Preview

Lucia di Lammermoor mad scene

Best Essays
Open Document
Open Document
2192 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Lucia di Lammermoor mad scene
Music 360
Fall 2012
History paper

Lucia di Lammermoor- Mad scene

Lucia di Lammermoor, written in 1835, is an opera by Gaetano Donizetti (1797-1848) based on the novel The Bride of Lammermoor by Sir Walter Scott. The opera is often called a masterpiece and has, thus far, stood the test of time. It was not only popular in its day, but remains popular repertory today and performed by companies around the world every year. The “Mad Scene” has been remarked as a reason to go to the opera. The scene uses motives from earlier in the opera that show a mind going insane, in addition to utilizing elaborate coloratura and vocal flourishes. This opera is said to touch the heart the way few others can do, as a masterpiece and “heralding swan song of Romantic sensibility”.1 The role of Lucia is very demanding and requires refined acting skills, vocal technique, and the ability to let one’s mind go deeply into the insanity and heartbreak of the character. One should be aware of the Mad Scene from Lucia di Lammermoor because of its complexity and popularity, but particularly because of the way that Donizetti is able to use music to portray madness and incorporate Sir Walter Scott’s text to make a piece for both audiences and sopranos to delight in. Gaetano Donizetti was born in Bergamo in the province of Lombardy on November 29, 1797. Donizetti was born into poverty, which is notable because when looking into the periods before him, a musical education was available only to those of means and society. In his hometown of Bergamo is where Donizetti first discovered serious music through teacher, benefactor and eventually friend, Johann Simon Mayr.2 Mayr was one of Donizetti’s biggest supporters who is said to have helped him in acquiring some of his professional engagements. Donizetti’s first major success was his thirty-first opera Anna Bolena.3 In the 1830s there was a high demand for opera in Italy and Donizetti worked to meet the challenge because there

You May Also Find These Documents Helpful

  • Satisfactory Essays

    The predominant theme which runs through ‘Cosi’ is one of love and fidelity, and the opera ‘Cosi Fan Tutte’ parallels these ideas by following a similar story line, particularly in the way Guglielmo and Ferrando’s acts…

    • 853 Words
    • 3 Pages
    Satisfactory Essays
  • Better Essays

    Maddalena In La Mama Morta

    • 1937 Words
    • 8 Pages

    Music has the power to portray the intense emotions a person experiences. It has the ability to bring different people together, causing them to feel empathy and sympathy. Umberto Giordano’s Andrea Chénier is a beautiful opera because of the fact that many who watch and listen to it can relate to its story in some way. In one scene of the film, Philadelphia, the protagonist, Andy Beckett, listens to the opera’s aria, “La mamma morta,” with his lawyer, Joe Miller. Andy identifies greatly with Maddalena, the character who sings this aria. His passion for the piece is obvious as he talks throughout the piece about what he hears. As a non-musician, he does not use the correct terminology to describe the song, but he establishes a foundation on which to build a more complete study. In this scene, as Andy listens to…

    • 1937 Words
    • 8 Pages
    Better Essays
  • Better Essays

    Set in a typical mental asylum in the 1970’s during the anti-Vietnam War protests and the feminist movement for women's equal rights, the play 'Cosi' by Louis Nowra deeply explores the themes of love and fidelity, in a society predominantly concerned with war and politics. Throughout the play, Nowra uses the play within a play, 'Cosi Fan Tutte', to convey his key values regarding the importance of love and fidelity in today's world, while questioning the necessity of war and condemning society's perceptions of madness itself. The playwright delivers these messages through a number of subtle implications and symbolic features which are evident in the story, ideas, characters, and actual dialogue which are presented in the play, and mirrored in Mozart’s opera ‘Cosi Fan Tutte’. His insights and opinions which are offered through Lewis, go largely against the views of Nick and Lucy who represent the general public, because in addition to the main themes of the play, Nowra intends to open the audience’s eyes to some of the less obvious ideas, such as the necessity of self-discovery and transformation, the significance of art and music in life, and the therapeutic nature of theatre.…

    • 1992 Words
    • 8 Pages
    Better Essays
  • Good Essays

    The question of what is real and what is an illusion is constantly explored through Cosi. Through the concept of theatre, Nowra expresses the theme of reality, which is entrenched in the illusion of the rehearsals and performance of the opera, creating characters and “real” themes such as love and fidelity that occur in the life of “normal” people, to invite an audience to participate in the realization of this illusionistic approach to life. The patients of the institution, together with Lewis engage in the cooperative construction of the imaginary world of “Cosi Fan Tutte”, alluding to the idea that although they are in the midst of building an illusory world which they may become too caught up in at times, the patients, as well as Lewis are aware that their real world consisting of living in the mental institution, is still existent. The play endorses the idea that imagination can be empowering, which is made evident by Ruth who expresses that she “can live with illusion as long as [she] knows it’s illusion”, revealing that at times the awareness of what is reality and it’s contrast with illusion can be liberating, and feels that the only way this can be dealt with is through the realization and ability to…

    • 839 Words
    • 4 Pages
    Good Essays
  • Satisfactory Essays

    Musical Terms

    • 650 Words
    • 3 Pages

    | Style used in operas, oratorios, and cantatas where the text is declaimed in the rhythm of natural speech with slight melodic variation, small orchestral accompaniment.…

    • 650 Words
    • 3 Pages
    Satisfactory Essays
  • Good Essays

    La Donna é Mobile is unquestionably the most famous aria in Giuseppe Verdi’s opera Rigoletto, a story in which Rigoletto, a jester, attempts to enact revenge on the Duke of Mantua for seducing his daughter, Gilda. In this aria, the Duke sings about the flighty nature of women and their incredibly unstable emotions, belittling their intelligence and dismissing them as shallow, fickle, and one-sided. Not only is the chord progression and rhythm indicative of ridicule, the wording itself reinforces the Duke’s own promiscuity and adds a layer of irony to the piece.…

    • 465 Words
    • 2 Pages
    Good Essays
  • Powerful Essays

    tma01

    • 15122 Words
    • 61 Pages

    Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to hervocal decline and the premature end of her career. The press exulted in publicizing Callas 's allegedly temperamental behavior, her supposed rivalry withRenata Tebaldi and her love affair with Aristotle Onassis. Her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press. However, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera";[2] and her influence was so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she 's still the definition of the diva as artist—and still one of classical music 's best-selling vocalists."[3]…

    • 15122 Words
    • 61 Pages
    Powerful Essays
  • Satisfactory Essays

    During the period of the Baroque musical style (1600-1750), emotions ran high, literally. This was a time for expression of emotions through musical performances called operas. Operas were made popular in Italy in 1600 and employed many theatre elements such as music, acting, poetry, and costumes. Operas, in all simplicity, were dramas set to music. The Baroque was defined by sudden shifts in dynamic, homophonic musical texture, emphasis on beats, and unity of rhythms. Both performances, “Tu Se Morta” by L’Orfeo and “Dido’s Lament” by Henry Purcell, display distinctive qualities of this time period and serve as excellent examples of technique.…

    • 517 Words
    • 3 Pages
    Satisfactory Essays
  • Satisfactory Essays

    Giuseppe Verdi was born on the 10th of October 1813 in Roncole of Busseto, Parma. Since Giuseppe was a young boy, he showed a lot of talent when it came it to music. When Giuseppe was 12, he worked for a shopkeeper in Busseto. There, he studied music with Ferdinando Provesi. In 1835, he married the shopkeeper's daughter,Margherita Barezzi. She died, along with her two children, sometime between 1838 and 1840. The first opera Giuseppe wrote was called Oberto Conte di San Bonifacio , written in 1839. It was first performed at Scala Theatre on November 17th, 1839 with moderate success. His next play, Un Giorno Di Regno, was a failure. It was his first comedy, which was ironically written shortly after the death of his wife and children, whom…

    • 387 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Antonio Salieri is a songwriter who composed classical music mostly in the 18th century. Antonio Salieri was born on August 18, 1750 in the little Italian town of Legnago, which was part of the Venetian territory (Hille). Salieri was always into music even at an early age. He would listen to his brother play, who was a very good violinist, and was always anxious to hear him play at mass or at town events. "Misfortune soon struck the Salieri family with Antonio’s father and mother dying between the years 1763 and 1765" (Hille). Salieri then went on to live with and learn from people like his brother at first, then Mocenigo, Pescetti, and most important Ferdinando…

    • 707 Words
    • 3 Pages
    Good Essays
  • Good Essays

    In Germany, his Almira was given at the beginning of 1705, soon followed by his Nero. At age twenty-one he accepted an invitation to Italy, where he spent more than three years in Florence, Rome, Naples and Venice. He had operas and other dramatic works in all these cities including La resurrezione in Rome. He also wrote many Italian cantatas and perfected his technique in setting Italian words for the human voice. While in Rome he also composed some Latin church music.…

    • 797 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Maria Calais as a Diva

    • 436 Words
    • 2 Pages

    To enable us to comment on Maria Callas as an operatic diva, it is first necessary to ascertain whether she possess all the stated attributes usually associated with the term. The conductor Sir Charles Mackerras believes there must be an ‘aura’, but ‘there also has to be something unusual as well as competent about a diva, something compelling about her personality’ (reference). This was certainly true of Maria Meneghini Callas.…

    • 436 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Maria Callas

    • 633 Words
    • 3 Pages

    This review represents Maria Callas as a great Operatic singer, with “outstanding gifts”, “theatrical personality” and “extraordinary brilliance”. Unable to control her high notes, but with a unusual tone to her voice her low or chest register was extremely dark and almost baritonal in power, and she used this part of her voice for dramatic effect, often going into this register much higher on the scale than most sopranos. Her voice was penetrating. The volume as such was average: neither small nor powerful. In soft passages, Callas seemed to use another voice altogether, because it acquired a great sweetness. The value of this review for music historians today is significant as it really does tell us a lot about her performance, her voice, her acting skills and how she captured an audience to depict the story.…

    • 633 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Essay On The Romantic Era

    • 745 Words
    • 3 Pages

    Guissepe was born on October 9 (or 10), 1813. In a small town near Busseto, Italy. He lived throughout the 19th century. The 19th century was a time full of twists and turns. At the beginning of this time period, Thomas Jefferson, the third president of the United States was in office. Also, in 1804 Meriwether Lewis and William Clark began their expedition into the Wild West of North America. In 1815, Napoleon Bonaparte, French military leader of the French Revolution, was defeated in Waterloo, Belgium bringing an end to the Napoleonic Era. 22 years later in the United Kingdom, Queen Victoria began her tedious reign of 39 years. In 1945 in Ireland The Great Famine took over the nation as a period of starvation and disease. As in Ireland, times were rough for the Americans as well, the American Civil War began in 1861. This war deprived African Americans of their rights and they were forced to work as slaves for the whites. Around 625,000 men died throughout those tragic four years of war. The 19th century was coming to an end around the time the first modern Olympics were held in Greece. As you can see, these are a couple of the many interesting historic events that occurred throughout Verdi's lifetime. The 19th century was also a time where music prospered. The Romantic Era led to many advances in the arts, especially…

    • 745 Words
    • 3 Pages
    Good Essays
  • Good Essays

    The dress is a short story written by the British writer Julia Darling in 2006. The story starts in a Medias res and deals with the relationship between the two sisters Flora and Rachel and their parents. An important dress is the key point of the dispute in the family, which ends up having serious consequences for the future of the family. I will in the following part analyze and interpret the story by giving a characterization of the mother and the relationship between the two sisters. In continuation of this I will mention the theme(s) and the symbolism of the novel.…

    • 762 Words
    • 4 Pages
    Good Essays