How Does Alfred Hitchcock Use Of Film Techniques

Rope

Ever since the creation of filmmaking, filmmakers from all over the world have been experimenting and utilizing different filming techniques to alter or enhance the quality of their films. By utilizing techniques involving shots, cuts, and sounds, filmmakers have gained the ability to provide more meaning to their films as well as influence the way in which their audience interprets them. In Alfred Hitchcock’s thriller Rope from 1948, Hitchcock and his production team use many of these techniques. In the scene being analyzed Hitchcock employs these techniques, including close-up shots and mise-en-scene, to provide the scene with more meaning and affect the audience’s interpretation. By utilizing the filming techniques of close-up shots, a tracking shot,
According to class notes continuity editing is a trademark of the Classical Hollywood Style. (Striphas) The goal of continuity editing is to give an illusion of coherence and unity by causing a movie seem to flow together as a seamless whole. (Striphas) Many other filming techniques, such as the eyeline match and shot-reverse shot, fall under the subset of continuity editing. (Striphas) Hitchcock used the techniques of continuity editing during the scene for a number of reasons. For example, as previously mentioned, he used the eye-line match in the cut from Brandon’s pocket to Rupert’s eyes. While this technique helps to create suspense and intention, it also serves the purpose of maintaining the continuous flow of the scene. By using the eye-line match instead of a different kind of cut, Hitchcock helps make it clear to the audience that Rupert is looking at Brandon’s pocket and not something else, therefore helping preserve the continuity of the cinematic space. As a whole, through the techniques of continuity editing, Hitchcock successfully establishes a very dramatic and intense