Joy St Clair Hester, or Joy Hester, was born 12th August in 1920 in Elsternick, Melbourne. Hester was an Australian artist during a time period where the work she produced was exceptionally unappreciated. After dying of cancer at age 40 (4th December 1960) she has become acknowledged. Hester’s work particularly is largely made up of human faces. Hester’s “Girl” and “Cancelled Sketch of Pauline McCarthy” display the use of human faces and her artistic style.…
Travelling to Europe and Asia gave Margaret many memorable experiences. She was motivated by the many famous impressionists like Delaunay, Picasso and Gauguin, and used post impressionism, Japanese print tradition as well as new techniques in her artworks. Eg. Flat blocks of colour, colour stencils, light without shadows and asymmetry. Her extensive travels…
| CF Agencies: Artist: * Studied at the College of Fine Arts * Lives and works in Sydney * She has a strong foundation of drawing * Influenced by artists such as Kiki Smith, Louise Boirgeois, John Currin and Shirin Neshat as well as the drawings of Henry Darger. * Born in 1972…
As far as I am aware Alison Watt was known for painting portraits I have not heard of watt sculpting. She was also awarded an OBE, she was the youngest female artist to be awarded a solo exhibition at SNGMA.Alison Watt was quite original she interpreted her own ideas in her into paintings. such as the paintings 'Hinger and the horses head' I. This paintings watt has duplicated herself and she has also placed random nite s in Radom places.…
Piland, Sherry. 1994. Women artists: an historical, contemporary, and feminist bibliography. Metuchen, New Jersey: Scarecrow Press.…
The term spectatorship traditionally refers to the act of watching something without taking part. “Image flow” represents this idea of spectatorship where individuals mindlessly scroll through images and videos to fill the gaps in their day (Nelson 304). Maggie Nelson, author of “Great to Watch” presents the term “image flow” as the act of scrolling through social media and being in a constant state of “extremity”, either angry shock or boredom (300-311). However, she progresses her argument from disgust at the “desensitization” caused by the frequency of being in that state of “extremity” to exemplifying individuals and ideas that fall outside of those extremes (Nelson 300). Nelson’s notion of spectatorship, which identifies the self, is in direct relation to Malcolm Gladwell's theories of context. Gladwell, author of “The Power of Context,” suggests that direct physical environment, the “context of the situation”, molds an individual’s morals and the way he or she perceives the world altogether (149-162). Author Jean Twenge’s idea of entitlement in, “An Army of One: Me” serves as a foundation that holds together Gladwell and Nelson’s effect of a created context (486-505). The individuals feel that they are entitled to the information provided and by viewing the videos or images and taking action or voicing their opinion they are empowered, raising their self-esteem.…
When taking a trip to the Norton Museum of Art I chose a one dimensioned painting called Adam that was located on the first floor. The artist is Nicholas Carone and was painted in 1956. To the left of the painting, Adam, was another painting named Personage which was painted by Robert Mothewell in 1943. Personage is an abstract oil painting on canvas with multiple different colors. To the right of Adam was a sculpture called Sea Quarry and was created by Theodore Roszak. The sculpture was not an obvious choice that it was a sea animal at first. I had to stand there for a minute and really look at the sculpture to being to see what it was really intended for the sculpture to be. Returning to my original choice, Adam by Nicholas Carone, it is also an oil painting done on canvas. Carone first started with a plane black picture and continued to manipulate it with white paint color and other lines using different thick and thin brushes. The picture was made to represent and recreate light and shadow but is opaque. It uses several different elements of art including color, value, line, shape, and space. “Adam”s composition is curved lines and is known as an Abstract Expressionism type of art.…
When she was twelve years old, her father encourage her to take lessons in copying plaster casts and drawing. At the age of sixteen she applied to the Königsberg Academy of Art, because she was a female her application wasn’t accepted. Kollwitz’s earliest drawings represent hard working people during their…
Michelle was freelancing from home, doing Graphic Design, and started doing the art as a side thing. She never thought she could be a full time artist.…
““I want arsenic.” The druggist looked down at her. She looked back at him, erect, her face like a strained flag. "Why, of course," the druggist said. "If that's what you want. But the law requires you to tell what you are going to use it for." Miss Emily just stared at him, her head tilted back in order to look him eye for eye, until he looked away and went and got the arsenic and wrapped it up.” (Faulkner, 4) This scene from William Faulkner’s “A Rose For Emily” gives a little look into the strange mind of Emily Grierson. Miss Emily didn’t believe it when her father died, her father who was always there to shelter her from the rest of the world, the father who influenced her seclusion from the rest of the town. Maybe this is why she…
Audrey Flack was born in 1931 and is one of the founders of photorealism painting. During the Abstract Expressionist fifties, Audrey Flack suffered all the slings and arrows of being a female artist during times when female artists were viewed as little more than hobbyists. Flack believed that the continuous discovery of art was realty and artist should continue to use visual data. Flack also believed that art was the way people could express what was going on in the world and had a clear understanding of what was happening in the world (humanitiesweb, 2001).…
At first, Hockney attempted to take up abstract art, but found it to be “too barren”. At this realization, Hockney had to figure out what he wanted to do, and what could keep his artwork original from everyone else. Hockney viewed figure painting as “anti-modern” so he began to include words in his paintings as a means of “humanizing” his work. Eventually, the words were soon joined by figures which were painted in a “deliberately rough and rudimentary style”. Hockneys very strong personality soon made him well known, even outside the Royal College, and he made his first major impact as a painter with the Young Contemporaries Exhibition of January 1961.…
“Seen through Rose-Tinted glasses:” The Barbie Doll in American Society. By Marilyn Motz; supports the highly debated topic that the toy Barbie produced by Mattel is a bad influence, on young girls. Motz is claiming that the young female child envisions herself as Barbie, and with Barbie resembling an older more mature woman. Something that Barbie’s age group cannot obtain, in till they grow older and more mature themselves. However, Barbie is just a toy, her resemblance, her actions, as a doll is, solely up to the child. Adults looking into their daughter’s childhood are simply over thinking what a three to eleven year old can produce inside her mind.…
Produced in 1995, the collaboration produces some exciting and bizarrely beautiful work. Commenting on the work and her intentions she says ‘the boundary of our bodies, which we presume is so fixed and can only exist in that certain area, can be extended so far. This movement, malleability of flesh, I started to think about that quite a lot’. ‘Closed Contact no.4, fig (vi)’ Photographed from an elevated angle through a glass plate, shows Saville contorting her body whilst pressed up against Plexiglas. The piece definitely is appropriate to her intentions as she manages to distort her body enough so that we have no clear visual point of reference; there are no “boundaries”. I appreciate this image because she has abstracted herself and pushed her body to extremes also its very different from her paintings there are no definitive lines instead folds of flesh frame the image that is what I like…
The artist, Antoine Vollon, was born in France in the year 1833. He focused primarily on still life painting but also painted figures and landscapes. During his lifetime he enjoyed the status of a celebrity and was widely acknowledged with a great reputation. After completing an apprenticeship as an engraver, teaching himself painting and printmaking, he moved from Lyon to Paris in the year 1859 to further his craft. He was very inspired by the Dutch style of still life painting during that time, which is evident in his own style.…