Love in the Time of Cholera

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  • Topic: Love, Love Affair, Marriage
  • Pages : 12 (4477 words )
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  • Published : October 7, 2006
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Key Facts
full title • Love in the Time of Cholera
author • Gabriel GarcíEscolasticaa Márquez
type of work • Novel
genre • Fiction, Romance
language • Spanish
early 1980's, bogota, colombia and mexico city, mexico •
date of first publication • 1985
publisher • Penguin Books
narrator • Omniscient
point of view • The narrator is continuously omniscient throughout the entirety of the novel and provides an objective view of each character through sequence of events, dialogue, and description. tone • The narration is written much like poetry; the language is dense and somewhat formal, though it is beautified by lyricism and rich description. Despite its very formal use of language, the poetic tone is often injected with humor. tense • Frequently shifts in tense from present to past; the book begins in the present, and makes references to a yet unknown past, which is explained later on in the book. In explaining the history of the first scenes, the author builds up to the final, current scene. setting (time) • Turn of the century

setting (place) • Fabricated, tropical Caribbean port ("District of the Viceroys"), turn of the century protagonist • Florentino Ariza and/or Fermina Daza
major conflict • Florentino Ariza suffers for more than fifty years without Fermina Daza, his first love, and tries to win her back after the death of her husband, Dr. Juvenal Urbino. rising action • Dr. Juvenal Urbino falls to his death on Pentecost Sunday, after trying to retrieve his pet parrot from the mango tree in the yard. climax • After more than half a century, Florentino Ariza reiterates his love for Fermina Daza on the night of her husband's funeral. falling action • Florentino and Fermina, both of whom are now elderly, fall back in love on a riverboat cruise. themes • Love as an Emotional and Physical Plague; The Fear and Intolerance of Aging and Death; Suffering in the Name of Love motifs • Birds; Flowers; Water

symbols • The Yellow Flag of Cholera; The "Tiger;" A Camellia Flower foreshadowing • Jeremiah Saint-Amour's suicide, and the discovery of his secret lover foreshadows the narrative explanation of the love affair between Fermina Daza and Florentino Ariza. Fermina's refusal of Florentino's camellias, "flowers of promise," and the bird droppings that fall on her embroidery work when he asks for her permission to court her, foreshadow the anguish their tortured affair will entail.

Born on March 6, 1928, Gabriel García Márquez has been acclaimed as one of the finest Latin-American writers. Shortly after his birth, his parents surrendered him to his maternal grandparents, who raised him until he turned eight years old. He grew up in Aractaca, Colombia, a town nearby to the Caribbean where banana cultivation was the prime source of income. His grandfather, a retired colonel, was a Liberal veteran of the War of a Thousand Days, and often told Márquez stories of the battlefield. His grandmother was also a storyteller, and told the young Márquez tales of folklore, legends, and ghosts. The history behind Márquez's mother and father provided the writer a basis for Love in the Time of Cholera, particularly for the character of Florentino Ariza. Like Florentino Ariza, Márquez's father, Gabriel Eligio Gracia, was known as somewhat of a philanderer in the community, and was rumored to have fathered four illegitimate children. Gracia courts Márquez's mother, Luisa Santiaga Márquez Iguarán, as Florentino Ariza courts Fermina Daza in the novel, but the girl's father, the Colonel, who is comparable to Lorenzo Daza's character, discourages the romance from developing, on account of García's tarnished reputation. Gárcia woos his beloved Iguarán with violin serenades, love poems, and innumerable letters, just as Florentino woos Fermina in the novel. Márquez's own life also parallels the events and characters of Love in the Time of Cholera. Like Fermina Daza's character, Márquez's love interest and future wife had asked that he...
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