Preview

How Does Michael Gondy Use Camera Angles In Eternal Sunshine Of The Spotless Mind

Satisfactory Essays
Open Document
Open Document
351 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
How Does Michael Gondy Use Camera Angles In Eternal Sunshine Of The Spotless Mind
Michael Gondy employs different camera angles, shots, and lighting to develop the narrative and theme in the movie Eternal Sunshine of the Spotless Mind. The odd shots and camera angles used in certain scenes reflect the complicated narrative of the movie. Part of the story takes place in Joel Barrish’s mind where his memories are slowly being erased. In the scene Joel and Clementine are in Joel’s memory of being a child, the camera angles used make it seem as if Joel is the size of child and Clementine is the size of an adult. The odd angles used in this scene helps viewer know that the scene is taking place in Joel’s memory. In another scene of Joel’s memories when Joel and Clementine are running in the snow along the beach, the long shots

You May Also Find These Documents Helpful

  • Powerful Essays

    When you first look at the painting your eye is drawn to a distinct horizontal line that depicts the horizon over the water. There are also curved lines throughout the piece where the waves are located, many of which make up either the ripples over the sand or waves breaking on the shore. These curved lines are what move your eye from the horizon towards the water moving forward as the wave breaks and moves along the sand.…

    • 1174 Words
    • 5 Pages
    Powerful Essays
  • Powerful Essays

    Run Lola Run Essay

    • 1571 Words
    • 7 Pages

    In the first one, a stationary Manni is shown at the Bolle store while a fast-moving Lola is still trying to reach him before he enters the store to steal the money. In the second one, Manni is placed on the left frame and Lola on the right one; slowly, a horizontal third scene showing a clock is introduced from below, thus creating a three-way split scene. In the third split scene one views, to the left, a blurry medium-shot of Manni looking at a clear full shot of Lola in the distance; and to the right, a blurry medium shot of Lola looking at a clear full shot of Manni. In the fourth split scene, one sees a reverse angle medium shot of Manni to the left and a frontal medium shot of Lola to the right. The right frame (which contains the image of Lola) then shifts to the left and wipes the left frame (which contains Manni's image). Although this wipe will have disastrous consequences for one of the main characters, the vertical split scenes also join momentarily the lovers, who are otherwise spatially and temporally removed from each other. The horizontal intrusions of a clock in the split scenes add stress and suspense to the ongoing situations. In this fashion, the camera attempts to capture all possible angles and positions before repeating the pattern…

    • 1571 Words
    • 7 Pages
    Powerful Essays
  • Satisfactory Essays

    Jenn Fang portrays Orientalism as "the way that the West perceives of -and thereby defines- the East" (Fang 3), and it is similar to The Slanted Screen by Jeff Adachi, that Asian were dominants by Western in the movie industries. When Asian are given parts in tv and film, those parts often maintain the stereotypical ideology which has been prevailing for quite a long time by Western. Asian American stereotypes in these media range from martial arts or bad guys, often set forth a wrong impression of what Asian Americans resemble.…

    • 294 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Lucy Walker Waste Land

    • 839 Words
    • 4 Pages

    First the scene has the lens placed to view Vik Muniz and his wife glancing at the Mac monitor at the artistic low frame rate in the heart of the Wasteland. Then the camera switches right to the view point of Vik in the same position. The camera views the specks of black within the trash artistically unfolding into lively birds as Vik did in that position giving proof for the camera acting as an eye in the film. Not only as an eye, but the eye of Vik Muniz. When he is in Brazil, the first scenes incorporate him in the beach paradise of Rio, but in his view, shadow stalks nearly every part of the beach in the scene as well as the natives. As Muniz grows in knowledge of the Waste Land and its unheard beauty, light is increasingly on or around Muniz and the camera. In the aerial view scene, the camera is shooting towards Muniz and specifically his profile, the contrast of lights that overtakes the shadows and the lit foreground. Next, An Arial view of the Waste Land is shown to project the assessment from that light that Vik perceives from the shot before it. It is not until towards the end, that camera shows the perspective of Vik with Tiao beside him taking in the bliss of his newly auctioned art piece after it has been placed within the gallery. The camera is angled to only perceive the light around them, or in the sense of what Vik…

    • 839 Words
    • 4 Pages
    Good Essays
  • Powerful Essays

    Tjaden Literary Devices

    • 1236 Words
    • 5 Pages

    The author uses imagery in this scene to show the relationships between the…

    • 1236 Words
    • 5 Pages
    Powerful Essays
  • Good Essays

    It draws you to the lower left corner of the picture. Just like “Fire in a haystack” the mountains in “Chevy use atmospheric or aerial perspective”. This mean they use the quality…

    • 262 Words
    • 2 Pages
    Good Essays
  • Satisfactory Essays

    Many of the wide shots used in this film show the dry, barren land the three girls walk through to get home. Wide shots are used to reveal the setting of which the characters in the film are moving through. An example of when a wide shot and a long shot was used is the view of the rabbit proof fence fading in the distance to represent the journey of the long distance ahead. This emphasizes the harsh environment of the Australian desert and how difficult the journey they’re taking is.…

    • 656 Words
    • 3 Pages
    Satisfactory Essays
  • Good Essays

    The first scene we see is of a boy (Billy) walking through the woods at night dusting of his knees. He is very well lit and has a mischievous look on his face also his face is cut. He looks surprised and panicked when the police shout at him and chase after him, once the police have taken him down we get a close up of Billy’s face it’s not until then we realise that the Billy is down syndrome and we begin to feel guilty when he shouts ‘I haven’t done anything wrong ‘we begin to wonder how has Billy done anything wrong when he is a innocent disabled person. The next scene we go to is a shot of Frost and Billy’s father in the corner of a dark room the camera shot used is a high angled shot looking down at the characters this is used to look like the camera is intruding or being nosey. Frost later uses some discriminative/offensive language and calls Billy ‘Mentally subnormal’ Billy’s father corrects him and calls him ‘Handicapped’ Frost discusses that he will have to have someone with him when he questions Billy in case he breaks any of the rules this is discriminative as it means Billy is different and has to have different measures in place for Frost to be able to interview him. The next scene we see is when Frost is interviewing Billy the scene is set in what seems to be a quite dark living room with a wall lamp on which creates a fading light over the set. We see another close up of Billy’s cut up face then there are a series of back and forth shots to give the effect of conversation between Billy and Frost. Frost is very intimidating towards Billy who’s seems paranoid when talking to Frost, we feel sorry for Billy in this scene as Frost makes it very obvious that Billy is responsible for the missing of his friend Trisha. There are a lot of camera shots over Frost’s shoulder aiming downwards towards Billy’s face this is to make Billy seem intimidated and belittled. Frost speaks in a very patronising tone…

    • 487 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Passing Storm

    • 452 Words
    • 2 Pages

    His use of atmospheric perspective and linear perspective are used to strengthen the painting, Albert uses this specific style in all his work that seems to really captivate his viewers.…

    • 452 Words
    • 2 Pages
    Good Essays
  • Better Essays

    There is another jump cut to the scene where Brody is reading, Spielberg uses the screen direction of a pan left to right to capture the POV of Brody reading. When Brody 's wife comes into the scene she is the subject of the camera movement making her the main object. There is cut to a tracking shot to follow Brody. An eye level camera angle is then used to show the long shot of the children by the sea, the camera is positioned as though the audience is actually observing the scene. We see a medium shot of Brody 's back which is discomfiting for the audience this shows his unease about his children being near the water. The camera then focus ' on the book and ped down towards the picture of the shark. A two shot is used when Brody and his wife are in the same frame. Throughout the clip the motif is recurring with the sound of the ocean, reminding the audience that it is a danger zone. Also the soft and harsh lighting within this clip can manipulate the viewer 's attitude towards this setting or towards a particular character. It appears that Spielberg has used natural lighting for this…

    • 1606 Words
    • 7 Pages
    Better Essays
  • Good Essays

    The events in the movie is played out where the viewer is placed in the shoes of the main character. By doing so the movie leaves the viewer both anxious and frustrated as events are played out in fragments, as Leonard finds out informations about his wife’s murderer. He takes polaroid pictures of people and places relevant to him and tattoos information to his body to remind himself of information he has…

    • 630 Words
    • 3 Pages
    Good Essays
  • Good Essays

    film techniques

    • 376 Words
    • 2 Pages

    Human kind has always displayed a desire, within their literature, to engross themselves on a journey of self reflection. However often these journeys can also be negatively forced upon a character. Skrzynecki, in his text ‘Immigrants at central station’ explores how forced journeys have dehumanised and isolated his family on their journey of migration. However, in ’10 Mary street’ Skrzynecki focuses on positive outcomes of journeys that him and his family have taken on their own. Furthermore ‘Girl, interrupted’, the 1999 movie directed by James Mangold, Outlines the segregation and inequality of forced journeys whilst also looking at journeys with positive outcomes of self enlightenment that were chosen to be taken.…

    • 376 Words
    • 2 Pages
    Good Essays
  • Good Essays

    A Beautiful Mind, written by Ron Howard, it tells the story of a brilliant mathematician named John Nash who eventually discovers he had an ill mind when he is seeing people who aren’t real. As John goes through college at Princeton and the rest of his complex career we watch him battle his own mind. The director uses several different film techniques to walk the viewers through the life of having a crazy but beautiful mind.…

    • 775 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Kill Bill 2

    • 1649 Words
    • 7 Pages

    The next shot puts the viewer inside the chapel, in the point of view of the minister. The rhythmic relationship from the length of the tracking shot to the cuts inside the chapel are extremely different. The movements within the…

    • 1649 Words
    • 7 Pages
    Good Essays
  • Better Essays

    A series of camera angles are used to symbolize many ideas which make the scene perpetually enjoyable. The first is a high angled shot from the perspective…

    • 1096 Words
    • 5 Pages
    Better Essays

Related Topics