The monster, although it has acquired the name Frankenstein in popular culture, remains nameless throughout the novel, signifying its lack of acceptance in a human society. The monster’s rejection stems significantly from its appearance, ranging from its "yellow skin" (Shelley 42) and "dim-white sockets" (42) to its "straight black lips” (42) and a "shriveled complexion” (42). Shelley has clearly distinguished the monster, marking the first divide between monster and human. She has also established the initial trickling of the monster’s inability to associate with humans. In fact, the monster’s own creator, Victor Frankenstein, rejects it due to its appearance and refuses to interact with the hideous beast. The monster’s appearance prevents other characters from seriously interacting with the monster, as they form a prejudice against a non-human being. The fear of that which is non-human lingers throughout Shelley’s…
During the creation scene, the creature is portrayed as a malicious beast by Victor and the reader blindly accepts his perspective because in the reader’s mind, Victor is a human while the Creature is not. As humans, we have a tendency to sympathize with the human Victor as opposed to the non-human Creature. As the story progresses to volume two, Mary Shelley challenges the reader’s perspective by providing a panoramic view of the Creature so the reader can gain a perspective through the Creature’s eyes and thus it allows Shelley to challenge what the reader views as…
The concept of ‘The Blonde’ has been ever changing over time and across different contexts. Meanings and cultural ideologies associated with blondeness have shifted due to the change in context at varying points of time. Blondeness has been represented and viewed differently from one culture to another where the context and values play a crucial role in these representations. In the movie, “Gentlemen Prefer Blondes”, Marilyn Monroe is portrayed as the archetypal blonde bombshell that uses her sexuality to appeal to rich men and hence portraying her as a ‘gold-digger’. The other text in which the ‘Blonde’ concept is portrayed in a different culture is Boticelli’s painting “The Birth of Venus”. It incorporates values from Greek Mythology as well as the context in which it was composed that is the Renaissance period specifically in 1485. The shaping of dominant meanings associated with being blonde is implied differently through the L’OREAL Blonde hair dye commercial as it shows how values and ideologies connected with blondeness have emerged in contemporary Western culture.…
This passage is one in which Victor Frankenstein describes the birth of his creature. Frankenstein’s words and memories reflect his feelings towards his newborn child. This essay will examine Victor Frankenstein's words, feelings and attitude towards his new companion and also his creation.…
The monster describes waking up to Victor saying, “It was dark when I awoke; I felt cold also, and half frightened, as if it were instinctively, finding myself so desolate” (Shelley 71). The first time the monster awoke he was confused, cold, alone, and helpless. The monster was brand new to the world, like a helpless baby, except for being much larger and uglier. Shelley uses the setting of cold and darkness to bring out the feelings of fear, loneliness and isolation. When Victor hears about the death of his youngest brother William, he quickly returns back to Geneva. He walks out to the spot of the murder and says, “It advanced; the heavens were clouded, and I soon felt the rain coming slowly in large drops, but its violence quickly increased. I quitted my seat, and walked on, although the darkness and storm increased every minute, and the thunder burst with a terrific crash over my head” (49). The approaching rain and heavy storm pouring down of Victor makes the reader feel the anger and loneliness Victor feels. Through the setting, Shelley shows the desolation Victor feels, and passes that feeling onto the…
Shelley uses aspects of Romanticism in the novel by having the Creature live in the heath. Romanticism is also displayed on Victor’s retreat to the mountains. Shelley displays an enormous amount of emotion in the novel which assists the reader to understand the feelings of alienation and neglect that the Creature is experiencing. With all of these aspects, the reader may begin to question whether Shelley had an extreme personal connection to one of the characters, whether it be the Creature or Victor.…
One approach to this question would be to say that the creature in 'Frankentein' was himself the only monster. However, as we soon realise, the creature is benevolent at heart and only becomes monstrous due to the unjust way in which society treats him. The bleak, miserable world which Shelley portrays, full of hypocrisy, oppression and prejudice gains exposure through the depiction of the monsters 'fall from grace'. It is through the monsters suffering that he becomes truly monstrous. Shelley is suggesting that the creature's misdeeds are caused by the enormity of his suffering; at heart, he is essentially good. And, more importantly, essentially human. If he is monstrous, no one but Frankenstein is to blame. When the outraged creature demands of his creator, 'How dare you sport thus with life?' the question succinctly represents the sentiments of the reader, and perhaps even of the author as well. Frankenstein, in his hypocrisy, longs to murder a being who owes its life to him. If the creature is, paradoxically, both inherently good and capable of evil, then his creator is as well. The main cause of the monster's suffering rests with none other than Victor Frankenstein himself, whose actions at the monster's birth were surely monstrous also. To desert a newborn child is to defy one of the most fundamental elements of human nature. This shows Victor to be inhumane, and hence, monstrous. It is this inner monstrosity that is reflected in the creature's hideous visage. This exposes one of the novels key themes; Frankenstein is the monster's double. It becomes clear at this point that Shelley is making use both meanings of the word monster. In modern usage, the term 'monster' has come to mean 'something frighteningly unnatural of huge dimensions'. However at the time of 'Frankenstein's' writing its meaning was quite different. In earlier usage a monster is 'someone or something to be shown' Shelley uses both definitions in order to blur the fine line between what is…
Shelley wants the reader to feel compassion for creature as well as for Frankenstein. She writes as though she is trying to distinguish the idea of a good or bad in a person. In her biography, written and research by the European Graduate School Program, that she is atheist and you can really tell that by reading the novel. Things such as morals and ethics can be easily leaned not only by attending the church but merely social interactions and self-education. I think that this is shown through the creature in how he is so neglected but continues to persevere and gain his own knowledge and wisdom through his sensations and passions. Mary Shelley created something more than just a…
In chapter four, when Victor describes the process of making the Creature, Mary Shelly uses.words and phrases like “My eyeballs were straining from their sockets”, “My confinement”, “My midnight labours”, “My cheek had grown pale”, “My limbs now tremble” and prod students to come to the realization that with this language Shelley is comparing Victor’s process of creating a living being togiving birth † thus establishing through imagery that Victor is the parent of his creature. ”.…
Throughout this quote, Shelley utilizes several different forms. She begins by quoting her husband’s poem ‘Mutability’ which qualifies the monster’s reasoning behind his misery. Then, she dives into directly stating how the monster views himself. The sentence has parallel structure; both parts begin with “my”. This phrasing is blunt, and it reinforces the bluntness of the creature’s appearance. Then Shelley combines words into repetitive phrasing in the form of questions. This section appears to be an endless stream of questions. Shelley progresses from qualifying how others feel towards the monster, to how the monster views himself, and then those two develop into his own confusion with his purpose in life. The structure of phrases and…
The mind, body, and spirit essentially define the totality of a human being. The isolation of these physical and mental elements play a strong role in Mary Shelley’s novel Frankenstein, in the case that the characters she portrays have been negatively affected in such instances. Throughout the novel Shelley illustrates specific characters during this time of isolation and describes what occurs when they do so.…
In Mary Shelley’s Frankenstein, an important aspect of nurture is investigated through both Frankenstein and his creation. The creatures interaction with the cottagers, as well as his interaction with Frankenstein, showcase Mary Shelley’s personal views on the topic. Specific contrasting vocabulary and recurring themes as Frankenstein is watching the cottagers help Shelley to highlight the creature’s influences as he’s discovering the world, and how that relates to a major theme of the story. The creature was born and let loose into the world without any guidance, without any idea of what is socially right and wrong. At first he simply focused on surviving and finding knowledge of the world and all his new-found senses. Later, he came upon the cottagers. From them, he learned about normal human behaviors, and he learned of right and wrong. The creature talked about how “Such was the history of my beloved cottagers. It impressed me deeply. I learned from the views of social life which it developed, to admire their virtues, and to deprecate the vices of mankind” (Frankenstein, 88). Here, the creature referred to the cottagers as “beloved,” he “learned” from them, and “admired” them. This word choice shows how the creature sees the cottagers as a child would see their beloved parents, learn from them, and…
Mary Shelley continues the suspense in the novel by describing the night the monster came alive. Shelley sets the atmosphere when she states that it was “already one in the morning” and “...the rain pattered dismally against the panes, and my candle was nearly burnt out...” This encourages the reader to predict something is about to happen. She continues on by saying, “… by the glimmer of the half extinguished light, I saw the dull yellow eye of the creature open…” This is what makes the reader have that rush of suspense run through…
-shelly makes out humanity to be cruel, conflicting misery on others for selfish needs. In chapter 16 Shelley allows the reader to understand the emotions of the creature due to the actions of mankind. The creature curses his creator for giving him life. Only his great rage, and his consuming desire for revenge, keeps him from taking his own life: he longs to ‘spread havoc and destruction around him and then to sit down and enjoy the ruin.” He falls upon the ground in utter despair and, at that moment, declares war upon all mankind for its callousness and cruelty. He vows to execute revenge upon his creator- the man who “sent him forth into this insupportable misery.”…
Effectively, Shelley has described a world that is very easy for the reader to imagine, since it is a world that we are very much a part of. There are no fantastic elements introduced, in terms of the setting of the story, as those elements are saved for the description and actions of The Creature, himself. In the creation and menacing of The Creature, Shelley begins to let her imagination run into otherworldly images that we so often connect to…