Preview

Clown with Long Nose by Walt Kuhn

Good Essays
Open Document
Open Document
927 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Clown with Long Nose by Walt Kuhn
"When art is made new, we are made new with it. We have a sense of solidarity with our own time, and of psychic energies shared and redoubled, which is just about the most satisfying thing that life has to offer. “If that is possible,” we say to ourselves, “then everything is possible”; a new phase in the history of human awareness has been opened, just as it was opened up when people first read Dante, or first heard Bach’s 48 preludes and fugues, or first learned Hamlet and King Lear." (Russell 13)
This new art spoken of, the coined “secret revolution” that was a part of the new phase opened up, was modern art. This revolutionary form began shortly before 1914 (Russell 126) and is still present today. It was during this time period that artist Walt Kuhn gained great popularity and his work Clown With Long Nose was painted. It is important, before looking at the painting, to first understand the purpose and direction modern art usually has. “The entire gamut of modern art can be viewed from the vantage point of the artist’s attitude towards the object, an examination which should throw some light on the larger problem of how the modern artist chooses to interweave art and reality and, ultimately, of what constitutes reality for him (Johnson 11).” A major part of interpreting modern art lies within determining that reality. Viewers search for their own meaning in the painting since the simplicity of most modern works leaves much room for imagination. When the modernism phase of artwork began it was not exactly obvious to the public, but over time there “came about a general awareness that there was such thing as a modern sensibility, and that that sensibility had the key to modern life (Russell 126)”. It was thought that if one was modern they had to easily be able to notice changes of life and be accommodating of “the unconscious and the irrational” side of humans (Russell 126). These aspects will later influence the works of Walt Kuhn in his various oil



Cited: “America Modernist.” Sullivan Goss An American Gallery. 2008. Sullivan Goss, Ltd. 4 Apr. 2010. . Johnson, Ellen H. Modern Art and the Object. New York: Harper & Row Publishers. 1976. Kuhn, Walt. Clown With Long Nose. 1936. Montgomery Museum of Fine Arts, Alabama. Montgomery Museum of Fine Arts. “Wall plaque.” Montgomery Museum of Fine Arts, Alabama. Russell, John. The Meanings of Modern Art. New York: Harper & Row Publishers. 1981.

You May Also Find These Documents Helpful

  • Powerful Essays

    Bibliography: Stokstad, Marilyn and Michael W. Cothren. Art History. Fourth ed. Upper Saddle River, NJ: Prentice Hall, 2011.…

    • 1963 Words
    • 8 Pages
    Powerful Essays
  • Satisfactory Essays

    Art 101 Week 1 Assignment

    • 582 Words
    • 3 Pages

    References: Sayre, H. M. (2009). A world of art (6th ed.). Boston, MA: Prentice Hall.…

    • 582 Words
    • 3 Pages
    Satisfactory Essays
  • Good Essays

    In the years following World War II, the United States enjoyed an unprecedented economic and political boom. Amidst this growth, many artists and intellectuals had emigrated from Europe to the United States, bringing with them their own traditions and ideas, giving rise to the the Abstract Expressionist movement. Artists including Jackson Pollock, Willem de Kooning, and Mark Rothko, sought to express emotions and individual feelings, and personified this through their diverse bodies of work by exploring new ways to reinvigorate and reinvent their medium of painting. Thus embodying a distinctly ‘individual - American’* element of confidence and creativity, so much that it was sponsored by the CIA because it could be held up as proof of the…

    • 188 Words
    • 1 Page
    Good Essays
  • Good Essays

    The Marvelous Sauce

    • 854 Words
    • 4 Pages

    What first catches the viewer 's eyes are the vivid colors used in the painting. Ultimately what jumps out the most is the man on the right 's red robe. The artist intended this for a reason, discussed later. The room where the men are standing is front lit. Also the atmosphere is not hazy. There is no hint of sffumato. It is very much unlike the Romantic works produced earlier in the century. Rather the edges of the figures and of other objects in the picture plane are clearly defined. The artist "renders every object in the painting with meticulous clarity" (Smith 1). To see this work in person is really quite impressive. The painter has achieved a great sense of depth in the painting, as well as a strikingly realistic quality. The picture taken for this paper from the Albright-Knox 's web page simply does not do this work justice. One 's experience of standing in front of this painting is that of awe. The artist has depicted everything in the scene so realistically, and yet has made it look better than it probably did in real life. Everything in the painting has a rich, glowing quality about it.…

    • 854 Words
    • 4 Pages
    Good Essays
  • Better Essays

    Cited: Gombrich, E.H. The Story of Art. 12th Edition. New York, N.Y. Phaidon Press Limited, 1972. Print.…

    • 1370 Words
    • 6 Pages
    Better Essays
  • Powerful Essays

    Mayne, R. J. (2009). Timeline: Art of the 20th century: A revolution in the arts. Retrieved 13, 2011, from http://www.all-art.org/history568_introduction.html…

    • 2355 Words
    • 10 Pages
    Powerful Essays
  • Better Essays

    References: Doss, E. (2002, April). Oxford History of Art: Twentieth-Century American Art. Cary, NC, USA: OUP Oxford. Retrieved from ebrary, 289…

    • 1588 Words
    • 5 Pages
    Better Essays
  • Good Essays

    Now, let’s unpack the meaning of the objects we found in the painting. Well, as we all know paintings…

    • 548 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Another reason why this painting is a masterpiece is because of the meaning of the painting. Nobody really understands the exact meaning of what this art represents. I heard some critics express that everyone wonders what the lady in black is starring at, and why is she so important in this painting. People also question the monkey that she is holding, what can the monkey mean. To me this painting represents tranquility, and peace. Just looking at this painting I could see that everyone is relaxed. Everyone one is just enjoying a quiet sunny day with almost everyone looking in the same direction. The way the people are dressed show that they are sophisticated people. I enjoy watching this painting because - feel as thought I can just live in a place like that. This painting is really good for a decoration piece in your house. Your visitors…

    • 1543 Words
    • 7 Pages
    Good Essays
  • Satisfactory Essays

    Lastly, the gloomy painting shows all people as they are and equal and it emphasizes the temporal nature of life. Realism plays a big part in how the art is…

    • 118 Words
    • 1 Page
    Satisfactory Essays
  • Powerful Essays

    Using abstract imagery to represent their new style was an extremely difficult and challenging concept; ‘Abstract art had to fight to defend itself against a reactionary world’ seeing as this new form was completely opposite to the previous norm, which was very figurative. (Hammacher, 1964 p.5) However, soon after this controversy, abstract art began to be accepted. ‘Abstraction, the single most important characteristic of the art of this century’ was used and noticed by all designers; it was now that ‘Abstract art was appearing everywhere’. (Barron and Tuchman, 1980 p.12)…

    • 1600 Words
    • 7 Pages
    Powerful Essays
  • Good Essays

    Artists like Jackson Pollock were genuine about their art making. Pollock’s art style was different than the traditionally accepted and renowned European style paintings. Therefore, abstract expressionist art like his was not favored. It is then curious that such art could grow to harbor such prevalence in the world.…

    • 423 Words
    • 2 Pages
    Good Essays
  • Better Essays

    Andy Warhol’s pop art, known for silk-screens of both famous people and everyday objects, could be an example to explain the relationship between art and its background. Pop Art is a 20th century art movement that utilized the imagery and techniques of consumerism and popular culture influenced by mass media, advertising, comics, and consumer products developed in the late1950's as a reaction against Abstract Expressionism and flourished in the 60s and early 70s. Pop Art favored figural imagery and the reproduction of everyday objects. His pieces of pop art were motivated by well-known cultural icons of the 20th century. Beginning of Andy Warhol’s work, the 60s were the age of youth, as 70 million children from the post-war baby boom era became teenagers and young adults. The movement away from the conservative 50s continued and eventually resulted in revolutionary ways of thinking and real change in the cultural fabric of American life. No longer content to be imaged of the generation ahead of them, young people wanted change. The changes affected education, values, lifestyles, laws, and entertainment. Many of the revolutionary ideas which began in the 60s are continuing to evolve today.…

    • 979 Words
    • 4 Pages
    Better Essays
  • Powerful Essays

    Impressionism

    • 1279 Words
    • 6 Pages

    Bibliography: Altshuler, Bruce, and Phaidon, eds. Salon to Biennial Exhibitions That Made Art History. Vol. 1. New York: Phaidon, 2008. Print.…

    • 1279 Words
    • 6 Pages
    Powerful Essays
  • Better Essays

    Art and Architecture

    • 16688 Words
    • 67 Pages

    Two opposite forces have coexisted in American art since the establishment of the first colonies. On the one hand, American artists have been aware of their European cultural heritage and of continuing innovation in Europe; on the other hand, they have had to adapt European forms to the exigencies of their native situation. This interaction between rival forces is hardly unique to American art--all art grows within a tradition--but what distinguishes the American experience is the ambivalent attitudes brought to that tradition. To many of the early settlers, the ambivalence was clear, since so many of them were religious and political exiles. Yet despite the pressures of conscience and conviction, the European traditions persisted in memory, so that the first American art and architecture were adaptations of European styles and modes, modified to suit the colonists' urgent needs in a new and often hostile world. The conflict, aroused by traditions at once alienating and indispensable, has served as the underlying dynamic for the rise and progress of art and architecture in the United States.…

    • 16688 Words
    • 67 Pages
    Better Essays