The six female dancers sit on the ground separately, spread out in three different columns, and begin to feel their bodies gently as they clasp their hands on their chest, neck, and back. They warmly embrace their individual bodies as if assuring themselves that they have beautiful womanly bodies. Next, the six female dancers twist their bodies quickly to the side and stand on their feet as they raise their upper bodies to a straight position followed by their extended arms slowly rising above their heads. The effect of the women being naked with their limbs spread apart widely dramatically helps the audience understand the true beauty of the female body. The female dancers proceed to rub their breasts with both hands as they glide their fingertips and arms across the top and bottom of their breasts in opposite directions. The lighting of the set is focused on the frontal side of all the female dancers in an effort to focus the audiences eyes on the women's bodies. The technique of a stagnant body position, as the dancers are nude, allows the audience to focus on the upper bodies of the female dancers which helps to express and celebrate the true beauty and elegance of the female…
The speaker is longing for the “ideal” woman, not only beauty, but in the manners expected of her at that time: “Gentle maiden, pure and fair.” Yet in his longing, he keeps his distance as propriety demands.…
When Wren Abbott and Darra Monson were eight Darra's dad, West, stole a car with Wren hidig in the backseat. Years later, when they were 14, they met at a summer camp.They both have differant points of view about their situation and, if willing to, they will share it with each other and answer any unanswered…
Three women were shown on center stage on Wednesday to perform a myriad of dance moves that left the audience breathless and wanting more. The dance was led by Jodi Melnick, who is a great dancer, deeply accented her knowledge and flair of dancing languidly to the spectators. The movement of the dance was somehow unhurried, each step gracing the stage with their imminent presence. Contrary to other dance moves in fashion at the moment, this particular dance was delicate and gossamer like silk. With the help of fellow dancers, Maggie Thom and Emma Grace Skove-Epes, the dance was created to perfection to convey a message spectators are curious to unravel of.…
In “Gentlemen Prefer Blondes”, directed by Howard Hawks, Anita Loos uses the vapidity of her main female character Lorelei Lee as a satirical reflection of the shallowness of the men which surround her. Specifically, Lorelei is portrayed as being superficially focused on material wealth, while the men who want her are represented as being equally superficial in their interest in her physical beauty. In a broader sense, Loos used the background of upper-class America in the Jazz Age as an object of ridicule. The concept of the ‘gold-digger’ was manifested in the character of the blonde Lorelei Lee which gives insight in how blonde women were perceived during that time period. Nothing concerned her as much as money and diamonds and that shows that othe than being extremely seductive, blondes are nothing but materialistic.…
Embracing your sexuality can be quite scary in a world where it seems people wants to tear you down at every chance. It should be noted that lines nine and ten, Clifton could very well mean multiple things when she writes “they go where they want to go / they do what they want to do.” These lines imply that she not only feels that the extent of what she does with her hips is her business, but it also calls into question her own sexual orientation. It is, of course, rather a stretch to assume that these line mean she could be lesbian or bisexual. Still she may have intended to convey that it is no one else’s concern “where they go,” man or woman. Regardless, the statements “they don’t like to be held back / these hips have never been enslaved,” in lines seven and eight are nothing short of inspiring for all women. This message states that women should have as much freedom with their body as men without being shamed for it. This argument for freedom for women has come up in history countless times. The nineteenth amendment granted women freedom to vote, but when will women be granted freedom over their bodies without having to feel shame?…
draperies might allude to both the physical act of their love and the woman’s prospect of…
Young men are holding their drinks around a dirty mahogany floor. Some men stand around bopping their head to the upbeat music whereas others their drunkenness of the night be show with their boughs of laughter. They are not there at her at his club for the liveliness or alcohol. They are there for one thing only. They are there for the sway of the mesmerizing female dancer who has everyone in the room transfixed on her. Though they were transfixed in her presence they find no problem shouting obscene words that would demean a young girl. The lack of respect doesn’t bother the sensual dancer because it happens so many night before. She just goes on and does the job she was supposed to do. During, the Harlem Renaissance African American female…
The persona’s disdain for desire is both striking and obvious. The first quatrain in itself is laced with insults such as scum and dregs (line 2), both associated with unpleasant things, causing a displeasing visual image to be painted in the mind of the reader. It also discreetly points out desire’s cruelty as it fools men into wishing they could possess things impossible for them to obtain, it is the target of a blind man, who cannot even see where he is aiming (line 1). He expands on this point through the use of metaphor – cradle of causeless care, web of will (lines 3 and 4); portraying the effect desire has on men. It nurtures caring for people and possessions without reason, and tangles the minds of men. In order to ensure his point is taken home, the speaker emphasizes his point with alliteration evident in his repetitive use of the letter c in line 3 and w in line 4.…
We have, more or less, as an audience become used to the idealized depiction of women. Often, particularly in classical styles, they were portrayed as reclining nudes who were there for the viewer’s pleasure. With averted eyes, they touched themselves sensually, typically innocent and oblivious that there is someone painting her for all to see. When they weren’t sexual-fantasy fodder, they were servile and obedient–particularly in the 1940′s and 1950′s after the end of the strong women era of World War II. They wore their hair in perfect curls, with their perfect dresses and worked merrily away in their perfect kitchens. In Jack Levine’s Girl with Red Hair there is a shift away from the perfect, care-free woman that came before. Rather, nudity…
The alterations that are made in the characters’ appearances play into the thought that love was easier and more innocent in the 1960s than it is presently. The first place this change is seen is the first encounter between Juli and Bryce as Bryce’s family pulls into their new home, and Juli tries to help unload the truck. In this scene in the novel, Juli is described as a tomboy with very masculine clothes to emphasize her freedom from the traditional gender roles of a female, while the film’s costume designer adds a feminine touch to the clothing that Juli is wearing. This touch of femininity brings the audience back to the 1960s where the roles of each gender are more prominent. Even though Juli is still a tomboy in the film, her clothing in this scene reminds the viewers that she still has certain roles to fulfill as a female. With these roles defined, relationships in this era are seen as “easier” because no discussions had to take place to determine which partner would do what around the house, who would tend to the children, and who would work. However, Juli’s personality is also a historical tie into the American Feminist Movement of the 1960s and 1970s where the goal of the movement was to break down barriers for women and create equality, especially in the workforce (“The 1960s-70s…
The Love Song is painted in a way in which the media itself is not particularly expressive. The artist’s intention was most likely to leave the subject matter of the painting the focus of his viewers rather than the painterly qualities of the work. Rockwell’s careful rendering, though not completely disregarding the importance of brushstrokes, keeps our focus on the subjects. Rockwell did a tremendous job at capturing light with this work. Light is cast through the window onto the floor. It bounces off of the fabrics of each figure’s clothing and grounds the painting altogether. The wrinkles in the faces of the man are deepened with shadow, while the girls face is softly lit with light. The fabric of the girls dress and the curtains behind her are soft and wistful while the fabric of the men’s clothing is harder and perhaps exaggerated,…
We would be like machines if we couldn’t do things on purpose.” The main basis of Carly’s song “Call Me Maybe” is that the boy she is infatuated with will call and talk to her. But why did Carly chose to do this? The reason Carly wants the boy to call her is because of her deep and passionate love for this boy. She sings, “it’s hard to look right at you baby” Carly is so smitten by the boy that just by looking at him sends butterflies into her stomach. “Before you came into my life I missed you so bad” Carly has always known something was missing in her life, and this boy is her missing piece. Because of her intense passion and love for the boy is why she chooses to pursue him.“I’d trade my soul for a wish, pennies and dimes for a kiss” Carly is so in love with this boy that she’d chose to do anything for him- because she is human she has the ability to make choices and reflect on them she chooses to do everything and anything for her crush, as he means everything to…
One meaning of “bent” is determined; set; resolved. This definition is directly utilized in the story. The mother tells the girl, “On Sunday try to walk like a lady and not like the slut you are so bent on becoming” (306). In the mother’s opinion the girl is determined to become a slut. But, the mother’s instructions for her daughter to act pure and innocent on Sunday demonstrate her resolve to help the girl conform to the ideals of society of how a woman should behave in public. The mother tells her daughter, “this is how you hem a dress when you see a hem coming down and so to prevent yourself from looking like the slut I know you are so bent on becoming.” This lesson will keep her daughter from having a dirty, slovenly appearance. It is evident that a tidy outward exterior is important for a woman to uphold. The short story is about a mother who is “bent on” making her daughter accepted in society to help the entire family be respected. This is a responsibility that all women had to take on during the time period.…
In Leslie Bell’s “Hard to Get: Twenty-Something Women and the Paradox of Sexual Freedom,” twenty something women are confronted with the struggles of being a woman in this day and age realizing they are being pushed to act in a way suitable enough for men and the norms of society. The author uses the concept of sex and love to express the way these women feel using the word “splitting” to categorize the uncertainty and concern women have about their freedoms. The meaning of Bell’s work is truly emphasized showing how over empowerment of economic, political, and social strength can make women feel “weighed down by vying cultural notion” (Bell 26). The essay accentuates the idea that women do not know how to get what they want or what they want as well due to gender roles, gender politics, and distribution of power in “normative” heterosexual relationships.…