"For the Hero," he says, "reality appears as fundamentally shaped by the human struggle, the struggle with forces which are essential imperishable, the forces with individuality and fate"; "For the Saint," he says, "reality appears much different, it is ultimately configured by the bonds of a conveyed relationship among persons, human and divine, a covenant based on an exchange of promises, promises based on the mutual hope of love and lasting and unconditional trust" ("Philosophy, Religion, and the Meaning of Life,” lecture 1). Using the drama inherent to both the Saint and the Hero, Ambrosio goes on to offer some abstract answers concerning the purpose and the meaning behind the human experience. He, for example, uses the agony and ecstasy of present in the life and work of Michelangelo to highlight how the ideas of both the Saint and the Hero are directly related to Man 's innate desire to crate art. He, in fact, suggests that the passion that drives Man to create art is an extension of the Saint and that the well-known struggle of the 'struggling artist ' is a direct extension of the Hero. Each individual, therefore, must choose his or her approach to life. The Hero 's approach is based on the realization that there is reward at the end of life and that the setting and reaching of goals is, in fact, the meaning of life. On the other hand, the Saint approaches life is based on religion, meaning that an individual 's so-called purpose is divine and that one is put on earth to reach the afterlife by spreading love to other humans through a strong
"For the Hero," he says, "reality appears as fundamentally shaped by the human struggle, the struggle with forces which are essential imperishable, the forces with individuality and fate"; "For the Saint," he says, "reality appears much different, it is ultimately configured by the bonds of a conveyed relationship among persons, human and divine, a covenant based on an exchange of promises, promises based on the mutual hope of love and lasting and unconditional trust" ("Philosophy, Religion, and the Meaning of Life,” lecture 1). Using the drama inherent to both the Saint and the Hero, Ambrosio goes on to offer some abstract answers concerning the purpose and the meaning behind the human experience. He, for example, uses the agony and ecstasy of present in the life and work of Michelangelo to highlight how the ideas of both the Saint and the Hero are directly related to Man 's innate desire to crate art. He, in fact, suggests that the passion that drives Man to create art is an extension of the Saint and that the well-known struggle of the 'struggling artist ' is a direct extension of the Hero. Each individual, therefore, must choose his or her approach to life. The Hero 's approach is based on the realization that there is reward at the end of life and that the setting and reaching of goals is, in fact, the meaning of life. On the other hand, the Saint approaches life is based on religion, meaning that an individual 's so-called purpose is divine and that one is put on earth to reach the afterlife by spreading love to other humans through a strong