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Henri Cartier Bresson Research Paper

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Henri Cartier Bresson Research Paper
In his first trip to Mexico, in 1934, Henri Cartier Bresson is a country that is a paradox, a land where the past and present coexist dimensions offering surreal scenes. The photos on their second trip to Mexico, in 1963, also reflect this impression of a new supernatural world. The real and singularly spooky inhabit the region. Upon returning to meet the Mexican people, reconfirmed what had caught his attention: the people, their spirit and their deep attachment to rites and traditions. The children, street vendors, prostitutes, are photographed in stunning clarity despite seeming dream characters.

The generally recognized photographers Cartier Bresson reflection agility to capture the moment, associated with extreme rigor of the composition. The shadows, lights and textures Photo noble elements, listed in your photos with the subject and his story. The result is a complex picture, evocative, which marked a fundamental
…show more content…
During this time he acquired his first camera and launch the search of adventure, of which only read in the books of his youth.
With virtually no possessions, Bresson lived by hunting, killing wild animals and selling meat markets. If it had not contracted blackwater fever could have been more than a year in Africa.

Once his health recovered he returned to France. After revealing the photographs from his trip to Africa loses its intense desire to paint and bought his first Leica camera in 1933, the same who would accompany him throughout his successful career. Begins to "feel" the picture and then in an interview, admitted that after his trip to Africa, "... the adventurer in me felt obliged to testify with a quicker instrument than a brush, the scars of the world" .

His first exhibition was opened in 1932 at the Julien Levy Gallery in New York, and that year he also published his first story in the magazine

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