county to county, many cultures along with traditions are found in Africa which makes Africa diverse, unique and mesmerizing in many ways to the world. Africa culture is all about the ethnic group’s family traditions, the literature, art and music shows the religion along with the social paths of their culture. (Nafisa Baxamusa, 2011)…
Character is the mental or moral qualities distinctive to an individual. A student of character upholds principles of ethics and morality. A student of character demonstrates high standards and maintains honesty. A student of character takes criticism with an iron grip and willingly accepts recommendations. A student of character displays respect, reliability, courtesy, and concern to others. On top of these traits,…
I believe that nation is the foundation of identity to a certain extent . For example, if I asked people from the school what shapes their individual identities they might say things like; religion, ethnicity, language, or birth place. These are all examples of nations that we identify with; a nation doesn’t have to be defined by physical boundaries,a nation can be as simple as people coming together or being united by a common history, descent, language, or culture.…
Before 1930 African-Bahian cultural practices were repressed and the elites favored a more Europeanized culture, something that did not only plague Bahia but could be found in other states of Brazil. The want for a more European state came from the idea of being modern, and the Bahian elites did not believe that inclusion of African-Bahian cultural practices in public life, fit into this modern idea. Although their practices were not accepted in public, and they were often persecuted for performing them at public festivals, Ickes argues, that the working class of Bahia were important to the reformulation of Bahian regional identity. It was through, “...insistence on the ownership and legitimacy of their cultural heritage through ritualized performances in public spaces...”[ Ickes, Scott. African-Brazilian Culture and Regional Identity in Bahia, Brazil. University Press of Florida: Gainsville, Florida. 2013. Pg. 3] that the men and women of African descent were important to the push into acceptance. Another important avenue that directly affected the acceptance of African-Bahian cultural practices was the image painted by print media, including works by journalists and authors. Ickes argues, that once the media starting paying attention to and embracing the African-Bahian culture, that the discourse on the subject also started to shift. Finally, Ickes…
Latin American women practice the custom of postpartum lying. This period is designed to give a woman the period of rest between…
Katherine Hagedorn defines the main goal of the ritual ceremonies that incorporate rhythms of the bata drum, songs, and dances is to "summon the santos to the earth, so that the deities may soothe those who are grieving, heal those who are sick, rebuke those who have acted unwisely, bless those who appear to be deserving, and set the tone for the next fee weeks or months in the community"(76). In this description is where I found the greatest difference between the formal performances and the ritual dances. The formal performances were usually danced on a stage with costumes that are more elaborate then those worn by worshipers at a ceremony. The dances are choreographed enabling the movements…
“The portrayals of Australia’s national identity presented in the Australia media bear little resemblance to contemporary reality”…
“Character is a set of behavior traits that define what sort of person you are. Your moral or ethical qualities if you like – qualities of honesty, courage, integrity, trustworthiness, respectfulness, responsibility, caring and compassion. People judge your personal character by their perception of how you respond to challenges. Someone who perseveres in the face of adversity and works persistently to complete a task or sees something through is generally thought to be someone of good character.” Once wrote Karon Graham.…
Fernando Meirelles’s City of God (2002) has provoked critical discussion concerning its representation of the Brazilian working class since its release[2]. The film has been described as both disturbing and electrifying for its brutal realism and inspired cinematography[3]. Whilst it was eagerly received by critics the world over, others have film questioned its worth as a production for Brazil’s people. City of God became the focal point of a battle of representations concerned with the ‘real’ and the imagined working class society. Internationally distributed by American company Mirimax, many have accused Meirelles of fashioning a fetishized ‘tour’ of favela life and catering to Eurocentric stereotypes of a criminal black underclass[4]. Several Latin American commentators felt that distinctive aesthetic style of the film diminished what Ivana Bentes calls the ‘aesthetics of hunger’ in exchange for pure ‘cosmetic’ artistry[5]. In order to obtain an adequate understanding of the debate which surrounds City of God, it is essential examine various subjects. I firstly wish to obtain sufficient contextual knowledge of the modern favela in Brazil. The Cinema Novo movement similarly documents such issues as the poverty and the violence of the cangaço lifestyle addressed with in City of God[6]. This essay will focus on Meirelles’s work as a modern depiction of life in Brazil’s favelas. It will consider the interaction between narration, cinematography, postproduction and music in order to judge…
Choose one of the main lwa discussed by Karen McCarthy Brown and discuss its Vodou theology – that is, its sacred persona, mythic biography, special powers, specific characteristics, ritual practice, and so forth. Situate this lwa in relation to his or her Black Atlantic history in Haiti and beyond. In what ways does the imagery associated with this lwa reflect the confluence of both history and mythology – in other words, what is this law’s mythistory? Then examine the place of this lwa within Mama Lola’s religious practice: what role does it play in her life? How does she relate to and serve this lwa? Has the role of the lwa changed in her experience over time, and if so, how?…
Music from the hispanic carribean has become a major part of the culture accross major cities in the United States, which there has been many influences on music in the Hispanic Carribean. There’s a variety of genres with music in the Hispanic Carribean such as merengue, salsa, Spanish-language hip hop, Latin jazz, reggaeton, and many others. There’s many culture differences between the Hispanic Carribean nations, but according to the reading, “a certain pan-Latino sense of identity, of shared values and heritage, is evident”. Latinos in America have been influencing musical styles in this country for decades, and the reading also mentions that Spanish culture in America have influenced musical styles in the United States since the last two centuries, as well as assimilating influences.…
The painting includes figures who would have been expected by viewers to be slaves which are painted as the darker skinned men and women dancings with others of higher social status who might be free women of color which are the womens who are painted as the lighter–skinned women wearing more European-style costumes. The clothing’s style painted also show the combined European and African elements with turbans and headwraps in combination with corsets and shirts, and all the figures barefoot. This is important to notice because of the European clothing which showed that they had money but also was a key in identifly they afriacan or caribban tradition of head wrappingsThe small band which looks the pre-Lent carnival traditionally known as a Masquerade or Mas’ which is still performed in Dominica.…
As explained in Alma Guillermoprieto’s Samba, Brazilian samba and carnival allowed those who participated in the dance to come together to participate in Carnaval, a popular celebration during Lent. Samba, a popular dance in Rio de Janiero, Brazil, was an important symbol in Brazilian’s identity for people who faced poverty and racism to unite as a community where people’s differences in their backgrounds disappear. In the article The Prehistory of Samba: Carnival Dancing in Rio de Janeiro, 1840-1917 by John Charles Chasteen, he argues that samba was not merely a step-by-step dance, but rather an “event or style of body movement” (Chasteen, 30). Brazilian samba and carnival promotes racial harmony because the idea of racial mixing did not stop people from participating in the dance, as they shared a similar love for samba.…
It’s frequent to identify shades of Coltrane, Ayler, and Monk amidst his provocative patterns and rhythmic motifs. Here, he also suggests typical Brazilian melodies and incurs in a trippy dance that transports us to the heart of the Amazon rainforest.…
1. What is the form of government in Great Britain? How many houses does it have? How many members does each house have?…