Grapes of Wrath Ch.5-8 Theme Analysis

Topics: Great Depression, 1930s, The Grapes of Wrath Pages: 5 (1858 words) Published: February 16, 2012
Oscar Medina
AP Lit Per.1
Mr. Royal
February 9, 2012
Grapes of Wrath Ch. 5-8 Analysis
Theme: A theme found in this chapter is “The Monster,” or to be more exact, human control. The Monster is the bank, as it takes the money away from all the people. The bank has a power over the people, as they are desperate just to clear their debt fro m the bank. It is as though it is a monster, forcing the people to do whatever is possible, from stealing to scavenging, just to help with the debt. Some are forced to leave their lands and travel to California, where it is said to have jobs, so the people have to raise money for the trip. Humans lose control of their own lives, and have to do unorthodox things to help their lives. They are controlled by the bank, “The Monster” and have slim chance for any other options.

Analysis: From the beginning of the chapter a simile can be seen, as the tractors as seem moving “like insects.” It continues with a metaphor of how “they crawled over the ground.” It works well in describing how the tractors were in the huge land, and from far away how they looked like insects. The diction is from a farmland standpoint, having “diesel tractors,” “across the country,” and describing many of the objects with metaphors that exaggerate the details of the “tractors.” Also how they describe the drivers, how they did not seem human. The diction changes, as they describe the driver as a monster, a masked man, a robot. It is interesting because these two chapters are a huge description of the “monster” which is the tractors that run across the land, destroying anything in their path. It talked about how the tractors did not care about the land, and just controlled and destroyed everything, which compares to the bank, which did not care but just took the land from all the people, destroying all life on the country land. (47-48)

Conflict: The conflict that is seen here is the people being pushed out from the land. The banks are used for the debts conflict with the people and the tractors are the force. They are the main problem, as they forced the people out from their lands. They were ruthless, “cutting through a dozen farms and straight back” (48). The tractors cleared the land, as they did not care, they just wanted the land. They had “loved the land no more than the bank loved the land” (48). They only loved the land because it was an asset, and they could sell the land for a profit, which was vital especially during the Great Depression.

Theme: A theme found in this chapter is the theme of reconnection. When Joad and Casy are in the Joad house, they meet muley, and it is a reunion, especially since he had not seen Joad for 4 years. Reconnection is big, as it allows Joad to obtain information about his family, specifically, where they are. Muley praises Joad, and it shows as Muley sees him as a “smart-aleck kid.” They respect makes the reconnection flow smoothly, and it works with Casy as he was a reverend and many people, being religious, have much respect for him with his former position. Reconnecting allows Joad to grasp the situation that has plagued the land, the plague of the Great Depression. It helps him reconnect, or soon reconnect with his family.

Analysis: In these few chapters it tells a short story about how the depression hit their area and Joad’s family, and how they moved and made a living picking cotton. It adds more effect to the story, which has views from many different characters to fully grasp the concept of the life of the Great Depression. It connects with other parts of the story that are separate from the story of Tom Joad, as Muley continues on with his story and does not directly answer Joad’s question. The diction is fairly simple, just a regular conversation. The tone goes from relaxed to frustrated as Joad can not get a direct answer from Muley, which continues on to a tone of relief as Joad hears of his family and of their whereabouts. The dialogue is...
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