Lars Von Trier

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Trier
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Lars von Trier|

Lars von Trier at Cannes in 2000|
Born| Lars Trier
30 April 1956 (age 56)
Kongens Lyngby, Denmark|
Occupation| Film director and screenwriter|
Influenced by| Andrei Tarkovsky, Carl Theodor Dreyer, Ingmar Bergman, Stanley Kubrick, Douglas Sirk, David Lynch, Michelangelo Antonioni, Jørgen Leth, Erich von Stroheim, Josef von Sternberg, Bertolt Brecht| Spouse(s)| Cæcilia Holbek (m. 1987–1995)[1]

Bente Frøge (m. 1997–present)|
Lars von Trier (Danish: [ˈlɑːs fʌn ˈtʁiːˀɐ]; born Lars Trier; 30 April 1956)[2] is a Danish film director and screenwriter. He is closely associated with the Dogme 95 collective – an avant-garde filmmaking movement – although his own films have taken a variety of approaches. His work has frequently divided critical opinion.[3] Von Trier began making films at the age of eleven. Raised by a communist mother and a socialist father in an austere environment, he converted at the age of 30 to the Catholic Church. Von Trier suffers periodically from depression, as well as various fears and phobias, including an intense fear of flying. As he himself said in an interview, "basically, I'm afraid of everything in life, except filmmaking."[4] His first publicly released film was an experimental short called The Orchid Gardener (1977) and his first feature film came seven years later with The Element of Crime (1984). Among many other prizes, awards and nominations, he is the recipient of the Palme d'Or, the Grand Prix, and the Prix du Jury at the Cannes Film Festival. Contents * 1 Early life and career * 2 Europe trilogy * 3 Zentropa and The Kingdom * 4 Dogme 95 * 5 Explicit images * 6 2000s * 7 2010s * 8 Phobias * 9 Filming techniques * 10 Trilogies * 11 Biological father * 12 Controversy at 2011 Cannes Film Festival * 13 Honours * 14 Filmography * 15 References * 15.1 Notes * 15.2 Further reading * 16 External links| Early life and career

Lars Trier was born in Kongens Lyngby, north of Copenhagen, the son of Inger Trier (née Høst, 1915—1989). He had believed that his biological father was Ulf Trier (1907—1978), until his mother revealed to him on her deathbed that he had been conceived as a result of an affair she had with her employer, Fritz Michael Hartmann. His mother considered herself a Communist, while his father was a Social Democrat, and both were committed nudists,[5] and the young Lars went on several childhood holidays to nudist camps. They regarded the disciplining of children as reactionary. Trier has noted that he was brought up in an atheist family, and that although Ulf Trier was Jewish, he was not religious. His parents did not allow much room in their household for "feelings, religion, or enjoyment", and also refused to make any rules for their children,[6] with complex results for von Trier's personality and development.[7] He began making his own films at the age of 11 after receiving a Super-8 camera as a gift and continued to be involved in independent moviemaking throughout his high school years.[3] In 1979, he was enrolled in the National Film School of Denmark.[8] His peers at the film school nicknamed him "von Trier". The name is sort of an inside-joke with the von (German "of" or "from" used as a nobiliary particle), suggesting nobility and a certain arrogance, while Lars is a very common and Trier not an unusual name in Denmark.[9] He reportedly kept the "von" name in homage to Erich von Stroheim and Josef von Sternberg, both of whom also added it later in life.[10] During his time as a student at the school he made the films Nocturne and The Last Detail, both of which won Best Film awards at the Munich International Festival of Film Schools.[11][12] In 1983 he graduated with the 57-minute Images of Liberation, which became the first Danish school film to receive a regular theatrical release.[13] Europe trilogy

After graduation...
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