Oleana as a Tragedy

Oleana presents many definitive traits that could categorise it as a ‘tragedy’. The most prominent is the presence of a ‘harnartia’, executed by John. Harnartia is Greek terminology that translates literally to “missing the mark”, and was often used to depict the ‘Hero’s fatal flaw’. In the case of Oleana, it could be argued that John committed the ‘fatal error’ of breaching the lawful gap between teacher and student by “placing his arm around” Carol while trying to soothe her. This sentimental reaction is generally condoned by the audience, despite the legal implications, as the emotional reasoning behind it temporarily clouds the unprofessional elements. Ultimately these actions result in a string of misfortune.
Tragedies also have a reputation for elating the audience, and encouraging conflicting emotions for the characters. Such is arguably achieved, as Carol is portrayed as a youthful woman whom is insecure in her own academic abilities and correspondingly becomes a victim to John’s crass, arrogant attitude as is shown by an extreme amount of ellipsis and interruptions in their earlier interactions. She is also strained by that of her own ‘group’ whom convince her to liberate the dramatic allegations that guarantied John’s downfall. However, she is also represented as vindictive and headstrong, as is shown by her dialogue in the last act wherein she attempts to blackmail John into rebuking his book: “If you would like me to speak to the tenure committee, here is my list. You are a free person, you decide.” John is firstly depicted as a brash and slightly aloof man with good intentions, but as the story develops, these quirks lose their initial romance and his character appears intrusive and pompous, due to his sesquipedalian qualities. He dominates the conversation and ushers Carol repeatedly; an action which is generally regarded as being extremely derogatory and advocates the belief that his elder status gives him a right to be condescending. Even