The essay Hunger focuses on the struggles women of all ages face when it comes to their body image. Media is constantly shoving pictures and…
She finds herself and her confidence at the convention will never be the same as a result (163). However, in her “home planet,” she is ridiculed, has no self-confidence, and is lucky to find a swimsuit that fits her body. These two “planets” are vastly different, and she wants this world/society now to be more like the new planet in which overweight people are all accepted. She continues through the article talking about the struggles overweight people face every day: being ridiculed by strangers, feeling too embarrassed to wear shorts, and feeling reluctant to visit a doctor for fear of being criticized (165). Mary Ray Worley’s article claims that people of America do not need to lose weight, but be happy and accept one’s weight.…
“perfect body” for women. Every female she comes across, from peer to adult, is on a diet, counts calories, avoids desserts and gossips about other women. In the beginning, she does not care any of that and lives to enjoy her childhood. However, when her mother starts telling her to be more lady-like, her mind…
In “Fear of Fatness” by Peggy Orenstein, she claims that the beauty standards set by society are degrading women’s appearances causing them to constantly stress over how they are perceived. She explains this through the use of satire and the personal experience of a friend, Holly, whose five-year-old daughter, Ava, is overweight. Holly is so concerned about Ava’s weight that she contacts her daughter’s pediatrician to help control Ava’s portion sizes.…
The three terms/concepts are: casting, ensemble acting, and method acting. The cast of American Beauty won a Screen Actors Guild Award for an Outstanding Performance by a Cast in a Theatrical Motion Picture in the year 2000, the ensemble acting includes the acting techniques of working together in the film shots, and the casting of the group of actors for the characters’ roles includes: Annette Bening, Wes Bentley, Thora Birch, Chris Cooper, Peter Gallagher, Allison Janney, Kevin Spacey, and Mena Suvari. In fact, some of the actors cast in the roles are not method actors per se, and their acting articulates some of the Stanislavski's System techniques which include the establishment of their own creative personal methods.…
After reading "Barbie Doll," I cannot help but agree with the argument in which the author is trying to make. To be a woman in today's day and age means always being told how you should dress and act based on society's standards. There is so much controversy concerning how women should appear, and this is due in part to the media's depiction of how a woman should look. The ideal woman used to have curves, but now women are expected to have a super tiny waist but still have larger breast and a large but; these are standards with which woman have had a nearly impossible time to meet. Between new diet and workout plans, it is easy for a woman to get mixed up with an unhealthy lifestyle of starving herself and exercising too much which leads to…
Thompson addresses how “thin-ideal-internalization,” the internalization of society’s definition of attractiveness (not just thinness), gravely affects women in Western culture. Thompson explains how this glorification of an ideal body image is unhealthy and unachievable for most women. This definition of a desirable body, Thomas illustrates, is encouraged by social reinforcement or approval of this definition by family, peers, and media. Despite these body types serving as a distorted reality, Thompson elaborates on how women engage in extreme dieting in attempt to satisfy media’s perception of a desirable body. Thompson continues by showing how these attempts to attain the nearly unattainable result in eating disorders such as…
The main character, Ana, in the movie Real Women Have Curves faces adversity within her family. Her mother and father are immigrants from Mexico and came to America to make a better life for their family. Although they want their family members to succeed and moved to this country for better opportunity, Ana’s mother struggles to allow her to leave to go off to college. I believe that their struggle is due to the fact that their Hispanic heritage often obligates the mother to feel responsible for keeping the family together, which is apparent in the film. When discussing her move to college she asks Ana if she wants to leave all of them behind and makes her feel especially guilty for leaving her grandfather.…
In the movie Real Women Have Curves multiple obstacles that may impact a student’s possibility of continuing with his or her education are clearly pointed out. In the movie Real Women Have Curves there is Ana, a character in the movie that has the opportunity to continue her education after high school by attending a university but, has to work as a seamstress with her mother and sister. The one issue that I can relate to is that like Ana I have had to go to work with my father. In a home were the parents are the head they have complete authority and roles which include providing food to sustains ones appetite providing a place to live in, providing items that one can not obtain without their help. For the most part one as a child who is not bringing in an income does not have much of a say in the home.…
The play Real Women Have Curves by Josephina Lopez, and the film by director Patricia Cardoso, portray Mexican culture differently but both manage to perpetuate stereotypes. They do this by showing how Mexicans can be very family oriented, are paranoid immigrants, and put work before schooling. These factors shown by the play and film are crucial because they help the audience fabricate stereotypes about Mexican culture.…
George LaVoo. Perf. America Ferrera, Lupe Ontiveros, and George Lopez. New Market Films, 2002. DVD.…
The plot of the 2002 movie Real Women Have Curves revolves around a young Mexican-American woman named Ana, who has graduated high school and in hopes of pursuing a college education. Ana is the youngest daughter of her traditional, first-generation, Mexican-American parents. Although Ana is a bright young female, she is enslaved by Mexican tradition; she has the potential to attend Columbia University, a prestigious university in New York City, but that would mean that she would have to partially abandon cultural tradition and her family’s expectations of taking care of her parents by working, catching a husband, and having children. Moreover, as a young woman of a heavier structure, she also struggles with American society and her mother’s disapproval and criticism of her female curves. Reflecting the many battles of many Latino women in society, Ana overcomes her struggles and realizes that there is more to being a woman than what cultural tradition and her family expects from her, her sexuality, and most importantly, her body.…
Instead of pointing fingers at the food industry as Zinczenko does within his essay, Orbach turns her eyes to the American people. She uncovers and discusses the pressures America places on women. Pressures like size, clothes and sexuality all play a role in American women’s lives. Orbach claims that if you are a true feminist, being overweight symbolizes your disproval of society’s opinion on how women should be. Thus, she describes it as being “a definite and purposeful act” (Orbach 449). It is purposeful because it serves as a physical way to silently protest against conformity.…
The film American Beauty was a complex story of a “traditional American family” as seen by the media. The intriguing part of the film was that it showed what happens behind the doors of a “typical American family” or a family that put on a persona of a typical family. The Family Crucible written family psychiatrist Augustus Y. Napier, PhD, with Carl Whitaker, M.D. it tells a story of an American family who initially seeks counseling because of the abnormal and rebellious behavior of their adolescent daughter. The family in the book seeks family therapy only after individual therapy for the adolescent daughter seemed to fail in solving the behavioral issues the family was dealing with from the adolescent daughter. Many aspects of family dynamics were drawn to the surface both in the film about the Burnham family and the book about the Brice family. The three family dynamics or principles that were common and most pertinent to both families were triangulation, scapegoating, and lack of communication due to stress. Both the film, American Beauty and the book, The Family Crucible will demonstrate all three of these principles multiple times throughout their unique stories.…
The essay entitled Fat is a Feminist Issue by author and therapist Susie Orbach; touches on an issue that many women have problems dealing with today that can be linked to a direct effect from society. Hence obesity and overeating, which is believed to be a social disease, according to Orbach. She believes that being overweight was indeed a feminist issue. Orbach states that “Fat is not about lack of self- control or lack of willpower. Fat is about protection, sex, nurturance, strength, boundaries, mothering, substance, assertion, and rage” (p.449). Orbach believes that all of these were legitimate reasons as to why some women are “fat”. Throughout the essay, specifically toward the end, Orbach states that there is a direct link between the way society looks at women in this day and age, and the reasoning for them being overweight, or overeating. It is found that individuals now and then try to keep up with societies latest trend/look. Orbach believes that this pressure and stress can drive woman to overeat. She believes that self – image and being self - conscious of oneself also contributes to this disease. She states this when saying “Emphasis on presentation as the central aspect of a woman’s existence, makes her extremely self-conscious. It demands that she…