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Comparison Between Two Paintings

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Comparison Between Two Paintings
During the 14th century, when the beginning of the Renaissance took place, Florence was one of the main political, economic, and artistic cities in Europe. The Black Death, the plague that reduced the population of Florence, and the difficulties Florence encountered by this time explain the heavy influence of gothic style in architecture and the elegance found in every artwork created in this era. Florence was one of the top European cities when it came to painting, because it had the greatest school of painting where many important artists assisted. Florence, throughout the years, has always been an important influence in history and art. Even though many artists have a vast aspiration for art, each artist possesses his own criteria and methods that they acquired during the time in which they lived. Artists in Italy from the 1400s throughout 1900s shared many common techniques and skills that were characterized by their era. This period brings a new perspective of life to the European countries in the early fourteenth-century. By this time, people in Italy thought that a new and contemporary era had begun with a new style in painting and architecture and a new evolution in music, science, philosophy, and literature as well.
Lorenzo di Credi, is an Italian painter who belonged to the Renaissance period of the 1400s. Lorenzo di Credi, who lived in Florence, was learning about this new era that had a huge impact in everyone’s life. This new era had an advanced development in society and a rise of civic culture. A new sense of realism in art, new discoveries in the material world, and new more joyous vision of the world around them were taking place during the era. The Renaissance influenced the social, economic, spiritual, scientific, and religious aspect of Italy. Lorenzo, who started to have a special interest in art when he was in Florence by the 1450s, was already starting to produce his own paintings. When Lorenzo started his vocation as an artist, he always



Cited: Coen, Ester. "Oxford Art Online." 2007.http://www.oxfordartonline.com/subscriber/article/grove/art/T009466?q=umberto+boccioni&search=quick&pos=1&_start=1#firsthit (accessed April 15, 2011). Musgrove, John. "Oxford Art Online." 2007.http://www.oxfordartonline.com/subscriber/article/grove/art/T030277?q=futurism&search=quick&pos=1&_start=1#firsthit (accessed April 15, 2011). Regol, Dalli . "Oxford Art Online." 2007.http://www.oxfordartonline.com/subscriber/article/grove/art/T009466?q=umberto+boccioni&search=quick&pos=1&_start=1#firsthit (accessed April 15, 2011).

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