Not until she was thirteen when Zora moved to Jacksonville, did she begin to see herself differently as whites. “I was now a little colored girl”, she explained. But she still did not feel sorry for being colored, or hold anything against herself for it. “I do not weep at the world-I am too busy sharpening my oyster knife”, Zora kept this essay very entertaining using these creative ways of seeing her day to day life.…
It asks us to read these plays to learn about the horrors that African Americans have faced during their period of enslavement, and how freed slaves attempted to bring these atrocities to light through writing literature. It also helps us understand how theatre was used as a tool to assist in the freeing of millions of enslaved people, as well as a way to mock an entire race. It is important to search for the inspiration behind any theatrical style and determine what the motivation was in developing it into a staged production. From the extremely racist motives behind minstrel shows, to the noble cause of the slave narrative, by determining the motivation behind each theatrical movement, we can attain a more comprehensive understanding of the…
The focus of this essay is to explore the different conflicts and resolutions that are undergone between racially, religiously, and culturally diverse mothers and daughters-in-law. These different conflicts and resolutions are analyzed in two literary works: Day of Honey: A Memoir of Food, Love, and War by Annia Ciezadlo, which takes place in post 9/11 America and the Middle East, as well as Love Medicine by Louise Erdrich, set in rural North Dakota from 1934 to 1984. A critical analysis reveals that the daughters-in-law of these two literary works are able to overcome their differences with their mothers-in-law through selfless acts, and forge new meaning and relationships that fulfill their lives. Annia’s relationship with her mother-in-law, Umm Hassane, begins with mutual respect and love, but transforms into a game of proofs in which the resolution takes time and hard work to achieve. In Erdrich’s novel, the relationship of Rushes Bear and her daughter-in-law, Marie, is a years-long bitter struggle in which surrender brings about a similar kind of respect and love. In this essay, through an analysis of the different conflicts and methods of reconciliation, I will argue that between the racially, religiously, and culturally diverse in-laws of these two books, respect is something that comes hard earned. These daughters-in-law are able to prove that they are worthy of their mothers-in-law’s respect through demonstrations of sacrifice.…
This written piece is in response to the prompt, “Keeping A Sense Of Belonging Is More Difficult For Those Who Associate With Minority Groups Than It Is For Others.” The piece is an imaginative speech in the form of a panel of speakers including the MC, Mark Davis and Julia Ross – all fictional characters of the Australian Major Performing Arts Group – talking about the premiere for the upcoming Australian classical play, “Summer Of The Seventeenth Doll”. Both Mark and Julia speak about their roles in the play, acting as Roo Webber and Olive Leech respectively, and how these roles relate to their personal lives. In an educated and informative manner, Mark and Julia speak to an audience consisting of many fans of the play and also few media…
Grover’s Corners, a small town in New Hampshire, is the setting for Thornton Wilder’s play, Our Town.Throughout the three acts, we follow the conventional lives of two families: the Gibbses and the Webbs. As the play progresses, we see everything from morning routines, to first loves, to heartbreaking losses; overall, pretty commonplace, small town lives. Here, hidden in the ordinary, Wilder begins to weave one of his themes and uses Mrs. Gibbs to advance it. She is raising two children, married to the town doctor, and just a regular housewife. Hers is a perfect life for Wilder to expand upon the theme of finding extraordinary in the ordinary. Mrs. Gibbs as a character strengthens the idea that even the most ordinary, run-of-the-mill lives can be special and meaningful to the people living them.…
“I Have a Dream,” says Martin Luther King Jr. in front of the Lincoln Memorial on August 28, 1963. This is the day when people listen and understand the horrors of segregation and attempt to end it. In Lorraine Hansberry’s play, “A Raisin in the Sun,” the Younger family is going through the daily trauma of being an African American family during the 1940s to 1950s. The family of five live in a cramped apartment in Southside Chicago and they wait for the $10,000 check from the health insurance to arrive. As time goes by, the family focuses on the money instead of committing to their dreams, and those dreams ultimately become deferred dreams. The effects of deferred dreams on the Younger family include; miscommunication, and under appreciation.…
Lorraine Hansberry’s A Raisin in the Sun explores the universal ideas of family, dignity, and hope. Hansberry set her play in an old, once well-furnished and loved apartment in Southside Chicago after World War II. It is the story of an African American family’s struggle to prioritize futures and dreams and decide whose dream is most prevalent; once the family makes the choice to purchase a home with part of the money, they face an entirely new plight. One of the major themes of A Raisin in the Sun is the need to band together as a family and fight discrimination as a unified group, as opposed to a group that cannot stop fighting within itself.…
Womack chooses to reflect on the state of future inner cities and current ones by exploring their impact on the youth, specifically an adolescent girl. As Lola begins to assimilate into the culture of the poverty stricken inner city, her narrative dialect changes too. What Womack does here is show that with the depreciation of society, so comes the loss of innocence and youth. In order to survive her new surroundings, Lola must abandon childhood naïveté for subsistence. The loss of structure within society in turn leads to the loss of purity and adolescence, replaced by adrenaline and fear.…
In both Tennessee Williams movie entitled “A Street Car Named Desire” and Lorraine Hansberry’s play entitled A Raising In the Sun, the women in both works although similar in their portal of weak counterparts to men both physically and mentally, both authors William’s and Hansberry portray their leading ladies uniquely. In Williams’s rendition of “A Street Car Named Desire” his leading ladies Blanch, who is portrayed as a weak women who does not understand and is portrayed as a failure in what a true southern belle and wife are; whereas, her sister Stella is the epitome…
In the winter I wear flannel night gowns to bed and overalls during the day. I can kill and clean a hog as mercilessly as a man” (744). This portrays the picture of a typical African-American Mother who is working tirelessly to keep up with her family and especially the kids regardless of what the man does; either he provides or goes away living his life. It also displays a domineering spirit of most African women in their families to rule and preserve the norms of their homes. Mama’s lack of education does not limit her from comprehending the importance of her cultural heritage; which can be seen from how she related to the quilt and her love and respect to preserve it and hand it down to someone she assumed would do the same (Maggie). In as much as Mama never approved some attitudes of Dee; she identified to her heritage. Most African immigrants in America are just like Mama; they are faced with a struggle to preserve their cultural heritage and pass it onto their US-born kids. Instead they finds Dee’s earlier attitude of denying her heritage showing up and their responds would be just like Mama “I didn’t want to bring up how I have offered Dee (Wangero) the quilt, when she went away to college. Then She had told me, they were old fashioned and out of style”…
Picture a majestic, white plantation house, surrounded by acres and acres of golden crops and trees ripe with fruit. Inside the house, children run down the softly carpeted hallways, their laughter tinkling with innocent joy. The Master and the Lady of the house sit in the parlor, he smoking a pipe, and she embroidering. All reigns peacefully in this southern utopia. All except for the slaves. The individuals hidden behind the drapes, quietly bringing in the food, brushing away the dust, and pouring their life energies into tilling and working the land. The young man, who feels the harsh lash of the whip every time he makes a noise appears, opens the house door to let in guests. The woman who struggles everyday to scrape together enough food to feed her family, attends to the Master’s children, organizing heaps of toys and clothes into tidy piles. Such was the harsh, paradoxical reality of the Grimké sisters, whose upbringing on a wealthy South Carolinian farm boded nothing for them but the expectations of a life a luxury, based on a strong foundation of slave labor and discrimination. Yet Sarah and Angelina defied expectation, and moved North upon reaching adulthood. There they began to actively fight slavery, attending rallies and speaking out against the inhumanities they had observed. By examining detailed accounts of their childhood experiences, and their subsequent reactions to the brutality they witnessed, the path and impact of the abolitionist activism promoted by the two sisters can be traced. The trail of their journey follows a road that includes letters written to influential activists, a New England tour widely considered controversial, and speaking in front of Congress. The pamphlets, books, and speeches written by and about Angelina and Sarah Grimké reveal the horror and violence behind, as well as provide evidence against, the seemingly peaceful southern culture. Thus, the Grimké sisters’ first-hand…
In Desiree’s Baby, Kate Chopin shows how over valuing of white race and status can destroy a relationship and a family. Race and status are intangible ideas humans make up to segregate one another and should not be valued higher than a human life, but this is not the case in "Desiree’s Baby.”…
In the dictionary, the word “ugly” is defined as someone or something that is unpleasant and repulsive. For a black girl, the connotation of the word transforms from unpleasant to unworthy; repulsive thus becomes invisible. “Ugly” was initially written as a way for me to be in conversation with the Webster Dictionary word. However, over some months the piece began to be a conversation I was having with myself, other poets, and black girls in general. After ten months of working on this collection, I found myself in deeper thought with the tradition of being a black female writer speaking through another black female character. “Ugly” is a vocal manuscript that praises, scolds, and condemns the black girl and her peers in the outside world.…
African American mothers play a unique role in the family structure as a result of the discrimination and prejudice that they have come to expect. A role that, though not outwardly feminine or gentile, is nonetheless very significant in the American story of motherhood. This new embodiment of motherhood questions conventional standards of behaviour, standards that associate maternity with specific behavioural traits. In The Bluest Eye, Morrison pokes fun at these traditional ideals of femininity and fragility that act to restrict and dictate the behaviour of women. Commonly in literature, if a woman falls short of fulfilling her patriarchal duties she is portrayed as an archetype, specifically the archetype of the bad mother. Morrison does…
2] The author describes the obstacles of expectation she overcame; being part of a Mexican American working class family. She introduces the ideological role of a woman in a Mexican American family as a person whose sole purpose is to find a husband. She then details how lonesome it is to be part of a family with 6 brothers. She explains how her father would often refer to his children as 7 sons, instead of 6 sons and 1 daughter. She comments on how this would make her feel invisible as part of the 6 male siblings. However, she soon realizes that through this isolation and expectation of finding a husband that she is free to explore all the awaiting pleasures that college holds without any criticism or urging to succeed academically. It is through this pressure less perspective that she develops her passion for writing. She explains how the isolation provided by her family would later on prove to be great for a would-be writer. She goes on to explain "the loneliness was good for a would-be writer-it allowed me to think and think, to imagine, to read and prepare myself”. Ultimately the time provided for her as a child allowed her to identify her passion, and…