Preview

Comparing King And Kouros

Good Essays
Open Document
Open Document
435 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Comparing King And Kouros
The main difference between sculpture of King and Queen Menkaure and Kouros is that Kouros is a free-standing sculpture. More realistic. There is a technical difference in the way Greeks do sculpture – more realistic Kouros and King and Queen Menkaure sculpture have stylized eyes Most importantly, subtle smile as a sign of life. Not realistic stature.

there are clear similarities between the Greek and Egyptian sculpture. Both status are standing with left leg extending forward, the King and Kouros ‘arms are close to their body touching their side of their tight, with fist clenched , while the Queen arms in the Egyptian sculpture are curved and placed with one hand around the king and the other touching his arm and her left leg is extending forward as well but not as far as the King to show his power. The two sculptures are with broader shoulders and slightly developed musculature.
…show more content…
Furthermore, we see the presence of the feminine figure, the Queen Khamerernebty in the Egyptian sculpture. The standing of the Queen beside her husband reveals an illustration of Kingship and that women should be equal to the man, unlike in the Archaic era, man who gain human strengths and

You May Also Find These Documents Helpful

  • Powerful Essays

    Hatshepsut Research Paper

    • 4076 Words
    • 17 Pages

    At first during her image transformation, she was depicted with feminine facial features and a slender waist. Later she was fitted with accessories of king including a nemes headdress and symbols of Egypt’s enemies inscribed beneath feet much like the seated limestone statue from Deir el Bahri. After her image included full kingly regalia. This included the image ‘wearing shendyet kilt, Nemes headdress, false beard, formal standing pose, kneeling before the gods, making…

    • 4076 Words
    • 17 Pages
    Powerful Essays
  • Good Essays

    As a general rule in Ancient Egyptian art, less respected people were portrayed with more realistic figures. In addition, the rarity of the materials used corresponded to the prestige of the person in question. Their status was also reinforced through the presence of various symbols and scale, especially in the case of god-kings. For example, the depictions seen in Khafre Enthroned, Seated Scribe, and Akhenaton from the temple of Aton reveal the respect received by the works’ subjects through these previously mentioned attributes.…

    • 818 Words
    • 4 Pages
    Good Essays
  • Good Essays

    With this idea in mind, giving the sculpture realistic qualities helps view recognize who the subject was for the sculpture. Also, the king looks unfazed in this sculpture in…

    • 555 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Statue of Kouros

    • 786 Words
    • 4 Pages

    The Statue of a kouros and the Portrait statue of a boy both depict similar subjects, however are greatly different in how they accomplish this task. Through detail, or lack there of, the Greeks and Romans are able to display a certain value they have in its members. These two statues were made about 500 years apart and approach the sculpting process quit differently. The Greek statue seems to use geometric exaggerated lines to form the body while the Romans use a more realistic approach and sculpt the body with a more rounded finish. Statue of a kouros, from about 590 B.C and Portrait of a boy, from about the first century, do not share any great technical aspects and are basically nothing alike.…

    • 786 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Seated Scribe

    • 337 Words
    • 2 Pages

    After going through the chapters of the textbook I have come across two sculptures that has both similarities and differences. In chapter three I came across the Seated Scribe, it originated in ancient Egypt and was carved in limestone. The seated scribe stood out the most because majority of the sculptures in Egypt were kings or queens standing straight up with their hands placed firmly against their sided. Instead, the seated scribe was very relax with his legs crossed underneath each other.…

    • 337 Words
    • 2 Pages
    Good Essays
  • Satisfactory Essays

    Paleolithic Quiz

    • 1550 Words
    • 7 Pages

    | Queen Hatshepsut's reign as Egypt's “female king” suggests that in the New Kingdom women…

    • 1550 Words
    • 7 Pages
    Satisfactory Essays
  • Good Essays

    Despite being made over 800 years apart, Kiki Smith’s Lilith, made in 1994, and the artist that made the Enthroned Virgin, between the years of 1175-1200 in Sweden, both depict sculptures that embody strong women. There are no set of rules, skills or characteristics a woman must have in order to represent a strong woman, but through the different use of both artist’s posture, color and texture in their sculptures, we get a sense of both sculptures symbolizing powerful…

    • 80 Words
    • 1 Page
    Good Essays
  • Good Essays

    In the Archaic period, the Greeks developed a monumental stone sculpture for the representation of life-size, nude, young men (kouroi) and life-size, clothed, young women (korai). The kouroi, which were evidently made to serve a funerary purpose at a gravesite, emulate the frontal pose of standard Egyptian statues, but, over the course of the sixth century, are carved with increasingly more realistic anatomy. Faces, however, retain the conventional "Archaic smile" which serves to illustrate that the person is alive. Korai, shown wearing contemporary fashionable clothing, evidently stood as votive offerings in temple sanctuaries. A stylistic "sister" to the Anavysos kouros is the statue of a kore wearing a peplos, a simple, long, woolen belted garment that…

    • 609 Words
    • 3 Pages
    Good Essays
  • Good Essays

    The artist of this sculptured did an amazing job introducing the mythology, and the roman and Greek period in this sculpture. The romans were more focus on the head of the sculptures. The Greeks on the other hand were focused in detailing the whole body. Greeks focused on the human body they made the males very muscular just as one can see in this figures. They focused a lot on the human body; the artist here emphasized the knees, hips, and chest of the male figures. However, the artist created the faces of these sculptures the way the romans did. He made the females look young, and with their hair curly especially around the forehead just like the romans did. The males also look young and have curly hair. The artist created emotions in the faces of each of this figures. Some show happiness, others anger, and anguish but over all you can see triumph and…

    • 742 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    Archaic Greek Sculpture

    • 493 Words
    • 2 Pages

    A significant difference between the Archaic Greek sculptures and the Classical Greek sculptures is the poses held by the statues. The Archaic sculptures poses were strictly frontal; their one leg was usually advanced whilst the other leg was drawn behind. Both sides of the body were symmetrical. They also wore the Archaic smile which, one may assume was used as a way of making the statuses appear far more humanlike Contrary, the Classical sculptures also had a four square shape yet their standing figures balance position had been altered. The axis of the body was now a long double curve and the head was positioned subtly to the one side.…

    • 493 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Nude Women In Ancient Art

    • 265 Words
    • 2 Pages

    They still perceive the conspicuous commitment of womanhood in sentiment and love. They think that the statue of knidos was a bad example in the society just because standing nude, it refers somewhat seductive posture. Nevertheless, the Greek combination of humanism, realism and optimism couldn’t legitimize attempting to bind the pith of womanhood to the regular demonstration of childbearing. The woman at last made her mark. She made an illustration of magnificence as being more immaculate than nature. She was human, she was genuine and she was superior to could be…

    • 265 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Throughout history female figures have played an important role as subject matter. The female figure is very subjective, as peered through the different lenses of varying cultures. The status and functions of women in these cultures are the primary factors that influence how they are portrayed in art of a certain culture. However, the female figure itself through its natural and inherent iconography represents fertility and the importance of women in society. This natural iconography creates certain parallels in content between all works that use the female figure as subject matter. This varying subjectivity of a female’s status based on an artist’s culture will create differences in content and themes; however some aspects remain similar to most art with a female subject. Parallels, content inconsistencies, and how culture affects these, is visible in the Shango Shrine Figure, Athena Parthenos, and Venus of Willendorf.…

    • 917 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Whether in the fifth century B.C.E or the first century C.E, Greek art has maintained continuity among its theories since its inception. Throughout history, the Greeks have been perfecting their human sculptures. The Metropolitan Kouros (600 B.C.E) and the Spear Bearer (450 B.C.E) are made centuries apart but have the same Greek interest of the human anatomy. However, because of the time difference, it is clear that the Spear Bearer is more advanced. The same idea goes to the marble grave Stele of a Little Girl (440 B.C.E) and the bronze statue of Eros Sleeping (1st century C.E). They share many similarities such as the Greek touch; conversely, they have their differences.…

    • 1483 Words
    • 6 Pages
    Good Essays
  • Powerful Essays

    Looing at Art

    • 1764 Words
    • 8 Pages

    Shiva as Nataraja, Lord of Dance, at once destroys and re-creates the universe. Based on the rhythmic, graceful postures of classical Indian dance, the supreme deity's cosmic dance signifies the end of each cycle of time, or kalpa. The flames encircling his halo and held in his upper left hand symbolize destruction and the promise of re-creation. In his upper right hand, the drum and its sound represent creation or the beginning of time. His other right hand is posed in the gesture meaning "fear not," and his lower left hand points down toward his raised foot. This gesture represents the illusionistic qualities of worldly existence; the raised foot signifies the final release from the cycles of existence and promises salvation. In his dance, Shiva tramples the dwarf Mashalagan, an action symbolic of his victory over evil and ignorance.…

    • 1764 Words
    • 8 Pages
    Powerful Essays
  • Good Essays

    Memi And Sabu Comparison

    • 519 Words
    • 3 Pages

    One main similarity I find between the two statues is the distinct use of sharp lines and patterns. In the statue of Memi and Sabu, the subjects' hair is perfectly patterned to show texture, and Memi's wrap is lined to show draping detail. On the Statue of Gudea, the king's headdress also has a precise geometric pattern and clean linear details places on his clothing.…

    • 519 Words
    • 3 Pages
    Good Essays