Marcia gave the first invitation to Liza to show off her work in 1996. Though the first art work took Lou almost six years to complete, selling it enabled her to create more pieces and Lou began her second major artwork “Backyard”, a suburban lawn composed of 250,000 individually beaded blades of grass. Though her colorful early work has dealt with feminism and mass culture thematic, later pieces – such as Cell in 2006, dealt with an unsettlingly luminous re-creation of death-row and darker explorations of violence and confinement. Lous’ intent often seems either to glorify something humble or beautify something awful and tragic. (Bagley) Over the years her work has been displayed in a variety of different museum like Museum of Contemporary Art San Diego, SCAD Museum of Art Georgia, Lever House New York, Bass Museum of Art Miami, and
Marcia gave the first invitation to Liza to show off her work in 1996. Though the first art work took Lou almost six years to complete, selling it enabled her to create more pieces and Lou began her second major artwork “Backyard”, a suburban lawn composed of 250,000 individually beaded blades of grass. Though her colorful early work has dealt with feminism and mass culture thematic, later pieces – such as Cell in 2006, dealt with an unsettlingly luminous re-creation of death-row and darker explorations of violence and confinement. Lous’ intent often seems either to glorify something humble or beautify something awful and tragic. (Bagley) Over the years her work has been displayed in a variety of different museum like Museum of Contemporary Art San Diego, SCAD Museum of Art Georgia, Lever House New York, Bass Museum of Art Miami, and