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Jane Eyre comes into a position to marry Edward Rochester when she receives her inheritance. Prior to the inheritance, Rochester saw her as a "dependent," who always did "her duty" (Bronte 282). Jane even refers to Rochester as "master" and makes note of the separation of "wealth, caste, custom" between them (Bronte 282). She refers to her love for him as unavoidable and beyond the bounds of class. Rochester proposes marriage to Jane and becomes intent on transforming her into his view of ideal beauty. She resists and tells him, "you…
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She doesn’t want to condemn Rochester to further misery, and a voice within her asks, “Who in the world cares for you?” Jane wonders how she could ever find another man who values her the way Rochester does, and whether, after a life of loneliness and neglect, she should leave the first man who has ever loved her. Yet her conscience tells her that she will respect herself all the more if she bears her suffering alone and does what she believes to be right. She tells Rochester that she must go, but she kisses his cheek and prays aloud for God to bless him as she departs. That night, Jane has a dream in which her mother tells her to flee temptation. She grabs her purse, sneaks down the stairs, and leaves…
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Even with Rochester, Jane does not behave as a traditional Victorian woman. She is strong-willed…
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In the end it all resumes to the requirement that Mr. Rochester be “like” Jane, only then her fulfilment of passionate love will occure…
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At Thornfield, Jane has finally found someone who loves and cherishes her fervently. Jane discovered that Mr. Rochester covered up his marital status and she felt betrayed and hurt by his deceit. After deciding unbendingly to leave Thornfield and Mr. Rochester behind, in this passage, Jane bids farewell to her master though Rochester continuously pleads for her to stay. From Rochester’s speech, he finally realizes that Jane is not going to yield to his wishes from her indomitable manner, but he still yearned for her to be by his side. Rochester passionately uses anaphora to emphasize that no matter how he implored Jane to stay, he vested no power over her. Besides Jane’s thirst for approval from others, another motif in the book is that she submits to no one and sacrifices her principles for nothing, such as her rejecting St. John’s proposal of marriage. Rochester juxtaposes the Jane that loved and treasured him to the Jane that repulsed and broke free of his love with an image of a “resolute, wild, free” and triumphant creature that refuses being controlled and held captive in its cage any longer. He also confessed that although he is the master of the house, he is not able to posses Jane’s self-willed soul. Jane’s character shines as she develops into a mature woman who dictates her own destiny. She would rather break free of Rochester’s…
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In particular, Jane’s conflict manifests itself in a romantic relationship between Jane and Mr. Edward Rochester, and with their eventual marriage, Jane resolves…
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At the beginning of the book, Jane gets into trouble because of her behaviour towards John Reed. Described as it is, we realise immediately that she is the victim, and not a naughty child. When Jane refuses to live with Rochester as his mistress, it is easier to understand the moral code she lives by. When she struggles to resist St John Rivers, we can see her dealing with her desolation and sense of duty, at the same time as a certainty that marriage to him would not bring any happiness.…
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There 's a passage from Bronte 's Jane Eyre that brings light to the patriarchal relationship between Jane and Rochester. Although Rochester has shown on multiple occasions that he has minimal control over his emotions and has the capacity to lash out, Jane admits her love for him and her feelings of safety around him. The scene depicts Rochester 's dominance over Jane as he holds her, and without a word, she falls completely useless under his perceived power. This ties in with the themes of the class surrounding the patriarchal dominance of the Victorian period, as Jane struggles and fails to fight back against her superior, yet still tries to maintain her sense of self and intuition. Bronte 's use of masculine imagery and the usage of the soul as the internalized truth highlights the traditional masculine and feminine roles of the Victorian era.…
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In the novel Jane Eyre, our protagonist Jane faces many difficult situations that can be solved by different solutions. In one specific situation, Jane is faced with a complicated problem that demands her to decide either to marry Mr. Rochester and live comfortably while feeling personally restricted or to leave Rochester and start a sudden life on her own. Jane eventually decides to leave Mr. Rochester and runs away from Thornsfield, going through many trials and tribulations and eventually marries Rochester in the end. Although many people may feel that Jane’s runaway was inconvenient and unnecessary because the end result was similar, I believe that Jane’s journey away from Thornsfield was important and significant to her.…
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Bronte's Jane Eyre is about love: a strong affection for or devotion to a person or persons (Webster 1070). For instance a dog will at first fall in love with you, and then it will hate you and again fall in love and live happily ever after. Love is a process and you must go through all the steps of this process in order to reach your ultimate goal of happiness. Love is something that we all must endure and desire. For some of us this can even be more of a challenge and perfection may never seem in reach.…
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Rochester explains to Jane that he felt uncomfortable with his attachment to her partially due to her social inferiority, as marrying below one’s status was very uncommon and looked down upon in the Victorian…
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Seeing Rochester among his high-class houseguests, Jane realizes that he has more in common with her than he does with them. Despite Jane’s and Rochester’s different class backgrounds, their master-servant relationship, and the strict gender roles of Victorian society, Jane…
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When Jane and Rochester fall in love she makes it clear to him that she will not be walked all over, and wouldn't stay in his shadow. Unfortunately, Jane finds out about Bertha and sees how overpowering Rochester can be. This causes her not to want to marry him, and then she had no one to turn…
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Although at a high social status, amongst them Rochester is an outcast. Through a large portion of the novel, Rochester remains a mysterious figure to the reader. He conceals a great portion of his life to Jane, such as Bertha. Rochester has a great distaste for normal society and lifestyle. Rochester does not marry another wealthy and beautiful female such as Lady Ingram, but instead confesses his love toward the penniless plain Jane. Both he and Jane think differently than others during the era. Jane’s feminism and Rochester‘s indifference separate them from the rest of society. Rochester…
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Jane expresses her desire to be with Rochester when she says, "I'll not leave you on my own accord" (Bronte 546). This is the first time in the novel that Jane expresses content with who she is with where she is living. Jane describes her marriage by saying, "I am my husband's life as fully as he is mine. No woman was ever nearer to her mate than I am" (Bronte 554). It is evident that Jane feels a close connection with Rochester, and this is one of the first times in her life that she does not feel isolated from everyone she is with.…
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