English II Pre AP
7 October 2010
The Adventures of Huckleberry Finn: The Man Inside the Basement
In numerous literary works, enigmatic characters such as the likes of a rebellious appeal or a villainous on doer appear in the compact structure of events, typically upon the datum of revenge; others, pure lustily desires for power and prosperity… Whatever the case may typically be, the characters whom lurk in the midst of the unjust shadows of society are the ones who portray their own themes of humanity, whether pledged accountable towards morality or a gamble to acquire from an event. Such a character, for illustration, can be found in the deep shallows of the Mississippi River; his skin the complexion of the water, his heart hidden under the dire ripples… In Mark Twain’s “The Adventures of Huckleberry Finn,” Jim, a being bond by slavery for the historical racial discriminations claimed far beyond that of the Civil War, resembles an incriminate towards the book’s ideal plot while also reflecting the hardships of prejudice petitions in that of his own modern day society. In other words, Jim is a “scapegoat” with a closet full of skeletons. Like crime TV, one cannot help but inspect in the core of curiosity.
A scapegoat in skeptical definition is a victim, most likely brought upon as an excuse to continue or obtain a substantial or selfish contribution to one’s silly ideals or beliefs. Although Jim’s seen as neither substantial in anyone’s “true” mind, nor selfish in anyone’s clouded heart,
he’s classified very well as the victim towards Huck Finn’s change throughout the book’s own procedure of prosecutions. “It was fifteen minutes before I could work myself up to go and humble myself to a nigger—but I done it, and I warn’t ever sorry for it afterwards, neither. I didn’t do him no more mean tricks, and I wouldn’t done that one if I’d a knowed it would make him feel that way. (Twain 69)” It is seen rather perceptibly that Huck’s alternation from a naïve, sinful boy to a mature, civilized young man has set the main obligations of the book into promising, operative gears; however, all could have not been possible without the subsidiary eccentric of Jim, whose heart of gold covertly formed the affectionate barriers upon and around the more honest ornaments of the story…
Although Jim plays as a major setting stone in Huck’s adventure and, more assuredly, life, he is recognized as a flat character; always separated or hijacked in the sheer cause for which leads Huck to more fascinating journeys. His role in this emphasizes that of his “scapegoat” integrity: “It would all get around, that Huck Finn helped a nigger to get his freedom; and if I was to ever see anybody from that town again, I’d be ready to get down and lick his boots for shame. That’s just the way: a person does a low-down thing, and then he don’t want to take no consequences of it. (Twain 169).” In the cause for which Jim is taken, Huck is led to meet many other publics of different backgrounds, emphasizing one of Twain’s main themes of civilization and its general pessimistic flaws. Another way to look at Jim playing as the majority quarry is that he may well also be looked upon as the stress above other characters and their personalities. “Well, I let go all holts then, like I was shot. It was the most astonishing speech I ever heard- and I’m bound to say Tom Sawyer fell, considerable, in my estimation. Only I couldn’t believe it. Tom Sawyer a nigger stealer! (Twain 180)” Diminutive as such an excerpt may be, it proves the compact statistic of Jim’s underlying inform as to further develop and exaggerate the characters’ full potentials.
Now life comes in a complex anxiety; one to further nerve others of their comfort and to bring visual and psychological contacts to a society with little understanding. Literature is used for this purpose; to pull a reader from their shell and...