Manipulation in Othello and Dr. Faustus
The art of deception The art of deception many times changes the current conditions or plays a significant role in the end result of literary works. In Othello and The Tragical History of
Dr. Faustus shows how deception changes the identity of individuals and the outcome of certain events. There is a juxtaposition between the characters of Iago and Faustus, whom use their human autonomy to manipulate the sequence of events in each work. By deceiving themselves or the characters around them there becomes an absolute play on words and actions, wherein the identity and outcome is strengthened or lost. Iago wishes to be Othello and this becomes apparent in his discussion regarding
Cassio promotion, his social status, and his own identity. Iago seems to deceive himself, by wishing he were Othello and by doing so he almost believes he is Othello. Shakespeare states: "Were I the Moor I would not be Iago," begins Iago abolishing his own identify to fulfill his desires to be another person (line 58). Stephen Greenblatt discusses the possible meanings of Iago role-playing briefly in Act 1 and states: Were I the Moor, I would not be Iago, because The "I" always loves itself and the creature I know as Iago hates the Moor he serves or, alternatively, because of the Moor I would be other than I am now, free of tormenting appetite and revulsion that characterize the servant's relation to his master and that constitutes my identify as Iago. (235-36) Iago appears to manipulate his own thoughts regarding Othello and by doing so it directs him as to what identity he holds. By imaging himself as Othello he is able to see the opposing outcomes of himself in regards to Othello, therefore he construct his own identity by furthering his manipulation. Iago deception is furthered in his conversation with Roderigo and states: "But I will wear my heart upon my sleeve/For daws to peck at, I am not what I am," showing he's not what he appears to be ( line 65-66). Iago's language
Dr. Faustus shows how deception changes the identity of individuals and the outcome of certain events. There is a juxtaposition between the characters of Iago and Faustus, whom use their human autonomy to manipulate the sequence of events in each work. By deceiving themselves or the characters around them there becomes an absolute play on words and actions, wherein the identity and outcome is strengthened or lost. Iago wishes to be Othello and this becomes apparent in his discussion regarding
Cassio promotion, his social status, and his own identity. Iago seems to deceive himself, by wishing he were Othello and by doing so he almost believes he is Othello. Shakespeare states: "Were I the Moor I would not be Iago," begins Iago abolishing his own identify to fulfill his desires to be another person (line 58). Stephen Greenblatt discusses the possible meanings of Iago role-playing briefly in Act 1 and states: Were I the Moor, I would not be Iago, because The "I" always loves itself and the creature I know as Iago hates the Moor he serves or, alternatively, because of the Moor I would be other than I am now, free of tormenting appetite and revulsion that characterize the servant's relation to his master and that constitutes my identify as Iago. (235-36) Iago appears to manipulate his own thoughts regarding Othello and by doing so it directs him as to what identity he holds. By imaging himself as Othello he is able to see the opposing outcomes of himself in regards to Othello, therefore he construct his own identity by furthering his manipulation. Iago deception is furthered in his conversation with Roderigo and states: "But I will wear my heart upon my sleeve/For daws to peck at, I am not what I am," showing he's not what he appears to be ( line 65-66). Iago's language