Mister Pip
To what extent do you agree that film directors leave a distinctive mark on the themes they create? Discuss your views with close reference to a film (or films) you have studied.
As a genre it is the purpose of film to leave a distinctive mark on an audience by exploring themes that are fundamental to society. ‘Crash’, directed by Paul Haggis, achieves this purpose through the exploration of themes that arose from the tumultuous environment in post-9/11 L.A. Haggis’s mark is all the more distinctive because the exploration of these themes raises the universal question of racial prejudice in any society; not just L.A.
As a medium film is created on a superficial level to entertain but its deeper purpose is to provoke thought and analysis of the world around us. Haggis achieves this in ‘Crash’ by exploring the theme of racism to leave a distinctive mark that forces the viewer to question their own deeply held assumptions and prejudices.
The opening scenes of ‘Crash’ literally and metaphorically confronts the theme of racism head on. The scene opens with Detective Waters talking to his partner about how society ‘crashes’ into one another. To show the viewer that Waters words “that we miss that touch so much that we crash into each other” are significant Haggis uses a voice over as the words start and then a close-up of Waters illuminated to show his ephinay. Waters pensive words introduce the theme of racism subtly but from this Haggis wants us to understand that when different racial groups interact it is inevitable they will ‘crash’. This is reinforced in the opening scene when Mrs Choi literally crashes into Ria and then immediately reverts to racism “Mexicans no know how to drive” to which Ria retorts in sarcasm “how shocked I am to be hit by an Asian driver”. This petty, racist exchange is followed by a close-up of Graham looking world weary and disillisiuoned by the racism that that is a typical everyday occurrence in post 9/11 L.A. The opening scene of
As a genre it is the purpose of film to leave a distinctive mark on an audience by exploring themes that are fundamental to society. ‘Crash’, directed by Paul Haggis, achieves this purpose through the exploration of themes that arose from the tumultuous environment in post-9/11 L.A. Haggis’s mark is all the more distinctive because the exploration of these themes raises the universal question of racial prejudice in any society; not just L.A.
As a medium film is created on a superficial level to entertain but its deeper purpose is to provoke thought and analysis of the world around us. Haggis achieves this in ‘Crash’ by exploring the theme of racism to leave a distinctive mark that forces the viewer to question their own deeply held assumptions and prejudices.
The opening scenes of ‘Crash’ literally and metaphorically confronts the theme of racism head on. The scene opens with Detective Waters talking to his partner about how society ‘crashes’ into one another. To show the viewer that Waters words “that we miss that touch so much that we crash into each other” are significant Haggis uses a voice over as the words start and then a close-up of Waters illuminated to show his ephinay. Waters pensive words introduce the theme of racism subtly but from this Haggis wants us to understand that when different racial groups interact it is inevitable they will ‘crash’. This is reinforced in the opening scene when Mrs Choi literally crashes into Ria and then immediately reverts to racism “Mexicans no know how to drive” to which Ria retorts in sarcasm “how shocked I am to be hit by an Asian driver”. This petty, racist exchange is followed by a close-up of Graham looking world weary and disillisiuoned by the racism that that is a typical everyday occurrence in post 9/11 L.A. The opening scene of