2. Discuss the lines in the painting. Where are they located? What direction do they go? Are they straight or curved, thick or thin? How they direct your eye around the canvas?…
For the subject of my final paper I have chosen Champs de Mars: The Red Tower by Robert Delaunay, 1911 (Figure 1). I was initially attracted to the piece because it reminded me of a stain glass window. Delaunay’s command of bold color in the center of the piece makes it seem as if light is streaming through the painting from behind the canvas. The stain glass affect is intensified by the stylization of the Eiffel Tower. I was interested in what properties of the painting caused me to view the painting in such away. Why the application of the colors made it seem as if the painting was being illuminated from behind?…
Balance Balance is the distribution of the visual weight of objects, colors, textures, and space on the canvas. This painting has such an asymmetrical balance that we could consider it symmetrical. This is because, from the initial idea that the painting is separated in two by the ferry’s pole, one side is the city’s landscape, the other is the people’s lives. There are so many factors/elements here that really separate the two sides for example, the colors (which have been mentioned) that are complete opposites, the textures that on the ferry’s side most textures are made with smooth and long brush strokes to make the iron material, while on the city’s side it is mostly made of short brush strokes to make the building’s windows and the different…
The prime focus of this piece is Mt.Hood, which is centered in the middle of the picture plane halfway up the canvas. The mountain in the piece is opaque as there are no t-intersections within it. Behind the mountain various tones of orange, red, purple, and yellow are used to create a stunning sunset. Underneath the mountain, short straight strokes of numerous shades of green, blue, orange, and purple were used to create an image of thousands and thousands of trees. Close to halfway on the canvas, the image of Mt.Hood, the sunset, and the rows of trees is reflected on the water of Trillium Lake. Tehan utilizes the same colors she used in the top half of the canvas to create the reflection on the water. Centered on the bottom of the canvas towards the left side of the piece is a railing painted using various tones of brown, black, purple, yellow, pink, and orange. Tehan's delicate use of her pallet knife allowed her to create straight geometric lines for the railing. It also allowed her to give the railing an illusory texture.…
You will review two artists from different historical periods. Using your understanding of the works of art, the artists who created them, and the periods in which the artists created the artworks, you will formulate your opinions and then create and deliver a presentation.…
The lines in this work of art are of a large variety. On the right side of the painting a lot of the objects are horizontal. The woman though is sitting up vertically, along with the flame. There are a few diagonal lines also, for example; the position of the woman’s head, one of her legs, and her arm resting on the skull. Everything in this painting is realistic and the shapes are organic. The texture in this painting is two-dimensional. Almost all of the objects seem to be smooth, for example; the books, the wall, the table, the woman’s skin and dress, and so on. Warm colors are used in this painting. The value in this shows the lightest point being the center and from that going outward, it gets darker.…
In this painting, Picasso forgot all known form and depictions of classic art. He used distortion of a women's form and geometric forms in an new way, which challenged the idealized representations of female beauty that was expected in paintings. It also shows the influence of African art on…
Wiley’s piece communicates stability with straight horizontal and vertical lines. For example, in the young African-American man his broad shoulders, attire and unfamiliar posture challenges the viewers. Overall, it communicates a sense of power and authority. Wiley also challenges the traditional law of space. The space is shallow. The overlapping of flowers on the male figure stands out with a light blue background. It gives the male figure an illusion of height and width. Wiley shows ranges of blue tones in his jeans and brown tones in his skin. The painting has both primary and secondary colors; such as, the yellow and orange in his shirt and the red hat he’s holding in his left hand. Also, in the background he uses yellows, blues, greens and reds in the flowers. His painting has many highlights; for example, the highlights in the male figures right hand and arm, chin and neck, right pants leg, the hat and the top of his shoes. In addition, there are also many cast shadows; such as, in the males figures left pants leg, top of the hat, inside his right arm and the whole right side of his face. Wiley manipulates the paint to create visual texture of baggy, more ridged and tapered look in male figures pants. The floral motif exemplifies a feeling of movement all over and a natural pattern that are not exactly alike. When you look at this painting,…
The painting has been done on the wooden board. The artist has used oil paints as its medium. The painting, however does not include the whole wooden board. The subject is situated at the center of the board and the rest of the board is left blank. This is why the viewers have their focus at the center of the board. The very thing that attracts the viewers towards this painting is the color that has been used in the painting. The use of bright colors like white and blue makes it look vibrant and beautiful. The Artist has used blue as a main color, which is one thing that makes the painting more attractive. The painting consists of a human face. The artist has painted the face of a man which help explaining the motive of the painting. The face…
A critic seeks answers for what is seen in the artwork, how it is designed, what it means, and if it’s a successful work of art.…
French writer Guy de Maupassant would eat lunch at the Eiffel Tower’s restaurant out of pure necessity, because as he often remarked, “it’s the only place in Paris where I don’t have to see [the Eiffel Tower]” (Barthes 3). Wherever you are in Paris, whatever the weather, the Tower is always there; the only spot in Paris blind to the Tower is the Tower itself. The Eiffel Tower is constantly seeing all of Paris, and in return, being seen by all of Paris. Robert Delaunay’s piece “Champs de Mars: The Red Tower” (Figure 1.) was painted in celebration of the Eiffel Tower’s structure as an engineering and architectural miracle as well as a symbol of modernity in the nineteenth and twentieth…
The artwork that I have chosen to critique is by an American artist named Robert Motherwell, (1915 -1991). The particular piece I have chosen is called "Open" # 150 in black and cream 1970 acrylic on canvas 69 x 204 1/4 inches at the Modern Museum. This artwork is a symmetrical balanced abstract painting that is about 41 years old and is horizontal in its organization and is made up of one neutral color cream rectangle inside at the top of one large intense black color rectangle. Counting a total of 7 actual lines, three straight vertical and four straight horizontal lines. The large rectangle is an extremely intense black color which contrasts dramatically with the off white (cream) rectangle. The colors in the painting are brilliant and extremely appealing to the eye. It was the first artwork that I came across and focused the…
At first glance, the painting is very realistic and depicts a man and a woman that are…
The bright and vivid background color and the woman’s gesture drew me to this particular piece of art. The brighter color gives people a sense of happiness and that’s why I like it. His painting style is different from the original impressionism, so I want to know the…
As I was walking across the 17th century art section at Walters Art Museum, hanging behind the big rectangular pillar in the middle of the hallway, an oil painting on panel by Trophime Bigot draws my attention. The high contrasting tones of colors and values and the artist capability to make the grotesque painting appealing interest me.…