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* Pattern Making Essentials for The Workroom 1. Patternmaking Tools 2. Pattern Paper 3. Patternmaking Terms 4. Fabric Terms 5. Dart * Form Measurements and Figure Analysis 1. Landmark Terms 2. Measuring Form and Model * Drafting the Basic Pattern Set 1. Front Bodice Draft 2. Back Bodice Draft 3. Skirt Draft 4. Basic Sleeve 5. Sleeve Cap Ease * Dart Manipulation 1. Slash-spread Technique 2. Pivotal Transfer * Designing with Darts 1. Tuck-darts 2. Pleats 3. Flares 4. Gathers * Stylelines 1. Classic Princess Line 2. Armhole Princess Line 3. Panel Styleline * Contouring 1. Cutout Necklines 2. Cutout Armhole 3. Armhole Ease 4. Empire Styleline 5. Contour between the busts 6. Strapless Design 7. Back 8. V-neck Halter * Collars 1. Basic Shirt Collar 2. Peterpan Collar 3. Sailor Collar 4. Mandarin Collar * Cowls * Skirts 1. Low-waist Skirts 2. High-waist Skirts 3. Basic Waistband 4. Flared Skirts 5. Gored Skirts 6. Tiers 7. Pleats 8. Godets 9. Wrap Skirts * Sleeves 1. Puff Sleeves 2. Petal Sleeves 3. Lantern Sleeves 4. Leg’0 mutton Sleeves 5. Cowl Sleeves 6. Wedding Sleeves 7. Bishop Sleeves * Armhole Variations 1. Kimono 2. Dolman 3. Raglan * Pockets, Plackets and Facings * Shirts * Women;s Jackets and Coats * Men’s Wear * Caps and Hoods * Copying Readymade Garments
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The development of a garment comprises of different process. Fit is the most important factor leading to the final acceptance or rejection of a garment. Fit must be designed into the original pattern through subtleties in the pattern that provide fullness unobtrusively at appropriate locations to accommodate body bulges in a
* Pattern Making Essentials for The Workroom 1. Patternmaking Tools 2. Pattern Paper 3. Patternmaking Terms 4. Fabric Terms 5. Dart * Form Measurements and Figure Analysis 1. Landmark Terms 2. Measuring Form and Model * Drafting the Basic Pattern Set 1. Front Bodice Draft 2. Back Bodice Draft 3. Skirt Draft 4. Basic Sleeve 5. Sleeve Cap Ease * Dart Manipulation 1. Slash-spread Technique 2. Pivotal Transfer * Designing with Darts 1. Tuck-darts 2. Pleats 3. Flares 4. Gathers * Stylelines 1. Classic Princess Line 2. Armhole Princess Line 3. Panel Styleline * Contouring 1. Cutout Necklines 2. Cutout Armhole 3. Armhole Ease 4. Empire Styleline 5. Contour between the busts 6. Strapless Design 7. Back 8. V-neck Halter * Collars 1. Basic Shirt Collar 2. Peterpan Collar 3. Sailor Collar 4. Mandarin Collar * Cowls * Skirts 1. Low-waist Skirts 2. High-waist Skirts 3. Basic Waistband 4. Flared Skirts 5. Gored Skirts 6. Tiers 7. Pleats 8. Godets 9. Wrap Skirts * Sleeves 1. Puff Sleeves 2. Petal Sleeves 3. Lantern Sleeves 4. Leg’0 mutton Sleeves 5. Cowl Sleeves 6. Wedding Sleeves 7. Bishop Sleeves * Armhole Variations 1. Kimono 2. Dolman 3. Raglan * Pockets, Plackets and Facings * Shirts * Women;s Jackets and Coats * Men’s Wear * Caps and Hoods * Copying Readymade Garments
Pg 1
Home
The development of a garment comprises of different process. Fit is the most important factor leading to the final acceptance or rejection of a garment. Fit must be designed into the original pattern through subtleties in the pattern that provide fullness unobtrusively at appropriate locations to accommodate body bulges in a
References: * Aldrich, Winifred. 1997, Metric Pattern Cutting. Blackwell Science Ltd U.K. * Armstrong H.J, 2000, Pattern Making for Fashion Design, Harper & row publishers, New York * Cooklin, G.1994, Pattern Cutting for Womens Outerwear * Hudson, P.B, 1980, The role of fit and Fashion on Apparel Quality, Bobbin. * Shoben, M.M and J.P. Ward, 1999, Pattern cutting and Making up, CBS Publishers, New Delhi