Foremost, the first sign of symbolism is presented when Jig was looking at the line of white hills, she observes that “they look like white elephants”(Hemingway). This use of symbolism with the hills looking like white elephants delivers the idea of the “elephant in the room,” being the topic of Jig’s decision on the abortion. This reference to the hills looking like white elephants sparks the conversation of Jig’s “operation,” which constantly only ends in the couple resenting each other, which is why the topic is normally avoided completely while they spend most of their time drinking and traveling. Jig constantly makes subtle hints that she’d like to keep the child, while her boyfriend makes subtle hints that having that child would lead to the end of their relationship, regardless of the condescending reassurance that if she “doesn't want to, she doesn't have to.” Jig is left with the decision of choosing to follow the man’s hidden suggestions about aborting their child or she can follow her own instincts and keep the child that she seems to see as more of a gift than a problem. This use of symbolism shows how love can influence your decision making when one is given the ultimatum of staying with one’s lover, or following their own personal
Foremost, the first sign of symbolism is presented when Jig was looking at the line of white hills, she observes that “they look like white elephants”(Hemingway). This use of symbolism with the hills looking like white elephants delivers the idea of the “elephant in the room,” being the topic of Jig’s decision on the abortion. This reference to the hills looking like white elephants sparks the conversation of Jig’s “operation,” which constantly only ends in the couple resenting each other, which is why the topic is normally avoided completely while they spend most of their time drinking and traveling. Jig constantly makes subtle hints that she’d like to keep the child, while her boyfriend makes subtle hints that having that child would lead to the end of their relationship, regardless of the condescending reassurance that if she “doesn't want to, she doesn't have to.” Jig is left with the decision of choosing to follow the man’s hidden suggestions about aborting their child or she can follow her own instincts and keep the child that she seems to see as more of a gift than a problem. This use of symbolism shows how love can influence your decision making when one is given the ultimatum of staying with one’s lover, or following their own personal