Funeral Blues

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In the poem ‘Funeral Blues’ by W. H. Auden, a sad and depressing atmosphere is created as the poem tells a story of the man’s grief. The poet’s use of language, word choice and sentence structure makes the mood in this poem suitable for the message it is getting across. In this poem the author’s feelings are expressed along with the use of rhythm and rhyme. In this poem, the writer uses regular verse and traditional pattern of rhythm and rhyme to give impact to his unexpected imagery of the end of a relationship when he cuts himself off from the rest of the his life because his grief is too much.

- In the first stanza the depressing mood is created straight away by the poet's use of commands, which created the impression that he wanted the whole world to come to a stand still:
"Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone"
These particular commands are demanding silence from everyone as he is requesting silence from everyone as he wants the clocks to stop ticking, the phone to stop ringing, the dog to be quiet and basically every aspect of normal, everyday life to come to a halt. By doing this the author has made it obvious that the...

To describe the incredible pain and isolation of when someone you love leaves you and the way time seems insignificant, the writer starts the poem by reiterating the title, creating emphasis by his use of assonance of the monosyllables: “Stop all the clocks”. Unlike Valentine, this poem incorporates a series of metaphors to describe the writer’s feelings instead of using one extended metaphor; he then continues to describe the suffering he feels and the way everything that used to have a purpose stops by using the atypical metaphor of a dog and a bone. To exemplify the way he feels his life has ended, he then uses metaphors associated with a funeral: Silence the pianos and with a muffled drum

Bring out the coffin, let the mourners come.
To show the end of happiness and the start of mourning, the writer includes the silencing of the pianos and then low thudding drums used at funeral to describe the phenomenal sadness he feels now the relationship is over. He includes the metaphor “coffin” to either represent his own emotional death he feels now he has lost something so valuable to him or to represent the death of the relationship. The second stanza further illustrates the engulfing pain this poem is describing. To symbolise the feeling that everything in his life is also submerged in pain, the writer uses the word “moaning” to describe an aeroplane, followed by: Scribbling on the sky the message He is dead

This line typifies the lackadaisicality he feels now nothing matters by using the word “scribbling”, which is given emphasis by the sibilance of “sky”. The fact that the message has been written on the sky shows the scale of the writer’s grief now the relationship has ended. To show the God-like significance his partner was in his life, he uses “He” with a capital; there is also emphasis on the three heavy monosyllables that creates a morose feel to the end of the line. The writer then expresses that all peace has now gone and is blemished and weighed down with death by referring to “crêpe bows around the white necks of the public doves”. Auden continues to describe the inconsequentiality of the rest of the world as he pushes himself away from his life: Let the traffic policemen wear black cotton gloves.

- short sentence and if you follow the
rhythm intended it is a drowsy beat which again extends the overdose idea as it is him falling asleep and puts him out of his misery but at the same time the ending remains sad and does not give a happy ending. The third stanza of Our Love Now is different from the other two; instead of using metaphors related to everyday life he starts to explore his pain deeper by directly referring to how the loss of his partner will effect him, using metaphors of cosmic significance: He was my...
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