Bias of Roots and Culture

Topics: Narrative, Fiction, Style Pages: 2 (579 words) Published: November 7, 2008
The Bias of Roots and Culture

Discussing roots and culture is often a very subjective topic. Quite often, the same story is interpreted entirely differently, depending on who is telling the story. This principle is also true in fictional works. A narrator will bring his/her own perspective and biases into the events that he or she is telling about. In Raymond Carver’s Cathedral, the first-person narrator has several biases that are used to reveal character. This first-person narrator has both positive and negative biases, and insights that clearly represent his character.

The narrator in Cathedral has biases that serve to create his character well. Some of these are positive, and some are negative. The first clear bias that is made clear is a positive one. In the introduction of the story, as the narrator is giving background information on his wife, he speaks of her first husband. The manner in which he speaks of her impresses upon the reader of how little this first marriage matters to him, and thus shows that he acknowledges his wife has a past, and that he loves her just the same. Carver shows the narrators’ indifference to this first husband when “why should he have a name?” (Responding to Literature, 439) is asked. Another one of the biases the narrator has does not serve to create such a positive picture of him. This negative bias is the narrators’ bias against the blind in the beginning of the story. He speaks of them as very somber, as his idea of blind people was that all the “blind moved slowly and never laughed.” (438) These insights into the mind of the first-person narrator help to establish him as a character.

The use of first-person narration in Raymond Carvers Cathedral serves to establish the narrator as a legitimate character well. The reader is given direct insight into the thoughts of the narrator, which would not be possible from other perspectives. For example, the reader is given a direct path into the narrators’ thoughts of...
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