Kiowa helps O'Brien by making his transitions easier. …show more content…
When Ted Lavender adopts a puppy, Azar straps it to a mine, explodes it, and then completely fails to understand why everyone is mad at him. Azar is the ultimate “courageous” man. He's always boasting about how tough he is, or saying incredibly insensitive things; however, sometimes he can be really funny, or pulling an insane prank on a fellow soldier. Azar can always be counted on for an insensitive joke at an unfitting moment. He mocks the Vietnamese girl who just lost her family. He jokes about Kiowa getting buried in the mud. That is the only incident when he feels guilty about something. In a normal situation, people would mourn the death of a close one. Azar however, seems to only be unaffected. His purpose was to show that Vietnam changed men, made them insensitive to events that would otherwise be disturbing and shocking, make them seem to have lost some sort of their humanity because of Vietnam. This is why O’Brien can count on him to help scare Bobby Jorgensen when no one else will. Azar, who might not even know what the word "moral" means, and who would not care even if he did know the meaning, obviously agrees to help him scare Bobby Jorgenson. But when Tim decides to pull out, Azar goes through with the prank anyway and then kicks Tim in the head for being weak. But here's the thing. Despite his whole manly-man thing, the rest of the platoon does not particularly respect Azar. Sure, …show more content…
Because of and in spite of this belief, Bowker has an active emotional life, an intensity of feeling about the atrocities he experienced in Vietnam, especially Kiowa's death. As the mortars rained down on the men camped in the toilet field for the village on the hill, Kiowa was sucked under and Norman immediately ran over to pull him free only to be sucked down as well. Knowing that Kiowa was gone and when to let go, Norman mustered up the basic survival instinct courage to let go of him and get out before he himself would drown as well. The Bowker character is most essential to the novel as follow up to “The Things They Carried.” O'Brien creates a fictional story. He asks O'Brien to write his story, and when he reads it, asks him to revise it to reflect more of his feeling of intimate loss. Bowker teaches O'Brien how to articulate pain through storytelling, the particular pain of Kiowa's death to the wastefulness of war. Without Bowker, O’Brein could have ended up like him. He helped him understand that he can get out and speak what he has to take off of his shoulders, by writing about it. These feelings are not directed out toward the world as anger, but instead are turned in upon him, and they become self-loathing and extreme survivor guilt. The Bowker character is most essential to the novel as fodder about which O'Brien creates a fictional story. He asks