The author implies that society’s drastic shift into the visual world is essentially making us smarter. Morgan writes “we’re learning a new language and a new medium” (Morgan 2). “We can now handle visual shortcuts and codes that would have baffled us even 20 years ago” (Morgan 2). This shows how our minds are developing alongside the advancement in technology. In addition, Morgan calls out the flaws in the concept that proclaims that people are no longer able to consume information in abundance as we used to. He notes “whatever you may think of Lost, or 24, or Homeland, the fact remains that these are long-form stories and require the viewer to be able to keep track of plot lines and characters every bit as complicated and dense as, say, Charles Dickens’ Bleak House (Morgan 2). Essentially, the former is a visual medium while the latter is printed. Morgan believes that we retain the same amount of information just by different means of
The author implies that society’s drastic shift into the visual world is essentially making us smarter. Morgan writes “we’re learning a new language and a new medium” (Morgan 2). “We can now handle visual shortcuts and codes that would have baffled us even 20 years ago” (Morgan 2). This shows how our minds are developing alongside the advancement in technology. In addition, Morgan calls out the flaws in the concept that proclaims that people are no longer able to consume information in abundance as we used to. He notes “whatever you may think of Lost, or 24, or Homeland, the fact remains that these are long-form stories and require the viewer to be able to keep track of plot lines and characters every bit as complicated and dense as, say, Charles Dickens’ Bleak House (Morgan 2). Essentially, the former is a visual medium while the latter is printed. Morgan believes that we retain the same amount of information just by different means of