Literary Analysis "The Things We Dare Not Tell" Essay

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Literary Analysis

“The Things We Dare Not Tell”
In the poem “The Things We Dare Not Tell,” Henry Lawson’s purpose is to state the two different types of secrets that people posses which are; the kind that should be external to others and the kind that should be kept internal from others. He adopts a simpering and deceived aspect in order to relate to the alike feelings and experiences of his audience.

Henry Lawson begins the poem by recognizing the extent of secrets and the aptitude they may have against a large amount of individuals. Imagery is one of the main rhetorical appeals that bonds with the audience really well. Two examples of imagery used in the reading selection are “we stand and drink to the world old creed, with coffins at the feast” (line 14) which awaken the sense of taste and sight, and also “the fields are fair in autumn yet, and the sun’s still shining there” (line 1) which arouses the sense of sight. Henry Lawson associates the senses of taste and sight in his writing to capture the audiences attention by clearly demonstrating that his very own emotions on secrets have a way of being hidden “because of the masks we wear” (line 2) and by the statements “we’re doing well,” (line 3) but truly internally secrets will ultimately “break our hearts” (line 4). These certain examples of imagery establish our total understanding of imagery the poem.

Lawson also includes the rhetorical device symbolism to connect and relate with the audiences perspectives. One of two examples of symbolism used in the poem are “we bow our heads and we brood and fret, because of the masks we wear” (line 2) which explains that the mask symbolizes how we hide behind pretend emotions to give off a look of joy when everything is no joyous. He also writes “while they break our hearts, oh, they kill our hearts! Do the things we must not tell” (line 4&8) which explains that the hearts symbolizes us being brought down and tampered with by our inner emotions of the secrets...
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