The impulse to move is the raw material that cultures shapes into evocative sequences of physical activity that we call DANCE
-So intensely personal is dance, so closely linked to cultural identity.
-Some people disagree abou the meaning and value of dance that is results in confusion, anger, and violence.
Cambodia-
-The royal treasury supported thousands of court dancers who played a central role in the fertility rights and ancestor worship.
-King jayavarman VII paid honor to spirits of his mother and father by adding over 3 thousand dancers to those already in service. -The king had an all-female troupe known as “the king’s dancers” -the star of the troupe was the daughter of Prince Sihanouk (the last reigning monarch) …show more content…
-words of many traditional chants have been lost or are no longer understood. -perform gender-specific steps.
-tamure: the dance with Tahitians do in nightclubs and dance halls (fuses western-style couple dancing with traditional Tahitian body movements
-embody important aspect of these societies (both nurtured by judeo Christian tradition)
-The relationship between the dancer and the audience is at the heart of one of the world’s oldest uses of dance- the dance performed for an invisible audience of spirits, ancestors, deities and other entities whose good will is considered necessary to the well- being of the community.
HOPI
-arid southwest, have native American societies managed to keep their traditional dances intact in the face of efforts by outsiders.
-the hopi calendar has revolved around a cycle of danced ceremonies that are performed in every hopi community.
-not everyone dances every dance. Everyone who attends is thought as a non dancing participant since their faith helps make it spiritually powerful.
-the hopi get in touch with the forces of nature that govern the world. The ultimate purpose is to bring rain to the patient crops in the