Comparative Literature: The comparison between the book Dracula to the movie is that in the movie starts with legend of Vlad the impaler which is not in the book. In the movie Dracula has a shadow that operates separately from his body movements. Character of Dracula is less threatening initially in the book than in the movie. In the movie, Dracula appears as a wolf rather than the wolf escaping from the zoo being controlled by him which is not in the book. Lucy does not seem very ill compared to the description in the book. Dracula only appears as a bat briefly at the end of the movie in the abbey scene, not at the windows of the house.…
“The monster is not outside but within…,” said John Paul Riquelme. Riquelme’s quote gives the impression that there are always two sides to every coin. Each individual is more than their outer appearance. Humans are an imperfect mixture of both good and bad. According to Jean Baudrillard, simulacrum or simulacra is essentially the representation of something or even a certain person. In Bram Stoker’s Dracula, Dracula himself can be seen as a simulacra for humanity because he represents the bad side of humanity while the human’s simulacra is a representation of both good and evil. This idea of what good and evil exactly…
Bram Stoker’s book Dracula begins with a journal entry by Jonathan Harker. Harker is an English lawyer traveling to Transylvania, an Eastern European country, to meet with Count Dracula for business purposes. In his first journal entry, Jonathan records his trip to Dracula’s castle. Along the way local peasants warn him not proceed on to his destination especially so late at night. The worried peasants keep repeating the word “vampire” and give him crucifixes to ward off evil. Harker does get a bit scared but he still decides to continue on to the castle. When Jonathan arrives to his final destination, the friendly and gently Count greets him. During his stay at the castle, Harker feels more and more uncomfortable as certain events take place.…
In passage #1 of Bram Stoker’s novel Dracula, Stoker describes an event in which Dr. Seward, Quincey Morris, Lord Godalming, and Van Helsing decapitate Lucy in her vampiress state in order to truly kill her. Through Dr. Seward’s description of actions done by the men in order to kill Lucy, and the pathetic fallacy described after their task was complete, Stoker conveys a tone of relief in the passage. The men needed to decapitate Lucy and fill her mouth with garlic in order to truly end her life and ensure not only their own safety, but the safety of innocent people in London. As the men are preparing to kill Lucy, Dr. Seward describes their actions very bluntly and short, with no detail, showing that they were done with determination and…
Stoker’s Dracula, by contrast, is refined and enthralling. He has transmutated from a monster of sorts to a mysterious seducer, from a coldhearted “beast” of incontestable evil to a complex human arousing a strange sympathy and blurring the lines between good and evil. Count Dracula is now an attractive, sophisticated aristocrat who moves about easily in polite society. Dracula’s motivation throughout the film is the pursuit of his lost love, reincarnated in Mina Harker.…
In an analysis of Bram Stoker’s Dracula and one of many film adaptions, Coppola’s Bram Stoker’s Dracula, it is very evident that the female characters within the movie and the book are remarkably different. Not only is the love interest between Mina (Ryder) Harker and Dracula (Oldman) an addition to the movie, but the extreme sexualization of all the female characters within the film adaption portray the women in a new light. Through the distinction in character portrayal between the movie and the book, the underlying contrast between the “New Woman” and the Victorian Woman become very identifiable.…
This revolting image of Dracula is entirely absent in the film. By contrast, Bram Stoker’s Dracula is refined and enthralling. He has evolved from a monster of sorts to an enigmatic seducer, from a coldhearted “beast” of incontestable evil to a multifaceted human arousing a strange compassion and blurring the lines between monster and man. He is now an attractive and sophisticated aristocrat who moves about effortlessly society and whose only impetus is in the search for his beloved revitalized as Mina Harker.…
Bram Stoker’s Dracula debuted in Victorian England at the end of the nineteenth century. Not the first vampire story of its time, it certainly made one of the most lasting impressions on modern culture, where tales of the supernatural, horror, witchcraft, possession, demoniacs, vampires, werewolves, zombies, aliens, and monsters of all kinds have become something of a theme in modern art, if not an obsession. Many scholars debate the origin or cause of this phenomenon, yet most agree that culture plays an enormous role in the development of such themes, whether in nineteenth century gothic novels such as Dracula or Frankenstein, or in modern films with gothic leanings, such as The Exorcist or Children of Men. This paper will examine how fantasy and the idea of the supernatural, including the “undead,” is an important underlying fear prevalent in the psyche of humanity, which manifests itself differently, depending on the social or historical circumstances which spawns the creation of that work of literature or film.…
Apocalypticism that pertains to the religious beliefs which talks about the end of the world at a specific point of time. This too has a deeper reach in the theme of Dracula with Dracula expanding his reach beyond the seas and performing the role of Satan as the evil bearer. The believers plan for this event mimicking to the events of the Noah in the bible in order to save themselves for the end of world. The same way the characters in the story fights against the evil and become successful in delaying the end of days. Jonathan’s visit to Transylvania drops him amidst the myths and occult of the place. He questions and wonders the superstition beliefs the local people has, for instance of crossing their fingers as a crucifix. The similar warning…
During the Victorian era, sexually transmitted diseases were rampant because of the prevalence of prostitution. This outbreak provoked a feeling of consternation amongst people, and there grew a stigma around women's sexual expression. In Dracula, Bram Stoker addresses this issue and suggests that women should remain chaste and suppress their dangerous sexuality, which wreaks havoc if unleashed. In the novel, Mina’s innocence is juxtaposed to Lucy’s coquettish behavior. The characters reflect how the loss of a woman’s virginity transforms her into a monstrous being. A sexually aggressive woman poses a threat to society and a man’s dominant role. Nevertheless, a woman must be punished for being overtly sexual and stepping out of her expected…
Harris (1998) and Pinker (2002) argued that parental influences have been noticeably overstated in terms of their developmental significance upon children. Unlike many ‘traditional’ researchers whom may have considered parental influences to be fundamental to child development, many contemporary researchers, such as; Schaffer, Dunn & Fein, have began to focus their attention much more profoundly upon the developmental significance of child relationships between one another; namely their fellow peers and siblings. The aim of this assignment is to further explore the developmental significance of child interaction, in particular; child’s play, ensuring to…
I first met “Shock Illusionist” and “Anti-Conjurer,” Dan Sperry, back in 2011. His morgue-nificent Magic Show was the headlining act at the now defunct Times Scare New York City, which was located on (the infamous) 42nd Street. Times Scare NYC featured: a year-round haunted house, restaurant (with two bars) and a lounge. Its old fashioned theatre was reminiscent of the Midnight Spookshows, and this is where Dan Sperry regularly performed to amaze audiences. The building that housed this atrocious attraction was once a crematorium during the Roaring Twenties, and some have claimed it was truly haunted.…
In the novel, Dracula by Bram Stoker, he developed the writing of his novel by addressing the struggles between a modern society of progress, science, and technology with superstitions, folk beliefs and from the past. Bram stoker became interested in ancient superstitions including one from Cluj in Transylvania, Romania. He was a sickly child whose mother used to tell him ghost stories. Throughout the novel, two characters addressed these behaviors, Abraham Van Helsing, a Dutch professor who is a doctor and a lawyer and a philosopher and metaphysician. Also, Dr. John Seward a young doctor who studies psychological and owns his own asylum. Both of them showed their work by stopping the Count Dracula and killing him and going through rough obstacles.…
Since the eighteen century, vampire stories have played a strong role of popularity in literature and cinematic environments. The continuous changes of vampires have taken the vampire legend from something feared to something desired. Between Dracula and Twilight it has been over a hundred years. These two novels are a great example of vampire’s evolution. However, both novels have elements of narrative device, they are both written from multiple perspectives, and both were turned into a film. Although Twilight and Dracula are pieces of literature that share a vampire story, there are three important differences that characterize each one.…
Dracula, a vampire that serves as an anti-Christ, is a human embodiment that the Victorians fear and hope to destroy. Stoker describes him as a prominent figure of grieving evil, a curse that is a disgrace to the Victorian society. Having seen Count Dracula being ostracized from deviating from Christianity and creating his own religion, Stoker intends to persuade readers that believing in such religion is required and essential to human survival.…