Music of Indonesia

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  • Topic: Indonesia, Music of Indonesia, Gamelan
  • Pages : 10 (3179 words )
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  • Published : December 16, 2012
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Music of Indonesia
The music of Indonesia demonstrates its cultural diversity, the local musical creativity, as well as subsequent foreign musical influences that shaped contemporary music scenes of Indonesia. Nearly thousands of Indonesian islands having its own cultural and artistic history and character.[1] This results in hundreds of different forms of music, which often accompanies dance and theater. The musics of Java, Sumatra, Bali, Flores and other islands have been documented and recorded, and research by Indonesian and international scholars is ongoing. The music in Indonesia predates historical records, various Native Indonesian tribes often incorporate chants and songs accompanied with musics instruments in their rituals. Today the contemporary music of Indonesia is popular in the region, including neighboring countries; Malaysia, Singapore and Brunei.[2]

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Musical instruments
The musical identity of Indonesia as we know it today began as the Bronze Age culture migrated to the Indonesian archipelago in the 2nd-3rd century BC.[3] Traditional musics of Indonesian tribes often uses percussion instruments, especially gendang (drums) and gongs. Some of them developed elaborate and distinctive musical instruments, such as sasando string instrument ofRote island, angklung of Sundanese people, and the complex and sophisticated gamelanorchestra of Java and Bali. [edit]Gamelan

Main article: Gamelan
The most popular and famous form of Indonesian music is probably gamelan, an ensemble of tuned percussion instruments that include metallophones, drums, gongs and spike fiddles along with bamboo flutes. Similar ensembles are prevalent throughout Indonesia and Malaysia, however gamelan is originated from Java, Bali, and Lombok. In Central Java, gamelan is intricate and meticulously laid out. The central melody is played on a metallophone in the center of the orchestra, while the front elaboration and ornamentation on the melody, and, at the back, the gongs slowly punctuate the music. There are two tuning systems. Each Gamelan is tuned to itself, and the intervals between notes on the scale vary between ensembles. The metallophones cover four octaves, and include types like the slenthem, demung,saron panerus and balungan. The soul of the gamelan is believed to reside in the large gong, orgong ageng. Other gongs are tuned to each note of the scale and include ketuk, kenong andkempul. The front section of the orchestra is diverse, and includes rebab, suling, siter, bonang andgambang. Male choruses (gerong) and female (pesindhen) solo vocalists are common. With the arrival of the Dutch colonizers, a number system called kepatihan was developed to record the music. Music and dance at the time was divided into several styles based on the main courts in the area — Surakarta, Yogyakarta, Pakualaman and Mangkunegaran. Gamelan from eastern Java is less well-known than central or western parts of the island. Perhaps most distinctive of the area is the extremely large gamyak drum. In West Java, formerly Sunda, has several types of gamelan. Gamelan Degung, gamelan salendro andtembang sunda are three primary types. The Osing Javanese minority in eastern Java are known for social music for weddings and other celebrations, called gandrung, as well asangklung, played by young amateur boys, which is very similar to Balinese gamelan. [edit]Kecapi suling

Main article: Kacapi suling
Kecapi suling is a type of instrumental music that is highly improvisational and popular in parts of West Java that employs two instruments, kecapi (zither) and suling (bamboo flute). It is related to tembang sunda. [edit]Angklung

Main article: Angklung
Angklung is a bamboo musical instrument native to Sundanese people of West Java. It is made out of bamboo tubes attached to a bamboo frame. The tubes are carved so that they have a distinctive resonant pitch when...
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